联邦政府为了挽救金融危机而采取的措施导致国债又增加了数千亿美元。前线探讨了这些债务会阻碍和挑战新政府。如果不进行金融改革的话，美国政府自己在未来几年也会面对债务危机，相比之下目前的金融危机是小巫见大巫。

CHRONICALLY METROPOLITAN is a cynical and clever coming of age film about first time novelist Fenton Dillane, who, unannounced returns to New York City to confront his family, his ex- girlfriend and a few lingering childhood fears.

Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.

Glenn gets tired of one night stands, and answers an ad placed by Adam, who is looking for an LTR. Glenn & Adam are perfect for each other, except for one, or two, or many things.

《長期照顧》算是我個人的紀錄式動畫。我把我所遇到的困難和其他感受一一畫下來，做成動畫。雖然影片僅短短七分多鐘，卻是我用十年去做、去學習、去感受的作品。

To keep her late husband's Italian restaurant afloat, Elizabeth (Autumn Reeser) is forced to work with Ben (Tyler Hynes), a pro restaurant consultant. But as they get closer, she realizes that not all change is bad and might even open her heart to new love.

To keep her late husband's Italian restaurant afloat, Elizabeth (Autumn Reeser) is forced to work with Ben (Tyler Hynes), a pro restaurant consultant. But as they get closer, she realizes that not all change is bad and might even open her heart to new love.

A Constant Forge is a 2000 documentary film directed by Charles Kiselyak about the life and work of John Cassavetes. 　　It contains interviews with Cassavetes himself as well as recollections by actors who have worked with him and thoughts by admirers, including Lynn Carlin, Seymour Cassel, Peter Falk, John A. Gallagher, Ben Gazzara, Lelia Goldoni, Annette Insdorf, Carol Kane, Sean Penn, Gena Rowlands and Jon Voight.

Former festival director Kim Dong-ho always mentioned that he wanted to make a film when he left his chair. After he stepped down from his festival director position that he was dedicated to for fifteen years, he started to make his first short Jury. In Ongoing Smile his long time friend Mohsen Makhmalbaf followed his trail as he goes down the road to his directorial debut. Often called endearing, there are three well-known things about Kim Dong-ho; the enormous amount of booze he can drink; his regular life routine and ongoing smile on his face. At five o’clock every morning, he gets up from the bed and starts a day with newspapers. He exercises, works, meets old friends, and makes a film. He started his career as a government official and had a busy life as he transformed from a festival director to a film director, but his life never really changes. Makhmalbaf, with friendly gaze, brings Mr. Kim’s past and present into his daily life and ongoing smiles. (CHO Young-jung)