你是否曾幻想过可以在多重身份之间切换自如，可以随时开始新的生活？事实上，艾莉丝这么做已经15年了。然而就在一次聚会中，她曾经作为“珍妮”时的前男友汤姆却认出了她。汤姆坚信他们之间颇有渊源，但艾莉丝只是匆忙离开，拒绝相认。汤姆想要知道十年前究竟发生了什么，艾莉丝究竟为何会有如此丰富的经历。在汤姆的坚持之下，两人终于敞开心扉彻夜长谈…… 《完全陌生》描绘了两种人的生活轨迹，通过大量感官特写来探讨人格的多面性。

你是否曾幻想过可以在多重身份之间切换自如，可以随时开始新的生活？事实上，艾莉丝这么做已经15年了。然而就在一次聚会中，她曾经作为“珍妮”时的前男友汤姆却认出了她。汤姆坚信他们之间颇有渊源，但艾莉丝只是匆忙离开，拒绝相认。汤姆想要知道十年前究竟发生了什么，艾莉丝究竟为何会有如此丰富的经历。在汤姆的坚持之下，两人终于敞开心扉彻夜长谈…… 《完全陌生》描绘了两种人的生活轨迹，通过大量感官特写来探讨人格的多面性。

On digital this October. 　　On January 20th, 2020 the US and South Korea both discovered their first cases of COVID-19. However, 9 months later, the novel Coronavirus has claimed the lives of over 200,000 Americans and caused staggering economic damage, while in South Korea, there were no significant lockdowns and, in an urbanized population of 51 million, only 344 lives have been lost. Where did we go wrong? As the presidential election nears, Americans are increasingly enraged by a lack of clear leadership, endemic political corruption and left to wonder how did the wealthiest and most powerful country in the world manage to fail so thoroughly in its response to a global pandemic? 　　Academy Award-winning filmmaker Alex Gibney, directing with Ophelia Harutyunyan and Suzanne Hillinger, interrogates this question and its devastating implications in Totally Under Control. With damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership. 　　It will be a generation before we know the full extent of the damage wrought by this pandemic, but Totally Under Control will stand as the definitive account of the Trump administration’s incompetence, corruption and denial in the face of this global pandemic.

On digital this October. 　　On January 20th, 2020 the US and South Korea both discovered their first cases of COVID-19. However, 9 months later, the novel Coronavirus has claimed the lives of over 200,000 Americans and caused staggering economic damage, while in South Korea, there were no significant lockdowns and, in an urbanized population of 51 million, only 344 lives have been lost. Where did we go wrong? As the presidential election nears, Americans are increasingly enraged by a lack of clear leadership, endemic political corruption and left to wonder how did the wealthiest and most powerful country in the world manage to fail so thoroughly in its response to a global pandemic? 　　Academy Award-winning filmmaker Alex Gibney, directing with Ophelia Harutyunyan and Suzanne Hillinger, interrogates this question and its devastating implications in Totally Under Control. With damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership. 　　It will be a generation before we know the full extent of the damage wrought by this pandemic, but Totally Under Control will stand as the definitive account of the Trump administration’s incompetence, corruption and denial in the face of this global pandemic.

In the dazzling incandescence of an unknown desert, three donkeys discover an abandoned astronomical observatory and the universe. A sensorial, cinematic exploration of what a story can be.

前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪，只能依靠呼吸机呼吸，此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特（Ian Bonhôte）和彼得·埃特迪吉（Peter Ettedgui）巧妙地将时间前后推移，编织出双重叙事，探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变：1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前，里夫让世界相信人类可以飞翔；他的意外事故让全世界关注残疾。 　　在《超/人》中，里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众，突出了超人背后的那个人——这不是一部传记，而是一幅完整的肖像，涵盖了里夫人生旅途中的辉煌和黑暗。

初中的毕业典礼上，爱城恋太郎进行了人生的第100次告白， 　　但和先前的99次一样，都被拒绝了。 　　恋太郎在男女间的评价一直都很好，但总是无法被女孩当作恋爱对象。 　　这天，恋太郎来到了祈求缘分的神社， 　　在他虔诚膜拜时，神出现了。 　　神告诉恋太郎，在升上高中后恋太郎将会遇到命运之人，并且总共有100人……。 　　DEAD·OR·LOVE的学园新生活开幕！！

初中的毕业典礼上，爱城恋太郎进行了人生的第100次告白， 　　但和先前的99次一样，都被拒绝了。 　　恋太郎在男女间的评价一直都很好，但总是无法被女孩当作恋爱对象。 　　这天，恋太郎来到了祈求缘分的神社， 　　在他虔诚膜拜时，神出现了。 　　神告诉恋太郎，在升上高中后恋太郎将会遇到命运之人，并且总共有100人……。 　　DEAD·OR·LOVE的学园新生活开幕！！