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When a talented new arrival begins using the local boxing club, Paris, a skilled fighter, is forced into an unexpected struggle with himself. A film about vulnerability in a hyper-masculine world that doesn't allow for it.

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. ##from: http://www.gay.com/entertainment/movies/reviews/?733

A vehicle for Russian émigré company Albatros's big star Nathalia Lissenko: the lover and the son of a society woman are both chronic gamblers in this critique of wealth and bourgeois hypocrisy.

A woman tormented by ghostly apparitions and a professor of psychic phenomena investigate other-worldly disturbances and unlock the secret of a malevolent force reaching out for vengeance from beyond the grave.

这部改编自埃里克·詹森（Erik Jensen）获奖的亚当·卡伦传记的电影讲述了传记作者和他的主题的故事，因为它陷入了依赖和虐待的关系。

维多利亚通过和司机安东尼奥的车越过边境，踏上了维克多的车，想要寻找更好的生活。但其实维克多专门从事人口贩卖。安东尼奥想放弃跟维克多的合作，但遭到了维克多的威胁。 维多利亚遭到了非人般的虐待，奄奄一息。维克多去接新货，留下马约守护剩下的女孩儿们。马约趁此机会，将维多利亚带出老巢，意图放维多利亚回家，维多利亚击毙马约，开车逃亡。此时维克多的妹妹阿拉纳发现维克多并不打算带自己逃离这个国家的事实，心灰意冷，准备伺机报复。维多利亚竭尽全力逃到了路易莎的家里，维多利亚所不知道的是，路易莎正是安东尼奥的老婆。阿拉纳与维克多对峙，发觉自己只是维克多的玩物而已，并没有什么兄妹之情，在维克多准备动手之前，阿拉纳杀死了维克多。阿拉纳在和其他人会和的时候，被潜伏在内部的警察击毙。安东尼奥回到了家，看到了维多利亚，非常惊讶和害怕，同时也非常的内疚，最终在他的卡车内自缢身亡。

故事讲述男主角安迪被丧尸妻子咬伤后，意识到自己也将在48小时内变为僵尸。身为人父的安迪为了保护刚刚降生的婴孩遭此一劫，毅然走上了一条不归路......

被僵尸妻子咬伤，明知自己即将尸化的男子，究竟该如何保护自己背上的孩子？