导演的话： 　　我想说的是，拍完这个片子，我就从导演系毕业了。 　　毕业短片拍完了，心里的一块石头落地了。不管这个片子多么的俗气，多么的没有情怀，但是她都将成为我拍过的最好的一部片子。当然这个最好只限于2010年5月1日。 　　我当然是一个自恋的人了，但我不会去自拍什么的，我只是会不停的在我拍的片子里重复着自己的影子，无赖，流氓，真诚乃至一往情深。我所有的男主角都是我自己，所有的女主角都是片汤，当然是加鸡蛋加青菜很有营养的那种。 　　但是毕业这个片子还是有些例外的，它并不是一个作者电影，我只是在讲了一个好玩的故事，带着我的某些气质，但是很多地方我也是跟着演员的气质走的。 　　拍摄上还是有很多放水的地方。对于剧本的完成度，我给自己打了70分。连着四天日外的戏，我赶上了骄阳阴天下雨大风，但我还是按照预设的进度完成了。我也在想过，我是不是应该去细细的拍一场戏，去等光线，去等景。答案是不可以。当然不是钱的问题。只是，这是一个商业片，商业片的最大原则就是不能超出预算，说花多少钱就花多少钱，我是这样用一个职业导演的要求来要求自己的。当然，职业导演就意味着放水。 　　越来越不习惯这种拍摄方式。在所有剧组主创人员都不拿片酬的情况下，你作为导演，同时作为制片人，你应该怎样统领剧组呢。一方面，导演的职责，就是跟全剧组对着干，以片子的质量为最高原则。一方面，剧组成员都是很仗义的来给你帮忙的，你又怎么忍心让他们饿着累着冻着吹着呢。很难办，很难办。这几天的吃饭时间，是我一年来拍戏最按着饭点吃饭的一回。呵呵。呵呵。

财政部的一位职员在办公室里接受了贿赂。下班回到家后，他跟妻子吵了一架，妻子威胁说要离开他。第二天，他上班时发现自己被拒绝进入办公室，一个男人说自己讨厌行贿受贿之类的事情。那位职员打道回府，发现痛不欲生的妻子企图结束自己的生命。

一部480分钟的纪录片，记录了中国独立音乐的变迁，波澜壮阔，涉及中国社会几代人的演变与冲突。 　　在二十一世纪第二个十年中叶的中国，奥运会都已过去了十个年头，物质与文明极速涌入了当下的时代，多样化的生活方式，令时代舞台上的人们变得前所未有的不同起来，保守、前卫、焦虑、大胆，越来越不被理解——不被别人理解，也互相不理解。 　　一趟已经在河东行驶了三十年的时代巴士，早已失去了政治光环，艺术家、个体户、工作者，形形色色，上上下下，构成了这部公路电影；而窗外更稚嫩的年轻人，焦急地排着队向这个时代涌来……他们可能会登上某一趟巴士，或者砸了所有的巴士。 　　A 480-minute documentary, a historical record of the change of independent music across China, mammoth and complete, involving evolution and conflicts of several generations in Chinese society. 　　In the second decade of the 21 century, it has been ten years since the Beijing Olympics. China has seen the abundance of wealth and civilization. Facing such a diverse lifestyles, people are far more different from each other than ever. Conservative, avant-garde, worried, daring, they not only fail to be understood, but also fail to understand one another. 　　The film is a driving bus of our times, which has already lost its political halo in 30-years glory history, filled with artists, businessmen, workers and all different people who get in and off, however, the innocent younger generation is still queuing up anxiously outside, who might get in one of the buses, or smash all buses.

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

玛格丽特·杜拉斯 谈论她的作品“写作”，纪录片，时长43分钟，彩色，video。

影片讲述CIA特工在911袭击后对那些他们所认为的幕后黑手采取极端审问手段。

《报告教练》是东方卫视明星运动类真人秀节目，多名明星教练将带领艺人体验篮球、足球、羽球、游泳4种奥运项目。韩国女艺人郑秀妍（Jessica）到中国内地参加节目录制，同时照片中也曝光了李治廷、耿乐、容祖儿、陈妍希、白百何、谢霆锋等都将加盟该综艺节目 。

As a result, some of the episodes are a strange mixture of run-of-the-mill exploitation stuff with issues concerning good or bad parenting. For example, in one episode Elise (Marie Luise Lusewitz) has Sunday morning sex with her husband, unaware that her young children are already awake and watching them through the bedroom's keyhole; her hubby finds the subsequent inquisition by the kids regarding the technical details of this weird wrestling match too hard to take and reacts in a way that gives the commentator ample opportunity for more moralising criticism.