A cabbie and petty thief dreams of the big heist that will end his thieving ways.

林沫刚提350万迈巴赫S680，邻居王桂兰母子强借当婚车被拒，竟连夜偷钥匙开走接亲。婚礼上伴郎抽烟烫穿座椅、泼香槟毁音响，定损加贬值共220万，被盗期间保险拒赔。最终李强、王桂兰分别获刑12年、10年，伴郎团连带赔偿；新娘退婚卷走的彩礼含赃款被追缴，李父卖房抵债净身出户。林沫拿赔偿换新车，深知对无底线之人要靠法律一击制敌。

我们将大开眼界，见到大部分人前所未见的景象，我们将探索自然界最奇妙的两个结构——我们的手和脚，正是这两个部分把我们界定为人类，为了了解手和脚，我们建立了解剖室，集合了解剖所需的工具科技和顶尖的专家，在这两集的节目中，我们将解剖人类的手和脚，解释它们的独特之处！我们将解剖一只真正的人手，一步步，一层层地解剖，我们会探索驱动我们各个动作的神奇的自然结构！

拉塞尔·布兰德（《前往希腊剧院》）将出演动作影片《笨手笨脚》，在片中饰演一名杀手。该片由巴恩纳比·萨斯科贝（《我，安娜》）执导，汤姆·纳什编剧。故事讲述了倒霉杀手基思（拉塞尔·布兰德 饰）在西班牙遭遇同行劲敌佩里，并且他的家庭也卷入了一场危机之中。该片正在柏林电影节寻找买家。

暂无剧情简介

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

一场都市生活的闹剧，一次道德底线的碰触，一出令人捧腹又倍感心酸的演绎，一声无奈地呐喊——《贼》这一部高清作品向我们绘声绘色的讲述了生活在都市底层的无业小青年、痴傻的乞讨者以及善于伪装的小偷之间发生偷窃与被偷窃，侮辱与被侮辱，人性的挣扎与沉沦。当这种小人物式的沉重被用一种活灵活现又不失幽默地口吻讲述出来，给人一种加倍的心灵触动，让人深省......

故事发生在1938年的波士顿。托尼（彼得·福克 Peter Falk 饰）、山迪（杰拉德·墨菲 Gerard Murphy 饰）、贾斯（保罗·索维诺 Paul Sorvino 饰）和比利是情同手足的四兄弟，常常聚在一起商量干一票抢劫的非法勾当。没过多久，法律就给予了他们制裁，四人被关进了监狱，等待着他们的是漫长的刑期。 第二次世界大战结束后，四人刑满释放，回归了社会。然而，他们并没有珍惜这难能可贵的自由，一次偶然中，托尼发现了一间银行的安保漏洞，抢劫金库的计划被提上了日程。在经过了缜密的策划之后，一行四人开始了行动，并且最终抢走了二百七十万美金，在社会上引起了巨大的轰动，警方很快就将怀疑的目标锁定到了托尼一行人的身上。

幸运之神牵线搭桥，使一个患有强迫症的小偷和一个倒霉透顶的扒手结成了一对。