伦纳德又和他的前男友约会了，现在他迫切需要平复一下他的情绪波动。这部即兴的喜剧故事片是在大流行期间拍摄的，探讨了精神健康、同性之爱和自我认同等议题。

What chance have you got when your dads a cop, your mum's a frighteningly understanding parent, your brother wets the bed, your best friend's a heavy metal devotee and then you fall in love at 12 and three quarters years old. It can only mean trouble, worry, mega-embarrassment and some wild, wild times.

Produced in 1965, this 45-minute promo for the then youthful looking Leonard Cohen functions now as a faded cinematic snapshot of the man who, in the forty years since the promo was made, has evolved into Planet Earth's greatest living poet and songwriter. With a jazzy musical score, this B&W tape narrates a kind of "day in the life of" theme. It captures to some extent the man's personality which, surprisingly, exuded considerable humor, vis-a-vis the dire morbidity for which he has since become known. Of course, Western culture in the 1960s was friendlier to poets generally. In recent decades, particularly in the U.S., many people have become overtly hostile toward all things intellectual. In point of fact, Cohen's works have never been as popular in the U.S. as they have been in Europe and Canada. The U.S. aside, Cohen's worldwide popularity and longevity speak volumes about his talent, and remind me of the ongoing popularity of a similar 1960's talent: the Moody Blues. Some comments that Cohen makes in the film may raise eyebrows or seem contradictory. But that speaks as much to our current day obsession with logic, rigid analysis, and materialism as it does to Cohen's remarks. Trying to "analyze" poets or poetry is useless, and represents a fundamental misunderstanding of what poetry is all about. I believe that it was Benjamin Disraeli who said "the poet is the painter of the soul". In our current arid and more or less "soul-less" culture, Leonard Cohen gives to us a wonderfully unique way of seeing the world, a loftier point of view, based on truth, sensitivity, and intuition. This 45-minute "filmmette" is a must-see for people who are thus receptive to uncommon insight from an uncommon man

查宁·塔图姆宣布与韦恩斯坦影业划清界限，他在脸书上发布声明，表示将退出原计划和韦恩斯坦影业合作的电影项目——关于性虐待的《原谅我，伦纳德·皮考克》（该片原本会是塔图姆的首部导演作品，他也可能参演），今后他也不会参与任何韦恩斯坦的电影。《原谅我，伦纳德·皮考克》故事的主角是一名高中男生，他计划杀死自己最好的朋友，然后自杀。目前查宁·塔图姆和制片人里德·卡罗林正在寻找编剧来改编剧本，除了担任导演，塔图姆还打算在片中饰演一名试图进行干预的老师。

The Star Trek star, Leonard Nimoy, tells the behind the scenes stories of the legendary television series.

《醒醒》的豆瓣小站：http://site.douban.com/110048/ “天涯呀海角，觅呀觅知音，小妹妹唱歌郎奏琴，郎呀咱们俩是一条心。哎呀哎呀……”一首天涯歌女让无数人想起老上海的风花雪月。石库门，幽街小巷，老式唱片机，那吴侬软语的“栀子花”，“白兰花”叫卖 ，身穿花旗袍的娇小姐提着饭盒下楼买馄饨…… 时过境迁， 这些上海人引以为傲的老上海 风情还在吗？ 本土人的小资生活又是如何？ 张爱玲式的小情感是否荡然无存？ 的确，这种风情，这种小资，这样的小情感已经很难寻觅。但是，在上海最繁华的南京西路旁，有那么一片老别墅，人称静安别墅。一群艺术青年却过着这样的生活，传奇似的上海故事。 姐弟之间非同寻常的情感纠葛，争夺与报复式的生活。 夹在姐弟之间的森，面对这样的感情又是如何的抉择。 失去挚爱的摄影师小涛，该如何在这场情感战中疗伤。 这些矛盾每天都在这片海上演绎着另一番滋味，新上海滩的小情感将会随着《醒醒》的到来，带给大家一种久别的重逢。

上一世，宋亚君发现女婿出轨。赶紧打电话让女儿和亲家们过来，可是李俊超早就听到了风声。把孙晓娅从窗户送走了。最后宋亚君被亲家和自己的女儿责怪，宋芊芊也要和宋亚君断绝母女关系，随后宋亚君被亲家殴打致死。

《姐姐快醒醒》是由刘恋主理的一档女性向视频播客节目，邀请各行业女性嘉宾来到刘恋家中，展开轻松、真实的朋友式对谈。节目围绕成长、关系、职场、情绪与人生选择等话题，呈现不同女性在聚光灯之外鲜活、有共鸣的一面。