《末代皇帝》幕后纪录片

电影以贝托鲁奇第一人称的视角来叙述。通过剪辑，影片阐述了他的思想以及强烈的情感，包括心理反思、轶事和愿景，他把这些渗透到真实而非凡的艺术从业中，作者花了两年的时间，300个小时极富耐心和充满热情的钻研完成了这部电影纪录片。

【天下足球罗纳尔多退役特辑】，2月21日、2月28日和3月4日共三期播出，分别为《俱乐部篇》《国家队篇》《进球篇》。

改编自巴西批判现实主义小说家拉莫斯的名著，由新浪潮导演Leon Hirszman执导，是70年代巴西新电影运动中最激进的作品之一，但无疑也是一部难得的杰作。影片获柏林电影节新电影论坛国际奖及多项巴西国家电影奖。Hirszman拍完此片后被迫流亡智利。 　　The most provocative Novo film of the 1970s, São Bernardo (1972), directed by Leon Hirszman (who died of AIDS at 49, in 1987), is based on a novel by Graciliano Ramos, author of Barren Lives, and was released at a time when Brazilian porno films were beginning to flood the market. Shot with a lean visual style that recalls Bresson, São Bernardo is an absorbing morality play about cutthroat capitalism whose protagonist, a brutal plantation owner, had come to power through force and murder, like the military rulers of Brazil. After its release, the director lived abroad for several years. 　　The story of Paulo Honório, a poor kid who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways. Based on the great brazilian realism writer Graciliano Ramos' novel. 　　Leon Hirszman (1938-1987) is one of Brazil's best-known film directors. Mr. Hirszman directed the 1967 film "Garota de Ipanema" ("The Girl From Ipanema"), which he once described as "my only film made to make money." 　　Born in Rio de Janeiro on Nov. 22, 1937, Mr. Hirszman left Brazil in 1974 at a time of increasing political repression, to live in Chile for two years. Mr. Hirszman won an award at the Venice Film Festival in 1981 with his film "Eles Nao Usam Black Tie" ("They Don't Wear Black Tie"). The film was chosen as "best picture of the year" in Brazil and Mr. Hirszman was also named as best director. 　　His first major film, "A Falecida" ("The Deceased"), won a special jury award at the International Film Festival of Rio de Janeiro in 1965. In 1970, he directed "Sao Bernardo," which is considered a classic in Brazil. His last film, "Imagens do Inconsciente" ("Images of the Unconscious") is to be released in Brazil in November.

Chock full of wondrous musical segments (not all of them on the concert stage) and some choice bits of post-Beat tomfoolery, rendered by a cast of musicians, actors and veteran exhibitionists rapidly approaching their 'Sell by' date, Renaldo & Clara is a four-hour expedition into the deepest recesses of Bob Dylan's vanity; a film projectile of wildly uncertain velocity and direction... concert doco, avant-garde aspirant, Theater of Ennui also-ran, and a big ol' Narcissus pool everyone can splash around in; it is all of these things... that, despite the best efforts of its director, was written off as a catastrophe by American critics upon its highly limited release in 1978.

Chock full of wondrous musical segments (not all of them on the concert stage) and some choice bits of post-Beat tomfoolery, rendered by a cast of musicians, actors and veteran exhibitionists rapidly approaching their 'Sell by' date, Renaldo & Clara is a four-hour expedition into the deepest recesses of Bob Dylan's vanity; a film projectile of wildly uncertain velocity and direction... concert doco, avant-garde aspirant, Theater of Ennui also-ran, and a big ol' Narcissus pool everyone can splash around in; it is all of these things... that, despite the best efforts of its director, was written off as a catastrophe by American critics upon its highly limited release in 1978.

Cristiano Ronaldo: The World at His Feet follows the footballer from his beginnings in Portugal, breakthrough start with Manchester United and current career at Real Madrid.