江莱带队赴无人谷寻植物，队员池刚失踪。众人不顾守谷人陆永 “诅咒” 警告闯入，遭遇自燃、幻觉、巨蝠等诡异事件，队员接连遇险。真相揭开，陆永为给患血液病的孙女来福筹钱，靠洞内金条换治疗费，用吗啡粉、白磷粉制造诅咒假象，甚至害死池刚。最终陆永自缢托付孙女，江莱呼吁社会救助来福，无人谷的 “诅咒” 谜团彻底消散。

这年夏天，江莱带着植物研究所的几名同学，来到神秘的无人谷寻找未发现的植物。身为队长的江莱负责镇守大本营，几人分工明确后开始寻找植物标本。池刚喜欢裴卓华多年，为了在心爱的女生面前表现，独自一人来到无人谷深处寻找植物标本后消失得无影踪。江莱接到池刚惊恐的求救电话，她组队拿着池刚最后留下的照片线索寻找，几人本想穿过铁栅栏封闭的无人谷，但被守谷人陆永阻拦并告知无人谷被诅咒过，进去的人会受到神明的诅咒.

A horror story set in the mountains.

In a Welsh coal mining valley, a young man with a beautiful singing voice is called upon to make the ultimate sacrifice when a pit disaster threatens.

马克斯（乔什·哈洛威 Josh Holloway 饰）拥有着并不清白的过去，曾经，他因为犯下了杀人之罪而遭到了审判，如今，这份罪孽拖累着马克斯，让他陷入了生活的窘境之中无法自拔。尽管马克斯决心要洗心革面重新做人，但很快他便发现，如果没有钱，一切都是泡影，如何弄到钱成为了马克斯目前需要解决的最大问题。 一次偶然中，一位有名富翁的的儿子吸引了马克斯的注意，和几个损友一番商量，马克斯一伙人绑架了这个名叫大卫（布雷克·沃道夫 Blake Woodruff 饰）的男孩。绑匪们将男孩带到了一个废弃的营地里，此时他们并不知道的是，充满了恐惧和危险的未来正在等待着将他们吞噬。

Mara, an ancient pagan spirit, hunts a group of teenagers taking their body parts to be reborn. A disillusioned and desperate investigator has to face his deepest fears to save the teenagers.

A virus is spreading across Sri Lanka, reportedly causing young people to commit suicide. The Disease Control Unit promises containment of this terrifying pandemic by any means necessary, citing supernatural forces that only ancient healing rituals can vanquish. As parents mourn the deaths and disappearances of their children, government henchmen prepare the bodies and the remaining living prisoners for a cleansing of disturbing proportions.　　The Black July riots of 1983. The 1994 discovery of a mass grave in the Sooriyakanda Mountain range. The 30-year Eelam War. The 2022 Protests. In his bold and unflinching debut feature, filmmaker Jagath Manuwarna holds up a mirror to the decades of suppressed uprisings and civil war in Sri Lanka. Threading together various points of view across the landscape of revolt, from a grieving, alcoholic father and a monk grappling with doubt to the banal banter of an anti-rebellion unit, Manuwarna delivers an impactful and potent epic.　　Often darkly humorous, cinematographer Vishwajith Karunarathne’s elegantly composed long takes play with the nature of government disinformation, where simple close-ups slowly pull back, revealing darker truths. All the while, the breathtaking beauty of Sri Lanka remains a quiet, mournful presence – deeply felt beyond the screen.