Treasures Of The Indus is 3 x 60’ episodes made by Tern TV, which tell the story of the Indian Sub-Continent through the treasures that have shaped the modern Indian world. From the plains of Pakistan to the foothills of the Himalayas, from Northern India and Rajasthan to the deep South and Tamil Nadu, Dr Sona Datta explores this vast melting pot of diverse civilisations, religions, cultures and glorious landscapes that has given us some of the greatest artistic golden ages on earth. 　　The series will chart the history of the Indus Valley, telling the relatively unknown story that stretches back 4,500 years to the Ancient Indus civilisation who gave us, amongst other things, the decimal system. Sona explores the art of the Mughals, who created the most famous and dazzling empire that India has ever seen, from the Taj Mahal to fabulously intricate miniatures of court life. She questions whether the Mughals were trying to impose their own religion of Islam or indeed whether they were open to the religion and art of the country they were trying to conquer; and she discovers some of the 33,000 sacred temples hewn from rock, sandstone and marble in the southern Indian state of Tamil Nadu.

Treasures Of The Indus is 3 x 60’ episodes made by Tern TV, which tell the story of the Indian Sub-Continent through the treasures that have shaped the modern Indian world. From the plains of Pakistan to the foothills of the Himalayas, from Northern India and Rajasthan to the deep South and Tamil Nadu, Dr Sona Datta explores this vast melting pot of diverse civilisations, religions, cultures and glorious landscapes that has given us some of the greatest artistic golden ages on earth. 　　The series will chart the history of the Indus Valley, telling the relatively unknown story that stretches back 4,500 years to the Ancient Indus civilisation who gave us, amongst other things, the decimal system. Sona explores the art of the Mughals, who created the most famous and dazzling empire that India has ever seen, from the Taj Mahal to fabulously intricate miniatures of court life. She questions whether the Mughals were trying to impose their own religion of Islam or indeed whether they were open to the religion and art of the country they were trying to conquer; and she discovers some of the 33,000 sacred temples hewn from rock, sandstone and marble in the southern Indian state of Tamil Nadu.

眼前的父亲让Juan充满了疑问。为什么他整天都在睡觉？为什么他只能在晚上钓鱼，而且再也不给自己讲故事了？河上漂泊的日子，安静、孤独又漫长，于是Juan决定潜入黑暗之中寻找答案。在梦境与现实之间，他终于找到了真相。

眼前的父亲让Juan充满了疑问。为什么他整天都在睡觉？为什么他只能在晚上钓鱼，而且再也不给自己讲故事了？河上漂泊的日子，安静、孤独又漫长，于是Juan决定潜入黑暗之中寻找答案。在梦境与现实之间，他终于找到了真相。

Searching for the house his father grew up in, director Lei Lei charts the story of a childhood in rural China using a mix of found footage, collage, and animation techniques: a moving account of all the things the father thinks he was not good at. 　　源自：https://www.berlinale.de/en/2023/programme/202305656.html

William Thornhill, an illiterate Thames bargeman and a man of quick temper but deep feelings, steals a load of timber and is transported to New South Wales in 1806. Like many of the convicts, he's pardoned within a few years and settles on the banks of the Hawkesbury River. Perhaps the Governor grants him the land or perhaps he just takes it - the Hawkesbury is at the extreme edge of settlement at that time and normal rules don't apply. However he gets the land, it's prime riverfront acreage. It looks certain to make him rich. There's just one problem with that land: it's already owned. It's been part of the territory of the Darug people for perhaps forty thousand years. They haven't left fences or roads or houses, but they live on that land and use it, just as surely as Thornhill's planning to do. They aren't going to hand over their land without a fight. Spears may be primitive weapons, but settlers know that they can kill a man as surely as a ball of lead from a musket. As he realises all this, Thornhill faces an impossible choice. Some of his neighbours - Smasher Sullivan, Sagitty Birtles - regard the Darug as hardly human, savages with as little right to land as a dog. When the Darug object to being driven off, those settlers have no compunction in shooting or poisoning them. Other neighbours make a different choice, and find ways to co-exist with the Darug. Blackwood has made a family among them. Mrs Herring "gives them when they ask". Hostility between blacks and whites gradually escalates. Finally a group of settlers decides to go out and "settle" the Darug for once and for all. Will Thornhill join them? The decision he makes is with him for the rest of his life.

根据真实人物故事改编的电影《远方的河》由金舸执导，李雪健、肖聪等主演，以采访忆述的形式再现了知青王华（原名金训华）的感人事迹。

高度経済成長の進む1958年を舞台とした「光る川」は、山間の集落で祖母と暮らす少年ユウチャを軸にした物語。夏休みの終わり、集落を訪れた紙芝居屋は土地に伝わる悲恋の物語を語る。それは里の娘・お葉が山の民である木地屋の青年・朔への叶わぬ思いに打ちひしがれて入水し、その涙が洪水を引き起こすというものだった。紙芝居の物語との不思議なシンクロを体験したユウチャは、現実でも家族を脅かす洪水を防ぎ、哀しみにとらわれたままのお葉の魂を解放したいと願い、古くからの言い伝えに従って川をさかのぼり山奥の淵へ向かう。

身为心理医生的哥哥远山对刚寻回的弟弟远河进行心理治疗，在进入到弟弟内心世界后，弟弟要求哥哥带他找回失踪的妹妹，随着两人在荒凉的世界里不断穿梭，积压的矛盾也不断暴露，弟弟的心结也随之松动……

Searching for the house his father grew up in, director Lei Lei charts the story of a childhood in rural China using a mix of found footage, collage, and animation techniques: a moving account of all the things the father thinks he was not good at. 　　源自：https://www.berlinale.de/en/2023/programme/202305656.html