裴时沅深得八皇子宠爱，金银财宝流水般送入房中。然而，裴时沅不仅对赏赐不屑一顾，甚至当众砸碎金钗，指名要八皇子亲自致歉。忠心婢女唯恐其触怒性情暴戾的主子，裴时沅却早已看透皇子府表面繁华下的腐朽。她深知八皇子母子飞扬跋扈，覆灭只在旦夕。在这座困兽般的宅邸里，她拒绝被金珠宝气收买，宁愿在清醒中醉生梦死，等待那一场避无可避的皇权风暴。

Beautiful and self-destructive, hot-shot actor Danny Maldonado was once about to conquer Hollywood. Now, just a few years later, his career has flatlined, the love of his life has dumped him and his long-estranged drug addict mother is dying. But when he's called in to audition for the lead role in the most talked-about new series in Hollywood, Danny vows to clean up his act, win his ex back and give the greatest audition of his life. What could go wrong?

Nowadays, Beirut is often deprived of electricity. It is not a one-time accident but a new state. In the national museum, visitors find themselves in darkness and use their phones to light the traces of past civilizations as their world crumbles.

阿庆在湾仔开车房，生性好打不平，结交了许多义气朋友，因此也招惹了很多是非。阿庆的名头响亮，许多商户、夜店都邀阿庆照应，免受黑社会的骚扰。一个在湾仔盘踞的黑帮，欲在阿庆照应的夜店作毒品交易，被阿庆拒绝，并将他们遂出湾仔。结果，阿庆在毫无防避之下被枪杀。

失去儿子的单亲妈妈找到了慰藉，但代价却是。。。

今日，国公府因陛下为太子选妃的旨意而气氛紧张。国公召集嫡女清源与庶女玉瑶，告知二人皆在举荐之列。他语重心长地叮嘱她们需谨言慎行，勤练女红，精修诗书，并强调无论结果如何，都要以国公府的荣誉为重，不可因私废公。夫人则担忧性子柔弱的清源日后会受欺负，而玉瑶则天真地请求姐姐清源多加照拂。姐妹二人表面和睦，表示会相互扶持，并承诺为家族争光。最终，她们对未来的东宫生活充满未知，好奇太子究竟喜欢温婉贤淑还是活泼灵动的女子。

国公府奉旨为太子选妃，嫡女清源与庶女玉瑶皆列其中。父亲严命二人谨言慎行，勤习诗书女红，以家族荣誉为重。夫人嘱咐性子柔顺的清源学会自保，而玉瑶则装作天真无邪，撒娇让清源多加照拂。姐妹表面和睦，实则暗流涌动。父亲再次强调无论谁入选，皆不可因私废公。姐妹齐声应诺，然玉瑶随即追问清源太子喜好，明示竞争之意。

宁府嫡女宁清月，与穷书生沈修文有约。大婚前七日，古镜映出她被对方囚禁虐杀的未来。她暗中查探，揭穿沈修文嗜赌、害人、图谋宁家财产的真面目，大婚当日使其伏法。随后她查出母亲遭二叔与京城沈家毒害，为寻前朝皇家暗库地图所致。宁清月入京复仇，凭借绣艺与古镜预知之力化险为夷，又助皇帝平定叛乱，为母洗冤。最终她拒受封赏，携亲友归隐，将古镜沉入深潭，安度余生。

这一杯酒到下一杯酒之间，就是他们人生的全部。虽醒犹醉，男孩老鼠人生裡无所事事，菜市场裡厮混，好不容易遇上阻街的哑巴少女，生活又有了重心。老鼠崇拜表姊的恋人硕哥，硕哥却是万人迷，酒店挂牌牛郎正当红，连老鼠出了柜的哥哥上禾都心动，是酒让人迷，还是人生越喝越清楚，面对上禾诱引，硕哥生命裡以为永恒不变的定律就要鬆动。当家不成家，模糊爱与性别的分隔，一切都还有可能，逼临生命底线，与死亡贴面跳舞竟激出无比生命，随著母亲的身影呼之欲出，他们是在黑暗中逐光，或是梦裡寻梦一场空？生猛淋漓影像，凶猛议题，青春与情欲饱胀竟无处可洩，张作骥电影集大成之作，从城市和生命的双重边缘回望，成一页废墟美学，也是废人美学。

Fifty years have passed since the fabled March on Washington where Dr. Martin Luther King presented his dream. Now, the hopes and utopian desires of that dream have faded, leaving behind stains of diminished expectations and ancient, undying terrors. What does it mean to be Black in America today? Director and legendary cinematographer Arthur Jafa tears at the epistemological roots of this question with hypnotic imagery, lyrical grace and an epic narration by a host of artistic visionaries, thought leaders and uncommon folks, including Kara Walker, Hortense Spillers, Fred Moten, Kathleen Cleaver, Charles Burnett, Wangechi Mutu, Saidiya Hartman and Melvin Gibbs, among others.