1948年，济南解放前夕。兴业火柴厂老板郭化雨（康景玉 饰）为让工人多干活，竟偷偷改动钟表时间，以拖延下班。工人们发现后，非常气愤。大年夜，童工二丫（王璐 饰）一家情景凄惨，弟弟生病，爸爸王青山（梁音 饰）饿着肚子在街上拉车。串门的小玉（刘青 饰）将情况告诉了工厂地下党员冯敏，冯敏带着过年的东西上门看望，并出钱治好了弟弟的病。她还给小玉和二丫讲卖火柴小女孩的故事，激发她俩对旧社会的仇恨和对美好生活的向往。过完年上工后，冯敏带领工人们和贪婪的资本家展开机智斗争。小玉利用到郭化雨家当佣人的机会，巧取其名片，为解放区提供了大量当时的禁品——火柴......

沈玉清休假陪妹妹学游泳，意外撞见前男友程一帆担任教练。两人曾因程一帆偏爱青梅关晴、忽视呛水的她而分手，重逢后程一帆悔恨不已，开启追妻之路。期间，程一帆的好友贺述也向沈玉清告白，形成情感修罗场。程一帆牢记沈玉清的生日与心愿，历经关晴搅局、冒险冲浪赎罪等波折，终于解开两人过往心结。最终沈玉清放下芥蒂，答应等他康复后重新尝试在一起，续写前缘。

一个关于舞蹈和追逐梦想的故事。丁达恩是一名前舞蹈老师，现在从事社会发展工作。奈是一名年轻的舞蹈演员，他将自己视为英雄。 A story about dance and following dreams. Dindaen is a former dance teacher who is now working in social development. Nai is a young dancer who sees him as a hero

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马杜（艾萨·安哈尔 Ishaan Khattar 饰）是一个非常善良的小伙子，他的梦中情人是名叫帕缇维（贾维·卡普尔 Janhvi Kapoor 饰）的姑娘。帕缇维的父亲是一名老谋深算的政治家，正在进行竞选，因此，马杜和帕缇维的感情自然遭到了后者家人的强烈反对，帕缇维的父亲希望能够将自己的女儿嫁给门当户对的男子，而不是像马杜这样一个一穷二白的无名小子。 为了不让帕缇维为难，马杜决定主动离开她，但是勇敢而又执着的帕缇维紧追不舍，两人最终走到了一起开始了甜蜜的约会。好景不长，他们之间的情事很快就被已经当选的帕缇维的父亲知道了，利用自己的权利，他对马杜进行了残酷的迫害。

体育题材的青春浪偶像剧，讲述对马拉松具有卓越天赋的具大邱，因哥哥的死造成内心的阴影，与伤痛而放弃了运动，在重燃对跑步的热情与意志后，再次挑战马拉松的故事。

宿舍熄灯后，我刷到一条新闻，上面的内容说，附近有一个杀人犯在逃，在隔壁学校杀了好几个人，这个杀人犯极其厉害，会制造幻觉，如假的火灾，在痛下杀手，我以为是某个人再搞恶作剧，又或者是某个人在为了获得流量，通过恶搞来获取快感，我对此非常不屑，就在我准备睡觉时，收到了宿管阿姨的私信，【宿舍一楼发生火灾，请马上离开】

派玛拉（珍妮·提恩坡苏皖 Janie Tienphosuwan 饰）和阿洁（潘普·斯棠 Sitang Punpop 饰）是青梅竹马的玩伴，两个女孩之间感情十分的要好。一天，一个名叫雷克（纳瓦·君拉纳拉 Nawat Kulrattanarak 饰）的男孩搬到了她们家隔壁。没过多久，雷克就喜欢上了个性开朗的阿洁，然而，阿洁却并不是很中意雷克，两人之间常常爆发争吵，每当这时，雷克都习惯向派玛拉倾吐内心里的郁闷。 某日，阿洁告诉雷克，自己爱上了一个名叫特德潘（路易斯·斯科特 Louis Scott 饰）的男人，她要和他结婚。派玛拉不离不弃的守候在心碎欲绝的雷克身边，渐渐的，雷克爱上了她，两人决定携手步入婚姻的殿堂。哪知道，在结婚典礼上，阿洁再度出现了。

Domestic difficulties develop in a working-class family when their daughter falls in love with a Jamaican. Made in the wake of the 1959 Notting Hill riots, Flame in the Streets (d. Roy Ward Baker, 1961), is a tense examination of racial prejudice. Adapted by Ted Willis from his own stage play Hot Summer Night, it had already been produced for television (ITV, tx. 1/2/1959) for the Armchair Theatre strand. In this screen presentation, Roy Ward Baker makes no allowances for liberal sensibilities and pulls few punches in delivering what he himself termed "a harsh picture". Baker's harshness, however, is not entirely without subtlety. He is careful not to be judgemental and much of what transpires is almost in the form of an exposé. Baker elicits a stirring performance from Brenda De Banzie as Nell, whose transformation from typical housewife and mother to snarling racist is the centrepiece of the drama. This is reminiscent of another Earl Cameron film, Sapphire (d. Basil Dearden, 1959), in which it is the sister of the main suspect who is finally revealed as the murderer, driven by a pathological hatred of black people. Peter Lincoln (Johnny Sekka) and Gabriel Gomez (Cameron) are driven by forces quite different from those that drive Kathie and her family, although this is not necessarily due to their cultural difference. Within the integrity of both black characters there is a sense of longing for something other, something as distant as it is difficult to express, and therefore never quite articulated. Gomez is especially keen to avoid conflict, even if this means accepting less than his ultimate worth. But his lack of assertiveness brings him into conflict with his wife Judy (Ann Lynn), who has to force him to attend the crucial union meeting at which his promotion will be decided. Rather than seize his opportunity, he would prefer others decided his fate. To a large extent this perception of West Indians died with the Notting Hill riots. Cameron's performance is assured and deliberate, while Sekka's Lincoln embodies the emotional consequences of the film - heartbreak and a sense of loss. Both characters are presented as martyrs to a higher cause. But in the end, as in reality, Gomez and Lincoln are forced to fight. Their main struggle, however, is with themselves, centred on their fleeting sense of belonging.

这部电影讲述了一个30多岁的女人和一个北非人的爱情故事的痛苦结局，以及她与一位“老牌”记者关系的开始和结束。这些故事说明了一个女人的绝对主张，她只能从生与死的角度来理解爱情，这种态度通常会让爱情看起来很戏剧化，但至少会像她心中燃烧的火焰一样燃烧和闪烁。