笹野阳介中年失业，妻子离开他回了娘家。他前去拜访自己视之为人生之师的流浪老人太郎，不料太郎已经去世。阳介想起太郎生前曾经提起他偷了一尊金佛藏在位于能登半岛的一座红桥下的屋中，于是便出发前往能登寻找。在那里，阳介遇到了一个名叫佐惠子女子。佐惠子的体质相当特殊，如果不与男性交合，体内的水就会凝结。阳介被她所吸引留在当地打鱼，一旦接到佐惠子的召唤就去找她与之交欢。一日，阳介看到佐惠子与另一个男人亲密交谈，在得知两人的关系后，阳介夺回了佐惠子，与她和一次又一次地深深结合……

社区书记吴迪雨夜偶遇外卖小哥李小光，关注到小哥群体用餐难题，力促社区食堂杨老板推出“小哥套餐”，解决外卖小哥和社区老人送餐就餐难的问题。在此过程中，纪检监察机关查清了关于吴迪与食堂老板存在利益往来的不实举报，召开澄清正名会，为干事者担当、为担当者负责。

讲述发生在一个私人医院内的情感纠葛。导演增村保造曾留学意大利，是日本电影战后派的新生力量。值得一提的是，在1966年松竹导演野村芳太郎的翻拍版本中，山田洋次出任了编剧一职。

外卖小哥作为新就业群体，他们的用餐难题是一个普遍存在但却容易被忽视的问题。《暖流》以“解决小哥用餐难题”为切入口，通过温情叙事，呈现了不同社会群体之间的理解隔阂、经营者面对利益与公益的平衡难题、基层干部在工作中遇到的廉洁考验和信任危机等一系列情节冲突。最后，一场“澄清正名会”消除了误解，让大家感受到善意是化解矛盾的良药，同时也告诉广大基层党员干部要勇于担当作为，把自己化作一股暖流，流进百姓心里。

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由Rina Mimoun执笔的《Under the Bridge》中，一宗丑闻震动了女主和丈夫及其朋友们共同开办的诊所。身为外科医生的女主不得不挺身而出，全力保护诊所并维系自己的婚姻。

Hendrik and Willi are the owners and crew of a canal barge. They travel up and down the Havel River, have girlfriends here and there, and dream of a “solid” life. One evening they observe a young girl, Anna, who is apparently about to jump off a bridge. They both run to save her, but are “disappointed” to find out that she only threw a ten mark note into the river in hopes of ridding herself of a bad memory. Anna is persuaded to travel back to Berlin as a “passenger” with them, and the two friends soon fall in love with her. After an insulting comment from Willi, Anna leaves the boat, and the two men make an agreement with one another: whoever wins Anna back must forfeit his claim to the barge. Feeling sure of himself, Willi goes on land and looks after her. However, he soon realizes that she is in love with Hendrik, and is honest enough to confess this realization to his friend. But his friendship with Hendrik is more important to him than their agreement, and so the three start a new life on board the barge, all together.

陈望德突然在春节前夕的晚上死在家中，此时只剩他的妻子梅清在家中。而陈望德疫情期间必须被火葬，不能办葬礼。甚至连自己的儿子陈伟近在咫尺的距离都无法回来。梅清面临这样重重的现实压力，还是最终还是想通过埋葬让他死得体面些，于是便完成了一场特殊的“葬礼”。

Johan Knut Harju (1910-1976) was a self-taught writer and historian, but also a homeless alcoholic. Harju had a unique talent to document his and his peers’ lives with a personal voice that invites the person in and see the world from his point of view. Harju collected his stories for you, a future person, so that the people living under the bridges would not be forgotten. The virtual reality experience combines the Helsinki City Museum photo archives, recordings of Harju’s voice, 360 degrees footage inside a historical tram with animation that is inspired by Harju’s drawing style, into an experience that allows the audience to have a moment with Harju in 1960’s Helsinki. DIRECTOR’S STATEMENT What happens to the stories of people living in the shadows of history? Harju preserved a different perspective to the history of my own hometown. This virtual reality experience gives Harju a space to tell his story and lets the audience have a moment inside his memories. We are given access to a subjective viewpoint, which hopes to question what is considered worthy of historical annals.

1982 年秋收时节，田麦穗倾注十年的青梅竹马情，在玉米地的泥泞里轰然破碎。她没有卑微挽留，当众碾烂熬了三个通宵纳的定情布鞋，斩断所有过往，转身嫁给了话少心热的木匠李树根。婚后她放下锄头拿起刨子，跟着丈夫苦练木工手艺，用布满老茧的双手敲打出自己的人生。她大胆创办木匠合作社，手把手教全村妇女做木工，让她们靠自己的双手赚钱，撑起乡村半边天。在刨花的清香与朝夕相伴的温柔里，她彻底走出情伤，收获了最踏实安稳的烟火幸福。