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Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply. A group of citizens in West Virginia challenges a powerful corporation to more environmentally responsible.

这是一部根据司马辽太郎同名小说改编的戏剧化作品，讲述了江户时代末期真实存在的侠义之士小林左平太的一生。

兩個泳隊隊友為了看流星雨而出走訓練營，可是路上的姿采還比天上星星漂亮璀璨。 Two swimming team members decide to escape their training camp for one night to watch the Leonid meteor shower. But the road trip is full of surprises bringing them more than the twinkling stars above.

《耶稣，你知道》 (Jesus, You Know)《狗日子》导演伍瑞克•塞德尔另类大胆的纪录片获奖：2003年捷克卡罗维发利国际电影节最佳记录片奖2003年维也纳国际电影节维也纳奖简介：六名天主教徒在不同的教堂里跟耶稣分享他们的想法和问题；而导演的摄影机则全程一直跟随着他们，客观地记录下他们与耶稣的对话。

一个藏地青年决定刺杀世仇后，坠入不可回返的命运悲剧。

关于影片： 俄查位于海南岛的西南部，黎族是这个岛屿的原住民。相传黎族同胞为纪念渡海而来的黎族祖先，故以船型状建造住屋，门开左右形如船的茅草屋，因而得名为“船型屋”。 船型屋是黎族几千年来一直居住的传统方式。 　　　　 俄查属于黎族的美孚方言支系,因而也被称作美孚黎。由于地处偏远,他们依然过着传统黎人的生活。拍摄了一年多，全面记录。 俄查村一百五十多座茅草屋，六百多人。

Winner of Special Prize at legendary Brussels International Experimental Film Festival, 1964. A surreal short tale of a young guy bears a big egg after masturbation... This short holds the only real "narrative" in the collection, as it captures a man engulfed by his perversion and sexual tension. Shortly after searing holes in nude photographs of women with a phallic-shaped rod and -- afterwards -- self-gratifying himself, or so that would seem how Iimura's photography would like for us to perceive it, he discovers an egg "birthed" in between him legs. When confronted with the idea that this may have been his creation, this once-impassioned man now starts to discover maternal tendencies shortly after his orgasm. By far the most compelling work in the collection, Onan tinkers with gradual, real masculine emotionality and eroticism as the focal character playfully and curiously plays with the egg, rendering an odd image of a once perverse man now nurturing the ideals of his passion's product. It can be seen as a metaphor for the cyclical existence of masculine energy, or even as misinterpretation of gender norms once the only other "character" in the film comes out. There's a lot of thought and energy in this seven-minute piece, one that packs more themes than most films ten times its length.

正值壯年的嚕米曾是無家者，因家庭失和、創業失敗，過上居無定所的生活長達十年，直到他加入作家林立青創立的「友洗社創」，透過洗地工作累積專業技能，也開始有能力存錢、租屋。然而，過去的經歷卻持續影響著他。