萧逸在攀岩比赛中获胜，从爷爷萧恒手中继承荒神匕首，却不料未婚妻李羽凝认为他不务正业，要求推迟半个月后的婚礼，正当萧逸要解释时，李羽凝收到搜救队任务，要前往死亡海救援违法探险团，萧逸劝阻无果，便潜入搜救队一起进入死亡海，被发现后，萧逸凭借探险本领带领众人化解黑风暴、陷车等危机，带着众人逃出生天，最终揭发何宇轩等人罪行，萧逸荒神继承人与萧氏国际太子身份曝光震惊众人，跟李羽凝终成眷属。

一觉醒来，马天穿越进了荒漠求生游戏世界中。开局只有一小片绿洲，没有任何资源的他，究竟要靠什么办法，在这残酷的世界中生存下去呢？

萧恒等人随顾昌书进南葬山徒步旅行，萧恒预感到暴雨来临，欲阻止众人进山，却不料被妻子路姜言呵斥驱赶，未曾想萧恒找到路姜言他们后，大雨倾盆，南葬山爆发泥石流，于是萧恒展现高超荒野求生技术，带领众人逃出南葬山。

在工作环境的不安全感驱使下，科摩多罗·里瓦达维亚赌场的员工朱莉娅屈服于格温福的诱惑，格温福是一个简洁的威尔士裔男子，他向她承诺在他工作的石油公司担任行政职务。当她意识到自己的错误时，他们已经很好地进入了沙漠，开始了穿越巴塔哥尼亚平原的艰苦徒步旅行。掩埋在洞穴和废弃的建筑，没有出路在无限的距离，困难的共存将改变随着时间的推移。在一辆皮卡车上，在追踪者的引导下，警长赫密斯·普里托骑着马，紧跟其后，确信能在沙漠中找到某种踪迹。

本片讲述了对感情真挚、心地善良的沈家驹在爱妻因病去世之后，来到了一个沙漠小镇散心，没曾想遭遇了被陨石辐射而产生变异的动物的袭击，正直勇敢的沈家驹沉着冷静，带领当地人对抗巨兽，最终救下了小镇村民的故事。

40岁的警官丹尼尔因爆出暴力殴打新人被停职调查，此后他的网恋对象萨拉不再回复他的消息，他决定开车横跨巴西南北到北方寻找她。他把莎拉的照片打印成启事在萨拉的住处到处张贴，这显然是愚蠢的举动，但意外的是当地竟然没有人认识这个女人。直到最后，一个陌生人突然打来电话，说他知道萨拉的下落。

《引力邊緣》（2013）幕後父子兵再度聯手，上回是父親艾方素卡朗執導，今次就由兒子莊拿斯上陣，父親任監製。也是求生的故事，教人驚心動魄的不止於外太空，地球更危險。《向政府說不》（37屆）的基爾加西亞般奴飾演墨西哥非法移民摩西，夢想家庭團聚，偷渡穿越美國邊界。豈料遇上邊境巡邏的嗜殺排外之徒，濫用私刑，持槍獵殺，令追尋自由的冒險之旅，頓變極度恐慌的生死逃亡。邊境荒漠成為殺戮戰場，家人所贈的玩具熊到底是護身符還是催命咒？影片有如一則現代出埃及記，為當下美國右派民粹主義勢力崛起敲響警鐘。

一个男人发现自己被困在一个沙漠峡谷中，与一位在野外生活的女性一同被一群虐待狂男孩囚禁。

Two dysfunctional couples rent a modern luxury desert home for the weekend hoping to sort out their messed-up lives. Just as they are about to settle in for a fun night, a neighbour turns up at their front door saying she has car trouble. And that's when the murderous trouble really starts. Because without knowing it, the four friends have landed slap-bang in the wrong violent place at precisely the wrong bloody time. Hopefully your nerves of steel will hold for one of the most stylish, atmospheric and terror-filled home invasion horrors of them all.

The sun beats down mercilessly on all those who cross the Sonoran Desert between Mexico and the United States. Aside from the few people who live here, it’s the poorest of undocumented immigrants that make the crossing, who have no choice but to take this extremely dangerous route, followed by border guards both official and self-appointed. The horizon seems endlessly far away and deadly dangers lurk everywhere. It’s best to move under the cover of darkness; during the day, being exposed to the heat and sun is enough to make animals and humans perish. Their traces and remains accumulate, fade, decompose and become inscribed into the topography of the landscape, making the absent ever-present as life and death, beauty and dread, hostile light and nights aglitter with stars and promise all continue to exist alongside one another. El mar la mar masterfully weaves together sublime 16-mm shots of nature and weather phenomena, animals, people and the tracks they leave behind with a polyphonic soundtrack, creating a cinematographic exploration of the desert habitat, a multi-faceted panorama of a highly politicised stretch of land, a film poem that conjures up the ocean.