一部知名间谍小说家约翰·勒卡雷作品的改编新剧《间谍的遗产》(Legacy of Spies)来了，马修·麦克费登(《继承之战》《傲慢与偏见》)将饰演勒卡雷笔下的著名人物乔治·史迈利。 本剧被描述为“来自多部勒卡雷小说的混合，包括《锅匠，裁缝，士兵，间谍》《冷战谍魂/柏林谍影》《荣誉学生》，以及其它，和一些未出版的作品。”The Ink Factory制作，Fifth Season发行，The Ink Factory的Stephen Cornwell和Clarissa Ingram写了初版剧本，格雷厄姆·约斯特(《火线警探》《慢马》《末日地堡》)担任执行制作人，目前已在美国、英国寻找下家。

黑老鼠对抗白老鼠····

当世界徘徊在毁灭的边缘时，迪特里希·邦霍费尔加入了暗杀希特勒的致命阴谋，冒着信仰和命运的危险，将数百万犹太人从种族灭绝中拯救出来。

The Russian spy in England, Alex Wilkie, is tasked with infiltrating American intelligence and identifying a mole – our intelligence officer, who transmits intelligence information to the enemy. The hero is forced to overcome incredible obstacles in order to gain the trust of the Americans...

犹太人监视他们的犹太同胞，作为他们为沙巴克工作的一部分。在定居者中，这些犹太“间谍”被称之为“臭鼬”，一旦暴露，他们会被周遭的社会群体排斥和抵制，这种影响会遍及他们整个人生，而将他们从成长环境中脱离和移除带来的痛苦，也会给他们带来终身的创伤。

安吉丽娜·朱莉将出演环球影业两部均由小说改编的新片。分别是克莱尔·穆勒的《爱的间谍》(The Spy Who Loved，暂译)及西蒙·蒙蒂菲奥里的《伟大的凯瑟琳和波将金：帝王的爱情》(Catherine the Great and Potemkin: The Imperial Love Affair，暂译)。目前两片暂无其他消息。

追ってるはずが追われてた。助けたつもりが傷つけた。裏切ったのは逆だった。敵間違えた。私たちはスパイ！ 第5回CO2エキシビションオープン・コンペ部門最優秀賞受賞。

讲述了一无所有的33岁未婚女人与拥有百亿资产的八旬老人伪装结婚后，与老人不懂事的四个儿子寻找亲情的愉快温馨的家庭剧。

玛丽亚姆和努拉发现父亲去世前留下了巨额遗产，为了防止被她们的哥哥白白拿走一半的遗产，两姐妹试图赶在哥哥得知消息之前，拿到父亲在银行留下的钱。为此，姐妹俩必须放下彼此的芥蒂，互相合作，展开一系列精心策划的行动。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.