俄罗斯电视剧《迪娜与杜宾犬》是一部军事剧，聚焦那些为伟大胜利做出巨大贡献的平凡人物。伟大卫国战争初期对苏联而言是真正的悲剧时刻，为了延缓纳粹军队的快速推进，任何手段都被派上用场。著名的犬类专家亚历山大·马佐弗面临着……

就在自己公寓外，安娜发现了迪娜——一个赤裸、神秘又困惑的年轻女子。安娜邀请迪娜进屋，并打电话叫了几个人来见她。人贩子帕梅拉和雷蒙多前来商议购买迪娜，而迪娜声称自己来自未来，实际上是肩负着一项使命，要调查到2015年时墨西哥的人类邪恶发展到了何种程度。这个年轻女子在这两个人贩子之间挑起了一场无法解决的争执，最终他们都死了。

A mill owner in the Sudetenland and his family's lives are changed as Europe heats up in 1938.

小迪娜失去了父母的宠爱。雅各布为迪娜雇佣了一个家庭教师。迪娜长大成了一个美丽的女人，她会和雅各布发生怎样的故事呢？ 沉闷、诡秘的开场曲多少让无缘观赏该片的乐迷猜测到本片可能遭遇的情节：生与死的纠缠？或是一段波及人性扭曲的悲情故事？ 这部来自丹麦导演欧尔波内戴尔(Ole Bornedal)的影片以名叫“迪娜”的女孩为核心，讲述了一个因失手杀害母亲而被父亲和世人遗弃的姑娘所遭遇的心灵冲突，在生与死的纠缠中，她因受一名无政府主义者的感召而最终领悟生命的意义所在。 著名的惊悚片配乐大师Marco Beltrami担任本片的配乐。Marco Beltrami曾经为大名鼎鼎的《惊声尖叫》系列、《H20抓鬼节》(Halloween H20)、《偷窥杀手》(The Watcher)、《吸血鬼2000》(Dracula 2000) 、《刀锋战士2》等多部恐怖影片配乐。早在影片开拍前一年，Marco Beltrami便开始筹备影片的配乐构架，对谱曲人而言，影片音乐的成功与否关键在于如何将挪威本土曲调以古典的手法给予呈现，同时又不能丢失现代人应有的共鸣。从整张专辑的聆听效果而言，虽然在旋律的可听性上略为逊色，但必须承认的是，这些乐曲对于显现影片的氛围、刻划人物看似平静实则跌荡起伏的心绪还是起到了应有的作用，特别是担纲演奏的管弦乐团、大提琴家玛丽娅·科列吉尔(Maria Kliegel)和年仅25岁的法裔加拿大歌手兼提琴手乔安娜(Jorane)的表现更是可圈可点。鉴于这些艺术家对于影片的音乐设计有着共识，片中的弦乐演奏和重在体现主人公内心情感波动的大提琴演奏乃至空灵舒展的人声点缀都有一种相得益彰的效果。典型的欧式配乐虽然缺乏大器和花哨效果，但却是最贴近剧情的。

成长在艰难的环境中，却又坚强不屈的焊接工人无铁，与俏丽的，又有些公主娇气的摄影师熙野之间命运般的神奇爱情；由于社会的冷待，怀着仇恨长大的常识，与不顾世俗的传统观念，不断挑战自己的熙天，对事业和爱情的追求。该剧以“敢于梦想，尽情相爱”为主题，通过不同个性的年轻人倾情演绎，生动地描绘了他们的事业和爱情，挫折和希望。

该剧讲述了为了钱成为军事检察官的都培万和为了复仇成为检察官的车友音在军队里相遇，打击军内恶势力，成为真正的军检察官的成长故事。

A nicely cynical love story, 19 July 2004 Author: bob the moo from Birmingham, UK Joe Liberman is recently widowed and is finding it very hard to get back out there. He meets a woman at a resort who turns out to be a prostitute but, after trying it once, Joe becomes a regular client of Shaleen. Regaining his confidence Joe then meets a beautiful woman called Kate who sells him a condo. As he continues sleeping with Shaleen, Joe tries to work out how he can seduce Kate away from her husband – producing a very complicated love entanglement. I saw this film as one of the ongoing 'short story cinema' series all from the same production company. While the series produced many memorable shorts and gave many stars their first job as director, too often the shorts all sound and look the same (small light music and visual feel). Lieberman is one of the shorts that manages to stand out from the crowd and is actually one of the more enjoyable ones. The plot produces a rather clever little story that is romantic but not sentimental – it is sweet but it is very cynical in how it views relationships; certainly what you get here is not the normal sweet lovable romantic coupling stuff. This is not to say that it is perfect, because it maybe isn't quite as clever or different as it thinks it is, although it is clever and interesting enough to get by. Various twists towards the end help it as well. The cast are good and, as is often the case with this series, contains quite a few well known faces. Aiello is good in the lead as he always is and seems to understand his character pretty well. Lahti is good and manages to make her character a 'hooker with a heart of gold' without actually having a heart of gold; her direction is also good and she matches the tone of the material. Travis plays quite a simple character but is effective nonetheless. They all work well together but it is a combination of them and the material that carries it. Overall this is a romantic story but it is one that is seeped in the cynicism that most of us feel is the reality of relationship as opposed to the sweet, sentimental stuff that is sold us in most Hollywood films. This may not be perfect but it is clever and enjoyable with a tough edge and carries itself well over its long (for a short) running time.

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