A routine train ride goes horribly wrong when a sinister group hijacks a train. The hostage-takers are seeking to be heard, the hostages are forced to confront their mortality while the crisis team has to appease an entire nation shaken by shocking revelations. As tensions rise between the groups, suppressed emotions surface and true characters are revealed. Will we find heroes in our midst? 当一个邪恶的团体劫持火车时，一次常规的火车旅行就出了严重的问题。劫持人质者正在寻求被倾听，人质被迫面对自己的死亡，而危机小组则不得不安抚被令人震惊的事件震惊的整个国家。随着群体之间的紧张关系加剧，压抑的情绪浮出水面，真实的人物也显露出来。我们会在其中找到英雄吗？

新锐律师苏晚接手一桩棘手案件，当事人林默因撞见职场霸凌，反抗中致对方一死一伤被刑拘。她顶住压力为林默做无罪辩护，对手竟是自己的业界偶像陆沉。庭审中关键证人许知意被逼作伪证后遭灭口，林父也被迫签下不利文件。苏晚在重重阻碍下坚守立场，推动林默翻供揭露长期被霸凌真相，最终成功为其争取正当防卫、无罪释放的判决。

新锐律师苏晚接手一桩棘手案件，当事人林默因撞见职场霸凌，反抗中致对方一死一伤被刑拘。她顶住压力为林默做无罪辩护，对手竟是自己的业界偶像陆沉。庭审中关键证人许知意被逼作伪证后遭灭口，林父也被迫签下不利文件。苏晚在重重阻碍下坚守立场，推动林默翻供揭露长期被霸凌真相，最终成功为其争取正当防卫、无罪释放的判决。

律师苏晚接手一桩棘手案件，当事人林默因撞见职场霸凌，反抗中致对方一死一伤被刑拘。她顶住压力为林默做无罪辩护，对手竟是自己的业界偶像陆沉。苏晚在重重阻碍下坚守立场，推动林默翻供揭露长期被欺负真相，最终成功为其争取正当防卫、无罪释放的判决。

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility in a new design by architect Yoshio Taniguchi, Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

暴风雪期间，一列从斯德哥尔摩开往纳尔维克的火车遇上雪崩，所有乘客必须在附近山区一家古老、偏僻的酒店避难。其中包括敏锐而阴暗的警官汉娜·威尔森（埃达·英格薇 饰），当酒店开始发生神秘谋杀案时，尽管暂时被警方停职，汉娜仍开始调查。

丈夫借口随同兄长外出应酬，谁知兄长竟出现在她身后。一通虚假通话后，她被丈夫的兄长步步牵动心绪，渐渐深陷其中。丈夫从未珍视过她，殊不知在兄长心中，她是独一无二的心上人。待到丈夫匆忙归家，只等来她积攒许久、不留余地的反击。

Set in modern day Uzbekistan, a country balancing its Soviet past with ancient traditions, the film follows Saida, a woman living between different worlds and roles. To her mother, she is a humble schoolteacher. Yet she also works as a fixer for foreign business delegations. Her job goes beyond translation and assistance: she facilitates the arrangement of “special services” for businessmen and teaches local women German phrases to navigate these encounters. In both the classroom and the meeting rooms, Saida’s life is defined by repetition. She teaches others to speak words that are never their own. Like a train on its tracks, she is always in motion but never free to choose her direction. As her boss, Shukhrat, closes in on her and starts to look for her at the school where she teaches, Saida must decide: follow the tracks laid for her or vanish into a world of her own making.

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