苏联导演伊戈尔·戈斯捷夫（Igor Gostev）根据KGB副主席茨维贡长篇纪实小说改编、著名演员吉洪诺夫（Vyacheslav Tikhonov）主演的战争三部曲其二。 　　1943年至1944年的白俄罗斯，前身为独立团的苏军特殊使命分队的敌后战争与牺牲：为了阻止德军增援苏联前线，查明德军防线秘密工事所在与布局、火力配备和兵力部署，造成苏军将由南部发动进攻的假象，苏联情报机构和苏共地下组织付出了沉重代价，而为了歼灭冒充游击队的德军突击队，被斯大林由少校提拔为上校的特殊使命分队指挥官也九死一生……

该记录片于1994年获得年度中国新闻奖一等奖。 　　刘玉安老师是壁画家，以他的学生为原型创造壁画《和平·进步·自由》。其中的牵马人是他的学生陶先勇。陶先勇不幸得了骨癌。刘玉安一直帮助他照顾他直到陶先勇生命终结。陶先勇一直有个愿望，希望能去看一看大海。可这个19岁的青年最终也没有见过大海，成为终生遗憾。但是，谁能说在他生命的进程中，他没有体验过大海的宽阔和温柔呢？凡人和伟人都只有一次生命，让我们热爱生命，珍惜生命吧，珍惜人世间的每一份友情。

In 2008, as the Large Hadron Collider searches for the Higgs boson, tragedy throws two sisters together. The collision threatens them all with chaos.

影片改编自Buzz Bissinger所著畅销书《The Mosquito Bowl: A Game of Life and Death in World War II》，讲述二战中偷袭珍珠港时期，四个美国顶级大学生橄榄球员此前放弃名利加入了海军陆战队，在准备迎接日军袭击时，他们打了一场传奇性的橄榄球比赛，有一些历史上最好的球员加入。而这场赛事对很多人来说，将是他们人生的最后一场比赛。

影片改编自Buzz Bissinger所著畅销书《The Mosquito Bowl: A Game of Life and Death in World War II》，讲述二战中偷袭珍珠港时期，四个美国顶级大学生橄榄球员此前放弃名利加入了海军陆战队，在准备迎接日军袭击时，他们打了一场传奇性的橄榄球比赛，有一些历史上最好的球员加入。而这场赛事对很多人来说，将是他们人生的最后一场比赛。

刻画已年届生育高龄的妻子阿欣仍渴望怀上孩子，身为丈夫的阿森从原先积极配合，到身心开始不由自主抗拒，多年来和谐下的暗流涌动也逐渐浮上台面。

1997. Linda is eight years old and only has a few teeth. She has a very rich grandmother and a beautiful carefree mother who is more of a friend than an authority figure. A friend who is occasionally too childish, a friend who Linda must constantly care for despite her tender age. Yet another of Eva's whims forces Linda to pack her bags and leave her grandmother's villa in Switzerland for Ferrara, which they'll drive to in her luxurious sports car. Two young sisters, Azzurra, aged 10, and Marta, aged 9 live in a small provincial town on the banks of the river Po. The eldest has an exuberant temperament and is always chewing gum. Whereas the youngest is more introverted and thoughtful, taking note of every new word she learns in a little diary that's always by her side. The sisters sneak out of the house one summer night only to narrowly avoid being run over by Eva and Linda. This is how the three little girls get to know each other and become a trio. They become The Mosquitoes, and together they claim the right to remain young and enjoy their childhood in a world of adults weary of their parental responsibilities. Adults like Eva, who doesn't read her daughter fairy tales and prefers spending time with her obnoxious friends. Men who can't tolerate Linda, often mistreating her and driving her from a home where drugs are taken increasingly often. Adults like Azzurra and Marta's father, who never speaks and only appears for dinner. Adults like their mother, who dreams of becoming a doll- maker, but not dolls for little girls, no, refined puppets handcrafted in her workshop. Her works seem to interest her far more than her own daughters. Adults like the neighbor, a woman who talks too much and seems to be a bit too well informed about everyone. Adults like Carlino, the girls' baby-sitter, a queer man seeking a sense of belonging in the wrong place, where he is only accepted so bigots can avoid their guilty consciences. It's in this context that the three girls make their way, discovering dangerous and creepy places like the club or the suburbs streets, finding their way home late at night, and exploring the library in search of a spell that might help them find an adult capable of caring for them. Set in a middle-class neighborhood where everything is public, between nosy neighbors, mosquito bites, and dog droppings that conceal secrets, this is a coming-of-age story about the right to remain young for as long as long as childhood permits. A comedy about girls with skinned knees and bruised hearts.

1997. Linda is eight years old and only has a few teeth. She has a very rich grandmother and a beautiful carefree mother who is more of a friend than an authority figure. A friend who is occasionally too childish, a friend who Linda must constantly care for despite her tender age. Yet another of Eva's whims forces Linda to pack her bags and leave her grandmother's villa in Switzerland for Ferrara, which they'll drive to in her luxurious sports car. Two young sisters, Azzurra, aged 10, and Marta, aged 9 live in a small provincial town on the banks of the river Po. The eldest has an exuberant temperament and is always chewing gum. Whereas the youngest is more introverted and thoughtful, taking note of every new word she learns in a little diary that's always by her side. The sisters sneak out of the house one summer night only to narrowly avoid being run over by Eva and Linda. This is how the three little girls get to know each other and become a trio. They become The Mosquitoes, and together they claim the right to remain young and enjoy their childhood in a world of adults weary of their parental responsibilities. Adults like Eva, who doesn't read her daughter fairy tales and prefers spending time with her obnoxious friends. Men who can't tolerate Linda, often mistreating her and driving her from a home where drugs are taken increasingly often. Adults like Azzurra and Marta's father, who never speaks and only appears for dinner. Adults like their mother, who dreams of becoming a doll- maker, but not dolls for little girls, no, refined puppets handcrafted in her workshop. Her works seem to interest her far more than her own daughters. Adults like the neighbor, a woman who talks too much and seems to be a bit too well informed about everyone. Adults like Carlino, the girls' baby-sitter, a queer man seeking a sense of belonging in the wrong place, where he is only accepted so bigots can avoid their guilty consciences. It's in this context that the three girls make their way, discovering dangerous and creepy places like the club or the suburbs streets, finding their way home late at night, and exploring the library in search of a spell that might help them find an adult capable of caring for them. Set in a middle-class neighborhood where everything is public, between nosy neighbors, mosquito bites, and dog droppings that conceal secrets, this is a coming-of-age story about the right to remain young for as long as long as childhood permits. A comedy about girls with skinned knees and bruised hearts.

影片从美国一所高中里的平凡一日开始。像往常一样，这个平淡的日子里被家庭作业、足球、流言等等所填满。对于每位学生来说，高中生活都是一种独特的体验：刺激的，友好的，痛苦的，孤独的，或艰难的。Eric 和 Alex是两个好朋友，他们居住在富裕的波特兰城郊。他们着迷于纳粹的形象，喜欢暴力电子游戏，尝试过同性恋情，并冷静地策划着对学校的武装袭击。是什么导致了这些？不尽责的家长？精神病患？同辈人的压力？父辈的压力？还是越来越频繁凸现的某种人类本性？你可以有自己的看法。