In Praise of Slowness is Hicham Gardaf’s alluring study of Moroccan street hawkers, as they roam Tangier’s streets and hills to dilute, bottle, and sell bleach. Capturing their startling, bulbous silhouettes and distinct, acerbic cries announcing goods for sale, In Praise of Slowness hones in on the methodic rituals of a slow and humble trade, and the domestic labour it enables. In revisiting a childhood memory – a once ubiquitous livelihood is now under threat by mass industrialisation – the dreamlike reverence of infancy imbues the film’s imagery, lending its mundane subject matter an otherworldly texture. Yet, in his exploration of the gentle, dedicated pacing of unautomated and resourceful labour practices, Gardaf is sparing with his rich visuals, playing with absence of image to explore sensory intuition and interdependency, exploring how sight and hearing intersect to form an understanding of one’s place within a given environment.

在这部音乐喜剧电影中，一名怀揣超级巨星梦想的女生加入了一支不被看好的合唱团，他们即将参加一场全国比赛。

以色列、法国2007年合拍电影。荣获2007年戛纳金棕榈提名、耶路撒冷电影节最佳以色列影片、捷克卡罗维发利国际电影节官方参赛作品。剧情讲述17岁的menachem很急切地想成为成年人，他想脱离家庭去经历体验一些新的事物。他的父亲Eli却想要把他培养成为具有严肃诚恳品肯的青年人。而弗兰克却更愿意伙同朋友与同龄女孩儿厮混在一起。一天晚上，当他们驱车回家时，Eli突然不适，menachem即时去寻求帮助。但是当他回来的时候，父亲却莫名奇妙地消失了。

名叫Mancini的年轻人被一名声不好的家伙指使安置炸弹于一家银行，摧毁了一些重要的资料。伪装成一清洁工，安上定时炸弹，与二位银行雇员一起困于电梯。大楼外面的同谋，Pittana和Borgia，正留心观察着形势，等待着他完成任务。在争取时间的过程中，Mancini开始意识到他的同伙可能并不象他认为的那样给予帮助。

Follows a New York City girl who has it all until her life comes crashing down around her. As luck would have it, a mysterious gift from her father gives her a new lease on life.

这是一部有关“虚无”的讽刺纪录片。电影中，“虚无”被拟人化为一个虚构的讲述者，厌倦了被人误解，于是离家出走，第一次也是最后一次来和我们聊天。“虚无”承诺，它只有揭露了社会中所有的愚蠢、弱点以及失败，并证明了它的好意之后，才会“回家”。“虚无”的名字或许没那么有潜力，但它仍然是个有进取心的角色。它穿越世界各处来见我们，对它的所见品头论足，思考生与死、文明和政治的妄念、男人与女人的关系以及生命的意义。在简单的旁白中，它试图让我们相信它所发挥的自然、必要又具有建设性的作用。正如“虚无”所说，这是个包罗万象的愿景。

萨利·马格努森在彭斯之夜之前见到了一位研究吟游诗人的专家，还有一位作家、画家和嘻哈舞者，介绍了苏格兰作家们在邓布兰大教堂演唱的流行赞美诗和歌曲。

Paris is an American television series that appeared on the CBS television network from September 29, 1979 to January 15, 1980. A crime drama, the show is notable as the first-ever appearance of renowned actor James Earl Jones in a lead role on television and was created by Steven Bochco, who later achieved fame for Hill Street Blues and NYPD Blue, also served as executive producer.The program told the story of Los Angeles Police Captain Woody Paris, who supervised a team of young detectives. The rookie investigators were led by Sergeant Stacy Erickson and included officers Charlie Bogart, Ernesto Villas, and Willie Miller. Hank Garrett portrayed Deputy Chief Jerome Bench, Paris' superior, and, in an unusual turn for police dramas of that era, Paris' home and off-duty life was given considerable attention in the plots, with Lee Chamberlin playing his wife, Barbara. Paris was also shown moonlighting as a professor of criminology at a local university.Although Paris was critically acclaimed for its portrayal of the tension between the professional Paris character and his often impetuous underlings, CBS scheduled the show in one of the worst possible timeslots on a weekly schedule: Saturdays at 10 p.m./9 Central. All three networks debuted new shows for the 1979-80 season in that slot; only ABC's Hart to Hart survived its first 13 weeks. Toward the end of its run, CBS moved it to Tuesdays at 10/9, but to no avail. Edward DeBlasio produced the show for MTM Enterprises, which would unveil, during the next season, executive producer Bochco's landmark Hill Street Blues, on NBC.