未知灾变降临后，人类文明彻底陨落，世界沦为遍布黄沙残垣、畸变怪物横行的废土“质墟”。潜藏在废墟深处的畸变体以人类体内的生命本源“质”为食——锋利骨刺穿刺人体、锁死猎物，再隔空抽取鲜活的生命能量，是所有幸存者刻入骨髓的恐惧。废土独行者范知予携伙伴奶豆在绝境中辗转求生，在悬崖底的死局中偶遇同伴苏晚，三人自此并肩死战。他们从被骨刺钉在水泥柱上的绝境中挣扎脱身，在怪物环伺的废墟里一次次死里逃生

In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s. Having a more complete version of Nerven available is a wonderful contribution to our understanding of film history. The standard version was known to very few students of cinema, and though it was impressive, it was somewhat incoherent. We are still lacking a lot of footage, but Stefan Droessler and his team have added what they could and arranged the sequences into a more intelligible order. The quality of the restoration, moreover, makes the film's visual style even more vivid and unsettling. Released shortly before The Cabinet of Dr. Caligari, Nerven ought to have entered the Expressionist canon. Its themes echo the movement's post-Romantic attack on capitalism and the modern conception of the anguished soul. Its narrative plays out the implications of such icons of Expressionist art as convulsive crowds and men's homicidal urges toward women. Just as important, the film's pictorial design finds an original way to convey the tale's emotional tenor, the sense of nervous anxiety strung ever tighter. Significantly, Reinert achieves a unique look without recourse to the painted sets of Caligari, but through a unique use of other cinematic resources. http://img186.imageshack.us/img186/196/nerven01jo3.jpg http://img360.imageshack.us/img360/3403/nerven04en0.jpg http://img117.imageshack.us/img117/8886/nerven06ts0.jpg http://img238.imageshack.us/img238/7650/nerven07rf9.jpg http://img523.imageshack.us/img523/2677/nerven09nk7.jpg

赵曼曼车祸失忆后，在地下室醒来，身边有个小哑巴女儿小婉，还有自称是她丈夫的秦欢。秦欢告诉她，她肇事撞死人，自己是为保护她才将她藏起来。相处中，秦欢对她关怀备至，赵曼曼渐渐放下戒心。直到一个叫刘伟的男人找上门，准确说出她私密处的红痣，坚称自己才是她真正的丈夫。两人激烈对峙，赵曼曼惊恐发现，他们的话全都疑点重重，无人可信。

首席设计师温知夏坚守家装行业底线，拒绝偷工减料，与逐利老板产生分歧。遭业主误解造谣后，她自证清白。看清老板真面目后，温知夏辞职自主创业，坚持透明报价。前任老板工程出事卷款潜逃，温知夏接手烂尾项目协助业主维权。不法老板受到法律制裁，温知夏凭诚信立足行业。

在广袤无垠的宇宙里，存在着一个名为库克斯的绝美星球。这颗星球宛如一颗璀璨的绿色明珠，自然环境与人文建筑完美融合，和谐共生。然而，即便如此美好的星球，也曾有过一段痛苦的过往。三百六十年前，库克斯星球环保意识淡薄，一心只追求工业生产。那时，星球上处处是煤烟弥漫的工厂，黑色的阴霾笼罩着天空，阳光只能透过阴霾隐隐约约地洒下。曾经被宇宙联盟击败的毁灭者势力死灰复燃，他们盯上了库克斯被污染的环境。对于长期在宇宙中漂泊的毁灭者种族而言，这样的环境简直是最适宜他们生存繁衍的乐土。于是，他们向库克斯星球发起了猛烈进攻。库克斯星球试图启用元素粒子聚合反应炮来抵御这场来势汹汹的攻击，可无奈聚合反应炮能量短缺，根本无法抵挡毁灭者的攻势。在此危急时刻，库克斯星球决定重启早已废弃的探质计划，派出承载着库克斯星球最后希望的探质三号，前往宇宙深处寻找另一种元素，以此替代紧缺的能量，保卫库克斯星球，乃至捍卫整个宇宙联盟的安全。最终，探质三号不负众望，成功完成了使命。

洪荒之末，天地初分，上古诸神于混沌中开天辟地，创下三界秩序，却在一场惨烈的“诸神之战”后销声匿迹，只留下无数承载着神力与秘密的遗迹，世人称之为“神墟”。这些神墟隐匿于三界夹缝、深海绝境、昆仑秘境之中，有的是诸神的宫殿陵寝，有的是上古神兽的栖息地，有的是天地灵气的汇聚之地，更藏着能逆转乾坤、突破修仙桎梏的神器与功法。千百年来，修仙界无数修士前赴后继探寻神墟，或为求长生，或为夺神器，或为揭开诸神消失的真相，却大多折戟沉沙，只留下“神墟一开，生死难猜”的谶语。 时值修仙界四分五裂，正道以青云宗、天衍书院为首，恪守修仙本心，主张循序渐进，探寻神墟只为守护三界安宁；魔道以血影教、幽骨崖为尊，行事狠戾。

「歌墟」是壮族地区的山歌集会，曾经广为盛行。它通常围绕宗祠或竜树进行，其间，男女相约而至，即兴作词，你来我往，对唱万物。 传递的山歌开启了一次迁徙。摄影机沿途抵达了不同的歌者与集会，流转于乡土与城镇，寻找着歌墟散逸的踪迹。

灰雾长久笼罩大地，旧文明早已崩塌湮灭。残存人类退守为数不多的巨型要塞，在荒芜废土之上艰难求生。《烬墟》的故事里，神选道路现世，给绝境中的人们带去一丝虚妄希望。高墙之下秩序日渐腐朽，光鲜的规则背后藏着不为人知的阴暗。在绝望的底层废墟里，普通人的性命轻如尘埃，无数秘密被掩埋在泥泞与大雨之下，一场围绕神与救赎的宿命，正悄然拉开序幕。

当世界在脚下崩塌，幸存者在云端筑起名为“云城”的完美乌托邦。从废墟中苏醒的超言，只靠母亲遗留的手环密钥摸索前行，却一步步发现所有“免费”的馈赠都以情感为燃料，而她本人竟是系统的核心原型。撕破一层层虚幻后，她决然坠向真实而粗粝的大地——那里没有脚本，只有风声、星火，和一个终于属于自己的名字超越谎言。

In the wilderness of the Siberian Arctic, Aisen Klimovskii, an Indigenous Sakha palaeontologist, descends into the depths of the melting permafrost and traverses the mythical realm of the Underworld in search of an ancient creature. Balanced between mythology and science, Aisen’s journey through the claustrophobic, dangerous caves is guided by a poetic narration inspired by the epic storytelling tradition of the Sakha people. The film explores one of the most pressing climate change issues of our time – accelerating permafrost thaw releases greenhouse gases and unearths creatures carrying viruses and microorganisms from the distant past.