影片描写了地位低下的黑人青年霍默．史密斯，热心帮助一些逃难的东德修女，并答应为她们修建一座小礼拜堂……从而展示了他的人性美。本片触及全美最敏感的神经——黑人问题，一开始就显得不同反响。还有波蒂埃细腻的表演更引人注目，赢得36届奥斯卡最佳男主角奖，跻身于好莱坞超级影星的行列。

Two ex-soldiers search for stability and love when they return home after World War One. -------------------------------------------- 史上最强东欧魔幻现实主义电影杰作之一。 The second and last full-lenght feature film ‘Wild Lilies’by Elo Havetta ranks among the most remarkable works of Slovak cinematography. It is an artistic paraphrase of the literary work of Vincent Sikula. The main charcters are veterans retrurning from WWI who want to find a home ans settle down. However, equally strong is their desire for freedom and the life of a tramp. Elo Havetta (1938-1975) He graduated at the School of Industrial Arts in Bratislava in 1957. At the break of the fifties and the sixties he iniciated several original projects ( Theatre of pictures) and as a result, he´d attracted and organized a group of young artists from various art fields. Havetta was a prose writer, photographer, worked as an editor in visual arts magazine, as a graphic designer, etc. Since the beginning of his studies at FAMU (Film Academy of Musical Arts in Prague) in 1961, cinema became his major interest. It was mainly due to the fact that he believed it was the only means through which his personal feelings and experience could be transformed, intermingling with other art disciplines. Havetta attended the Academy in a relatively fortunate period of relaxed creative atmosphere and according to his professor Karol Kachyna (significant Czech film director) his appearance soon became the most distinguished in the course. But eventhough he managed to attract wider attention already with his school work, after he returned to Slovakia, there was no room for him in major film studios producing film those days - Koliba. And so in 1967 he participated in creation of diapolyekran at EXPO ´67 (exhibition of....) and between 1967 and 1968 he worked as visual arts magazine editor in Smena. He managed to get through in Koliba only later, in 1968, however he has completed only two full-length feature films: A Celebration in a the Botanical Garden and Wild Lilies. Both these titles have become jewles of Slovak cinematography. Through these films playfulness, improvisation and spontaneity got through into the Slovak cinema. Screening of the latter at IFF Venice in however didn´t bring fame for Havetta, on the contrary it launched a definite prohibition of his work produced in Koliba studios. Since then, all the way through untill the moment of his premature death Havetta worked only for the Czechoslovak television in studio producing programmes for youth. At the occasion of Days of Slovak and Czech Film in 1990, he was presented a Life-long Creativity Award in memoriam.

该片以新邵县安义学校初二学生何芹姣事迹为原型改编。何芹姣是新邵县寸石镇青山村人，2010年以来，在父病母走家庭条件极其贫困的情况下，她坚持四年背送患肌神经萎缩症的同班同学何颖慧上学直到小学毕业。2014年，何芹姣拒绝了爱心人士帮助，没有选择去县城上学，继续每天往返10公里接送、照顾何颖慧上中学至今。

过板车工人聂福祥和严慧、郑秀兰两个女人之间的爱情故事以及这两个女人和另外两个男人苏冉、海旺之间的感情纠葛，热情歌颂了中华民族重感情讲诚信的传统美德，用他们的人格魅力诠释了人和人之间的交往离不开真情，唯有真情才能为金石所开这样一个主题。

After surviving rape, comic-book artist Lisa Roberts moves from New York City to small town in Arizona. But there's danger in small towns too.

暂无剧情简介

1948年5月，国民党政府为了因应国共内战宣布动员戡乱，并制定「临时条款」，冻结宪法，而后退据台湾。此后不曾改选的第一届中央民意代表，让蒋介石父子维持强人统治的党国体制，也埋下扭曲的宪政结构。每六年一次的总统选举，成为资深国代政治勒索的时机，国会全面改革早已是社会各界要求改革的首要目标。1980年代，社会自力救济事件不断，而校园内的学生也纷纷组成运动团体，发行地下刊物，关注大学法和各项改革议题；然而，原先不合宪政原理、不符现实需要的宪政结构，仍然僵固。1990年三月第八届总统、副总统选举前，700名资深国代决议将自己的任期延长为 9年，并追加出席费。此举让民怨高涨，引发各界声讨，于是各校的学运组织开始串连、行动，一场大规模的学运就在「中正庙」—国民党威权统治的图腾下展开了。睽违26年后，「绿色小组」重新剪辑当年拍摄素材，重现当年野百合学运引发的全民激情与改革诉求。

1942年，爱国华侨商人子弟霍飞回上海，与大企业家夏鹏举的女儿夏梦瑶完婚。中共党员罗云奎随同霍飞一起回到上海，在组织的安排下，希望借助夏家的航运业务，将一批稀缺药品运往内地。药品即将起运时，被日军驻上海宪兵队长木村信长查获，罗云奎为保护霍飞的安全壮烈牺牲。受罗云奎委托，霍飞担负起运药的重任，在霍飞想办法将药品运走的途中，遇到了著名物理学家冯秉国的女儿冯晓晨。富有正义感的两位年轻人，在与敌人的斗争中，被共产党人前赴后继的抗日精神所感召，找寻到了人生奋斗的信仰和目标，成为坚定的共产主义革命战士。霍飞和冯晓晨两人在党组织的指挥和协助下，将侵华日军企图盗取中国珍稀矿产的阴谋昭告天下，并查清了冯家被日军灭门的真相，最终将药品胜利运往后方。

姝夢無心，理想結伴隨雲去。當記憶完全沒有重量，眼前就只有毒針和虛假的解脫。一對互為心靈夥伴的好友，狀況本如朝早八九點的太陽，何以逐步沉淪毒海，無法自拔，步向難以回頭的無盡黑夜？改編癮君子真實訪談的悲慘故事，令人心碎的不只是主人公的不幸經歷，也關乎性格操控和掏空。迷幻晃動的音聲影蹤裏，密集的情緒在跳躍敘事間爆裂起伏，一再邀請觀眾與角色一起跟虛無親吻。到頭來，墮落不是放棄，而是沉淪的堅持。