In the first few months of 2020, huge swathes of Northern Italy were hit by a new virus. The town of Bergamo and its province was to become the epicentre of this pandemic. We see hospitals on the brink of collapse, distraught families and coffins being carried away by military convoy. And this is only the beginning of Stefano Savona’s heartbreakingly detailed and powerful new film. Following the abyss of the darkest days comes an even greater challenge: grieving. People meet to try to understand what has happened and overcome their fear and their pain. Nothing is as it was before and our perception of what we are used to calling life and death has completely changed. Digging into the memory of Bergamo’s recent and not-so-recent past, Savona questions the very notion of documentary cinema and asks: How should he film this interrupted cycle of life and death? How should he accompany survivors as they try to find a new place the world?

触动无数人内心的真实故事改编，电影讲述了年轻印尼女子范妮与前来印尼工作的日本男子冈义之间的爱情故事。婚后，范妮和冈义开始共同建立新生活，既享受其中的喜悦，也面对种种挑战。在努力实现拥有孩子的梦想时，他们接连遭遇令人心碎的考验，尤其是当冈义被诊断出患有癌症后，他们的爱情承受了前所未有的考验。

贝加是一个四岁的小男孩，爸爸妈妈出于无奈把他送到一所住宿制的幼儿园， 成为樱桃班的一员。在这里，他遇见铛铛、珠珠等很多小朋友，发生了一系 列事情。最后，珠珠要走了，贝加和铛铛藏起了欢送会用的伴奏带，以为珠 珠节目演不成就不能走了，但是大家还是不得不分手。樱桃班的这一年生活 谁也不会忘记。 全剧以小孩子的视角看世界，充满童真童情童趣。年仅四岁的小童昌演来逼 真、混沌、憨态可掬。是难得的清新之作。

利用很浅的景深以及局部特写把大型涂鸦、壁画和现实街景实现融合,或者壁画模特走到前景与背景的人物轮廓重合,这种有趣的视觉游戏与Varda出身摄影有关,或应和了内容:八十年代LA的涂鸦艺术成为不同族群表达和重塑身份的方法-亦是视觉的假象?画外音中的絮语与影片内容组成了标题Mural Mur的双关.

The movie tells the story of two brothers, Vijay and Ravi Verma, who follow different career paths: Vijay is a smuggler and Ravi the policeman who is asked to hunt Vijay down. Vijay Verma (Amitabh Bachchan) and Ravi Verma (Shashi Kapoor) are the sons of a trade unionist, Anand Verma(Satyen Kappu), who was defeated and disgraced by the management of his firm using his family as bait. Unable to bear the public disgrace father deserts the family, and the sons are raised by their mother(Nirupa Roy)who brings them to Bombay City, who suffers the trials and tribulations of a poor single mother. Vijay Verma, the elder brother, grows up with an acute awareness of his father's humiliation and is victimized for his father's supposed misdeeds. In the process of fighting for his rights Vijay, who starts out as a boot polisher and becomes a dockyard worker in his youth, becomes a smuggler and a leading figure of the underworld.

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. His path is open - at least as far as the next wall... A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 1966 Special Prize, London 1966 First Prize, San Francisco 1966 First Prize, Belgrade 1966 Honorary Diploma, Locarno 1966 City of Zagreb Award 1966 Special Diploma, Bergamo 1966 First Prize, Mamaia

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。

一段人类历史上最黑暗的过去，陷入法西斯狂热的哥哥，因法西斯失去年轻生命的弟弟，总有很多人为少数人伪装过的私欲所操纵，并终将被自己建起的围墙所囚禁。

这是一个发生在普通街道上的革命故事。表面上看，阶层间的差距好像不算大，但实际上有着天壤之别。上层人士高高在上，他们衣着光鲜，只看得见自己巨大的脚步，以欺负弱者为乐，偶尔会施舍一些食物。下层民众如同老鼠，挨饿受穷，整日躲躲藏藏，不见天日。而故事的主角是一只拥有人类行为和智慧的老鼠，面对如此艰难的环境，它决心做出改变。