Four subjects—a student, a writer, a professor and a dancer—each immersed in the act of reading. Not party to the targets of their attention, a viewer is invited to partake in an alternate act of reading: one of the film’s protagonists themselves, their unspoken languages of presentation, posture and movement.

Four subjects—a student, a writer, a professor and a dancer—each immersed in the act of reading. Not party to the targets of their attention, a viewer is invited to partake in an alternate act of reading: one of the film’s protagonists themselves, their unspoken languages of presentation, posture and movement.

David Lamelas’ work withstands no classification. He trained in painting and sculpting, but shortly after, he put the materials aside, embraced conceptual art and wagered for its dematerialization, placing the audience’s experience at the center. “There is a lapse of time that is space,” he states and reveals his synthetized obsessions in this, his first film. An analytical study if the exhibition hall describes light devices or the isolating of sound, depicting the minimal gestures of the workers who talk about their roles and responsibilities. Like an imagined zoom out, it turns into a psycho-geographic exploration of the city of London. The news of the lunar landing occupy the headlines and Lamelas goes out to the streets in order to document the amazement. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/a-study-of-the-relationships-between-inner-and-outer-space

David Lamelas’ work withstands no classification. He trained in painting and sculpting, but shortly after, he put the materials aside, embraced conceptual art and wagered for its dematerialization, placing the audience’s experience at the center. “There is a lapse of time that is space,” he states and reveals his synthetized obsessions in this, his first film. An analytical study if the exhibition hall describes light devices or the isolating of sound, depicting the minimal gestures of the workers who talk about their roles and responsibilities. Like an imagined zoom out, it turns into a psycho-geographic exploration of the city of London. The news of the lunar landing occupy the headlines and Lamelas goes out to the streets in order to document the amazement. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/a-study-of-the-relationships-between-inner-and-outer-space

童年，成长经历，家庭背景，社会关系，创伤…… 我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物——我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已。

童年，成长经历，家庭背景，社会关系，创伤…… 我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物——我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已。

童年，成长经历，家庭背景，社会关系，创伤…… 　　我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物—— 　　我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已

年轻的莉亚担任知名作家安娜的助理，两人从公私分明到逐渐暧昧不清。当过往与现今发生擦撞，莉亚开始对这段关係感到溷乱，甚至无法洞悉一切…

年轻的莉亚担任知名作家安娜的助理，两人从公私分明到逐渐暧昧不清。当过往与现今发生擦撞，莉亚开始对这段关係感到溷乱，甚至无法洞悉一切…

童年，成长经历，家庭背景，社会关系，创伤…… 　　我们不断追溯与求索犯罪者的动机，探寻其中最幽微的喜怒哀乐，不是为了设身处地地同情、乃至于原谅他们，不是为了给罪行以开脱的理由，不是为了跪服于所谓人性的复杂，不是为了反思社会矛盾，更不是为了把自己也异化成怪物—— 　　我们只是在给自己、给仍然对这个世界抱有期望的人——寻找一个公正的交待而已