林芊芊攥着手机的手指泛白，屏幕上陈村发来的信息像毒蛇吐信：“我女儿又发烧了，你不能见死不救！” 窗外暴雨拍打着玻璃，和她擂鼓般的心跳声混在一起。自从大学那次骨髓捐献后，她的生活就被这家人彻底搅乱 —— 工作日堵在公司楼下，周末守在小区门口，甚至往家里寄恐吓信。​ “老婆，别理他们。” 顾遇白轻轻搂住她颤抖的肩膀，掌心传来的温度让她眼眶发烫。他早就辞掉了出差频繁的工作，每天接送孩子上下学，把家打理得井井有

林芊芊在大学期间捐赠了一次骨髓，工作之后被受赠者陈村一家找上们来，让她二次捐献。林芊芊拒绝无果，被陈村一家一直纠缠。工作也黄了，家里也不得安宁。顾遇白作为丈夫一直陪伴林芊芊，两人相互扶持保护孩子，揭穿陈村一家的真面目。

儿媳妇摔了我端上的长寿面，当众说别拿带孩子绑架她。我没哭没闹，转身拿出房产证，从那天起不再做饭接娃，水电按人头算，谁的父母谁负责。她慌了，等她亲妈骨折没人管、自己累到崩溃，才想起我这个免费保姆。结局亮了，她当众道歉，可我已经学会先爱自己。

从小到大，温柔都是一个乖巧懂事、善解人意的姑娘，在家里她懂得谦让弟弟、照顾父母，在工作上处处替同事们着想、不计回报的付出，对男朋友也是掏心掏肺，以为这样就能换来别人的爱与尊重。可是没想到，到头来，周围人对她的压榨变本加厉。这一天，因为同事工作上的失误，导致温柔背锅、被辞退，她来到男友那里，因为手头紧没有办法给男友换游戏机遭到责怪，又被男友看到她的离职信，知道她失去了工作，男友立马变脸。

婆婆尿毒症需要定期透析，小姑子李娇娇却总把自己的班推给林晓 —— 打麻将她顶、逛街她接、跳广场舞她兜底。林晓以为这是一家人的情分，直到父亲病危，她第一次求李娇娇替一次班，对方却抱着宠物狗说："我下午要送乐乐去做美容，哪有时间替你？" 父亲走了，葬礼上婆家没有一个人来。林晓跪在墓前发誓：再也不做任人拿捏的林晓。 她将计就计签下离婚协议净身出户，转身用娘家的拆迁款开公司。前夫一家以为抢到了 "泼天富贵"，超前消费、贷款套现，最后等来的只有还不完的债和逃不掉的法律代价。 帮你是情分，不帮是本分 —— 这句话，她原样还了回去。

张建军因受哥哥救命之恩，婚后对寡嫂李云霞过度照料。李云霞自私泼辣，借恩情不断提出无理要求，干涉张建军与妻子孙娟的生活，还暗藏情愫挑拨二人关系，从索要物质到公开表白、楼道撒泼，矛盾持续升级。孙娟虽温柔包容，却也因丈夫的失衡对待备受委屈。最终，张建军认清底线，与李云霞彻底摊牌明确家庭边界。李云霞幡然醒悟，一年后，三人化解隔阂和睦相处，张建军与孙娟的感情愈发坚固，如愿迈向新生活。

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 源自：https://iffr.com/en/iffr/2023/films/endless-borders

小区保洁张桂芳干了八年，一向勤恳本分，却因拒绝帮业主王丽华清运装修垃圾，被对方当众泼垃圾、拍照造谣，还在业主群里煽动舆论。面对同事 “忍忍算了” 的劝说和接二连三的刁难陷害，张桂芳半步不退：本职工作她一件不落，分外的事她敢直言说不。一场关于职业边界与劳动尊严的对峙，在小区里悄然拉开。

This story is a true account of the lives of Scott and Marsha Carter. Having graduated from medical school, Scott Carter, a fair-skinned African American, marries Marsha Mitchell and moves to Georgia. When he arrives at the black clinic in Georgia, he discovers that the job must inconveniently go to a Southerner. Discussions between two nurses at this clinic suggest that Scott's light skin may have some bearing on the decision not to hire him. Defeated but not conquered, Scott returns to Massachusetts to live with his in-laws until he can get employment. He tries unsuccessfully to obtain employment as an African American. Because Marsha is pregnant, Scott decides to take a job at Portsmouth Hospital, but he reluctantly does so as a white man. While there, he manages to save the life of Dr. Bracket, who encourages him to take a postion in Keenham, New Hampshire. Scott decides to continue "passing" for white. In Keenham, Dr. Scott Carter proves to be quite a success for the town. For ...

毁掉一个家的，往往是没有边界的亲情