当心狠手辣的王子威胁着要使世界陷入黑暗时，一名训练有素的年轻骑士蒂里（艾米尔·威尔逊 饰）开始了史诗般的任务——给国王送一封密信。 一路上，他意外地发现自己处于一个神奇预言的中心——一个英雄将崛起，击败王子并恢复和平。 如果他要完成这趟旅程，必须了解成为一名真正的骑士、领导者意味着什么。 故事根据同名畅销小说改编，主演还有露比·塞尔基斯、泰达·格雷厄姆和吉斯·布洛姆。 《国王的信使》由威尔·戴维斯（《驯龙高手》、《憨豆特工》、《穿靴子的猫》）担任编剧及监制。 保罗·特里比斯（《大梦想家》、《初恋这首情歌》、《偶发空缺》）同为监制。 这部6集的原创剧集由FilmWave制作。

当心狠手辣的王子威胁着要使世界陷入黑暗时，一名训练有素的年轻骑士蒂里（艾米尔·威尔逊 饰）开始了史诗般的任务——给国王送一封密信。 一路上，他意外地发现自己处于一个神奇预言的中心——一个英雄将崛起，击败王子并恢复和平。 如果他要完成这趟旅程，必须了解成为一名真正的骑士、领导者意味着什么。 故事根据同名畅销小说改编，主演还有露比·塞尔基斯、泰达·格雷厄姆和吉斯·布洛姆。 《国王的信使》由威尔·戴维斯（《驯龙高手》、《憨豆特工》、《穿靴子的猫》）担任编剧及监制。 保罗·特里比斯（《大梦想家》、《初恋这首情歌》、《偶发空缺》）同为监制。 这部6集的原创剧集由FilmWave制作。

Godard has been hired to make a film celebrating the 500th anniversary of Lausanne. This film is his videotaped refusal.

Godard has been hired to make a film celebrating the 500th anniversary of Lausanne. This film is his videotaped refusal.

Yohei Yamakado has not returned to his native Japan for eight years; his friend Olivier Cheval therefore embarks on an exploration of the land of the Rising Sun, evoking his friend’s memories, almost in a re-enactement of his friend’s life by proxy. Cheval travels, moving from Tokyo to Kyoto, from Kobe to Lake Towada, and in the meantime he juggles, in an equally exploratory way, between childhood and memory, between exile and friendship, making the invisible tangible. 　　Olivier Cheval’s introspective journey rule out any touristic filter and, on the contrary, from every image and landscape tries to materialize what is not physically there. A sort of sequel to a previous correspondence between the director and Yamakado (Lettres sur la peste, La Découverte/lundi matin, 2022), it is at the same time a whispered reflection on the standardization of urbanism and architecture, which uses that border between estrangement and recognizability to take on the fascinating features of a ghost-movie.

Yohei Yamakado has not returned to his native Japan for eight years; his friend Olivier Cheval therefore embarks on an exploration of the land of the Rising Sun, evoking his friend’s memories, almost in a re-enactement of his friend’s life by proxy. Cheval travels, moving from Tokyo to Kyoto, from Kobe to Lake Towada, and in the meantime he juggles, in an equally exploratory way, between childhood and memory, between exile and friendship, making the invisible tangible. 　　Olivier Cheval’s introspective journey rule out any touristic filter and, on the contrary, from every image and landscape tries to materialize what is not physically there. A sort of sequel to a previous correspondence between the director and Yamakado (Lettres sur la peste, La Découverte/lundi matin, 2022), it is at the same time a whispered reflection on the standardization of urbanism and architecture, which uses that border between estrangement and recognizability to take on the fascinating features of a ghost-movie.

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

The filmmaker approximates her mother's perspective using material from the family archive.

The filmmaker approximates her mother's perspective using material from the family archive.