踏入一个充满神秘、附身与阴影的世界，这部由一系列恐怖主题短篇小说编织而成的长篇电影即将呈现。即便那些最令人震惊的故事，也都取材于真实事件。本片由恐怖传奇人物托尼·托德（Tony Todd）主演。

From Joseph Conrad's great novel comes the story of a young seaman trying to helm a damaged boat to Singapore and dealing with many unfortunate events. While on command of the situation, he also devotes himself to help his failing crew and some of the boat's many passengers, some of them who are in poor health conditions.

在掩盖了一名无证移民的谋杀案后，一名美国边境巡逻员被受害者的灵魂所困扰，迫使他面对自己过去的罪恶。

西方大酒店外，示威群众和防暴警察对峙，一场革命似乎即将爆发。酒店内部也是紧张气氛弥漫，冲突随时可能发生。有两个男人来预订蜜月套房，酒店女经理觉得他们举止奇怪，不相信他们是同性情侣。而甜美热情的柜台小姐却觉得是经理多疑，把好人当成了坏人。那个经常晕倒的酒店侍应生，则怀疑有人在酒店里顺手牵羊。警察接到报案后前来调查，难道这里藏有恐怖分子？导演贝卢法本身是装置艺术家，他通过这种荒谬的情境来影射当今社会的形势，酒店复古的装修、监视大堂的闭路电视以及墙上那些意味深长的名画，都像是世界动荡局面的写照。

他，迫切于参演易卜生的《野鸭》，却无奈被困在一处禁锢的空间里，只记得"67"号是象征自己的编码。在暴力袭来时，所有人选择了躲避。亦有为寻找某些身份而使身体濒临毁灭的剧作者，他们都在梦与现实的结界中抵达了那与理想相悖的"应许之域"!

Die Journalistin Norah will in Wien einen Neuanfang wagen. Eine Bettlerin sagt ihr voraus, dass sie in sechs Wochen einen Mann namens Arthur Grimm töten werde. Anfangs gibt Norah dem Vorfall keine Beachtung, doch dann passieren merkwürdige Dinge.

现在是1945年3月21日。你是英国皇家空军的一名年轻领航员，此刻正坐在蚊式轰炸机的驾驶舱里，身旁是你的飞行员。你们正在编队飞行，一群战机正朝着同一个目标进发：哥本哈根的盖世太保总部。然而，就在计划发动袭击的关键时刻，一场突发爆炸带来的严重破坏让你迷失了方向……你还能瞄准目标吗？

Relu is a family man. He has two children, a wife and a double life. Seen through the eyes of his family, Relu Oncescu appears to be an ordinary taxi driver. No one suspects that Relu works as a collector for Capitanu', a local mobster. Neither of the two worlds (his family and the mafia) knows of the other's existence. Relu manages to keep everything under control, but not for long. After accidentally killing a man, he tries to get out of the underworld, but he can't find his way back. Day by day, the secrets he keeps become increasingly oppressive and the lies begin to surface, one by one.

In Manila, a solitary man from a far-away province lives in poverty. The only thing he has is a camera, and he stays at churches hoping people will hire him to take their photographs. During one day, he has three encounters that change his life: the first, with a smooth-talking young man who's standing by the church door who berates him for wasting his life in church, the second with a boy who offers to take his picture, and the third with a Mercedes-driving man who's been stuck in traffic and has no patience left. Is there any deliverance from the soullessness of the city?