程序员关山，为公司奋斗三年，却在晋升的关键时刻，被上司季宇和空降的“心上人”蒋之年联手背叛。他三年的心血付诸东流，职位被抢，甚至连辛苦跟下的项目提成也要被剥夺。在离职审批通过之际，季宇竟然还在群里公然要求关山请全公司吃“散伙饭”，企图让他再当一次冤大头。面对这种明目张胆的欺压，关山选择了绝地反击。他没有愤怒，而是冷静地在群里发送了全市最顶级酒店的定位，并悄然订下了飞往马尔代夫的机票。在同事们集体狂欢，点下20万天价大餐的时刻，关山已身处阳光沙滩，享受着自由。

陆景川曾倾力帮扶发小赵明，却遭其算计污蔑。认清人心后，他转投清河饭店，与老板娘徐婉晴同心经营。赵明因贪念报复终致负债，自食恶果。此后，陆景川与徐婉晴创立星火工作室，坚守准则，以善意帮扶众多小微商户，共创美好未来。

我毅然辞去城市工作返乡，凭借扎实的农业专业知识，手把手带领乡亲们种植桃树，打通销售渠道，助力大家增收致富、改善生活。可当我正常收购桃子赚取合理利润时，却惨遭村民误解，被污蔑成黑心商人。在村长儿子蓄意挑唆下，我被逼退还利润，还被迫断绝合作，一片好心被肆意辜负。 遭受寒心对待，我并未消沉，转而专心开拓新销路，独自把果蔬生意越做越大。村民选错领头人，经营接连亏损，这才幡然醒悟。而我始终坚守本心与底线，凭自身实力打拼，逆袭成为远近闻名的企业家，也印证了：善良要有锋芒，踏实努力终会成就不凡人生。

火锅店生意火爆，房东韩永贵听信谗言将月租从三万涨至十八万，逼走老板邱清远。邱老板连夜搬空设备潇洒退场，留下空壳店面。房东接手后陷入连环陷阱，面临法拍危机。此时，邱老板带着关键证据与街坊邻居强势回归，局面瞬间逆转。

店家给多年熟客预留了优质宴会厅，不料对方家人当众发难动手，还执意退掉订单。场地转租出去之后生意火爆，反观对方的婚礼办得十分窘迫。时隔一年，对方家中办宴席假意登门道歉，暗中设套录音频，被店家当场识破。对方四处散播谣言抹黑，店家放出完整录音与现场监控，真相公之于众，众人看清这一家人的真面目。

黄文农（1901～1934），上海松江人，一位生命短暂而璀璨、作品丰硕的著名沪上漫画家，中国最早漫画社团“漫画会”的主要成员。他先后在《小朋友》杂志、《时代漫画》杂志、《晶报》、《上海漫画》、上海淞沪警察厅政治部海军政治部宣传科等机构就职，并以反帝、反独裁“政治漫画家”闻名上海滩。 1924年6月4日，《申报》首次报道了黄文农的动画创制讯息：“书画家黄君文农，近受中华影片公司之聘，制活动钢笔画影片三本，长约千尺，情节甚滑稽，名《狗请客》，中秋后即可开映云。”“钢笔画影片”亦指动画片。三个月后，《申报》署名文章又有了新进展： “月之十日，偕友往中华影片公司参观，先由杜君寿祺引导观览各部，继开映新片《狗请客》。该片为画家黄文农君所主绘，费时四月始告成，全片长千余尺，映演时间约半句钟。情节殊甚发噱，动作异常敏捷。片中有真人物二，一为女郎，一为小贩，以真人与画片并摄，更觉有趣。” 耗材“千余尺”的、耗用四个月的、长达一刻钟、黄文农主绘、真人与画并摄（即画面里有真人与卡通角色同时出现，为早期动画常见样式），这些已足以表明《狗请客》是一部动画短片，当时已摄毕并在内部放映。另外，黄文农于1924年与李允臣、沈延哲一道，共同创办了中国第一家动画公司――中国画片公司，这也是中国动画史特别值得纪念的一笔： ”李允臣、黄文农、沈延哲君等，近组织一中国画片公司，用钢笔画成后，然后构造活动影片。其第一片定名‘西游记’，西名（Way Down West），其中有孙行者大闹天宫及唐僧取经等，情节奇异，刻已从事绘制云。“ 上海《新闻报》的报道内容几近相同，只是结束语加了一句：“将来出片后，亦可谓中国电影界中别开生面者也”显然，“中国画片公司”是从事钢笔绘制“构造活动影片”的动画片专业公司，而其首部作品《西游记》至少应于1924年6月开始绘制。以其1924年摄毕的《狗请客》来看，较之杨左匋1923年的动画创制，黄文农在成片顺序上应为中国动画史上第二人，加之其与人首创中国第一家动画公司，足以使黄文农的名字，在中国动画史上熠熠闪亮。 （郭虹、邬佳力，再探20年代中国动画之发轫，新闻大学2010年01期）

暂无剧情简介

愛煮之人享受烹飪的過程，悉心炮製的美饌更可為身邊人帶來快樂。識煮識食的主持黎諾懿、陳敏之一同分享下廚樂趣，讓大家感受「諾廚之味」！ 「疫境廚神」諾懿教煮多款海鮮菜式，並傳授相關小貼士。「星級媽媽」敏之則示範造型可愛的美點，各位家長不妨參考，為小朋友送上驚喜。 主持們請來同樣熱愛烹飪的藝人大顯身手，陳煒、張曦雯、龔嘉欣、王敏奕等嘉賓各自帶來最拿手、具意義的美食，還會與諾懿採用同一食材，奉上不同滋味！

生鲜老板林辰返乡帮扶青山村养殖生态土鸡，免费提供鸡苗、技术与销路，投入巨资带领村民增收。可村民在王大叔带头下贪念滋生，听信外人挑唆，屡次拦车涨价、造谣施压，全然不念往日恩情。心寒的林辰果断撤资，转而去帮扶民风淳朴、诚实守信的邻村绿水村。青山村村民转而与骗子合作，使用劣质饲料和药剂，最终土鸡大批病死、销路断绝，全村经济崩盘。而绿水村上下齐心，靠着土鸡养殖集体致富。两村境遇反差鲜明，印证了失信贪婪必食恶果，诚信踏实方能长久。

The title is a Russian expression meaning "I wish to speak". This is one of my three favorite Panfilov films which I consider masterpieces, the other two being "Nachalo" and "Tema"; Panfilov wrote this script by himself it seems. It shows, this film is genius. For me, this is honestly one of the most thought-provoking films of my life. Perfectly written. It is about a family woman who was made the mayor of a town. I am mystified by this film. Not since Tarkovsky have I felt this strange spiritual energy, and that's saying something. This is the last Panfilov film I saw, I've seen five others. The incredible world of the characters is what reminds me of a Tarkovsky movie. This movie is about a family. It could be said to be about a lot of things. But to me this film is about communism. I can't have enough room to write and express all the incredible thoughts and scenes contained in this movie, nor would I want to. But I must say how realistic and natural the script and acting are and how poetic and beautiful yet simple the cinematography is. This films is about the ideals and morals of communism that any human being with a conscience can relate to: want for peace all over the world, a sense of duty to make the world better, love of your country and respect for all men and women. This mayor is still an attractive young woman, but she is stern when she needs to be and she can be rude and takes her job very seriously. But she also spends a lot of time with her family, she was a champion marksman, her husband is a soccer coach, they have two kids, son and daughter. This film uses some real Beatles songs, "Ob-La-Di, Ob-La-Da" for instance is played almost in it's entirety in the first 10 minutes, which I still find to be 10 of some the most incredible minutes in film ever, just incredible poetry. This film is definitely not for everyone, but it is a very good film, with an even more important message. It reminds me of an Oliviera film, because of long talking scenes. This film is definitely a nostalgic piece now that communism ended, especially because that is specifically it's topic. Also it paints a very realistic picture of what the feel under communism was for most working normal people, and it wasn't fear but togetherness. If you want a film that isn't propaganda and is very human and shows what a normal individual who is a communist "sees" in it, definitely watch this film, it is the one and only to treat the topic so respectfully and truthfully, the only other one is "U Ozera", IMO. The story is fiction but the ideas are absolutely true, in the end it doesn't matter what the directors/writers stance on anything was, he understood his subject and was inspired by it enough to make this poetic film, and I thank him.