A World War One soldier accidentally time travels to present day Los Angeles and struggles to find a way back to his wife in 1918.

阿利斯泰尔•麦克劳德（Alistair MacLeod，1936-2014），加拿大著名短篇小说家。麦克劳德一生只出版两部短篇小说集《海风中失落的血色馈赠》（1976）、《当鸟儿带来太阳》（1986）和获得都柏林国际文学奖的长篇小说《没什么大不了的》（1999）。2000年，他的加拿大出版社将他早年两部短篇集加上两个新的短篇小说，出版短篇小说合集《岛屿》。 2005年，加拿大国家电影局投资拍摄了纪录片《读懂阿里斯泰尔·麦克劳德》(Reading Alistair MacLeod)。摄制组跟随麦克劳德，来到他的家乡布雷顿角。在这座偏远的海岛上，采访了麦克劳德、他的妻子、儿子、同乡，还远赴美国、爱尔兰，采访了多位推崇麦克劳德的著名作家，包括加拿大作家玛格丽特·阿特伍德、美国作家罗素·克劳、爱尔兰作家科尔姆·托宾等。

A behind-the-scenes look at the glitzy, big-money world of professional sports following the eternally optimistic and endlessly resourceful L.A. sports agent Arliss Michaels whose Achilles' heel is his inability to say “no” to clients and employees.

本片改编自玛格丽特·杜拉斯的同名小说。薇拉·巴尔斯泰尔（克劳迪恩·嘉贝饰）是一个冷淡疏离的三十多岁女人。她独自坐在蒂永维尔的别墅里，考虑着是否要用出轨的丈夫让·巴尔斯泰尔的钱租下这栋房子。随后她接连被两个女人拜访，一位是他丈夫的情妇，因为经常听到让提起薇拉而好奇，另一位则是在当地的酒吧听到薇拉的名字而觉得有趣的陌生女子。（豆瓣电影字幕翻译2.0小组）

富有的斯泰尔斯庄园女主人中毒死亡，谋杀的阴霾弥漫在整个庄园。案发现场有烧毁的遗嘱碎片、打碎的咖啡杯、门上的衣物碎片以及一大片蜡烛油……再加上波洛满脑子“小小的灰色细胞”里的想法，一起经过精心谋划、错综复杂的谋杀案最终真相大白。这是根据阿加莎·克里斯蒂处女作改编的作品，是“乡间别墅案”的典型案例，赫尔克里·波洛首次登场！

一部关于罗杰尔与阿斯泰尔这对黄金搭档的纪录片，收录在华纳发行的纪念套装里。 阿斯泰尔谈到这位搭档，他曾说“罗杰丝在与我合作前没有与人搭档过。她故意装作很厌恶它。她无法跟着拍子，她没办法做这做那……但罗杰丝有个人的风格与天赋，并在表演的过程中不断发展它们。她与我合作是如此，以至于别人和我跳舞一旦和她不一样就显得错了。” 尽管与罗杰丝的搭档使阿斯泰尔获得巨大成功，但他依旧不希望他的事业与任何一个搭档有太紧密的关系，就像早年与姐姐阿黛尔在舞台上的合作。阿斯泰尔与雷电华达成协议拍摄一部由自己独自出演的电影，即1937年的《ADamselinDistress》，但影片上映后并不成功。在此之后他与罗杰丝又接连合作了两部影片，1938年的《Carefree》与1939年的《TheStoryofVernonandIreneCastle》。当这两部影片没赚到钱后阿斯泰尔离开了雷电华，而在此时罗杰丝留下了，并成为40年代早期片厂最炙手可热的明星。1949年两人重新聚在一起拍摄了他们搭档的最后一部影片《TheBarkleysofBroadway》。

An Evening with Fred Astaire was a one-hour live television special starring Fred Astaire, broadcast on NBC on October 17, 1958. It was highly successful, winning nine Emmy awards and spawning three further specials, and technically innovative, as it was the first major television show to be recorded on color videotape. It was produced at NBC's Color City studios in Burbank, California. Considered something of a comeback for the then 59-year-old Astaire, the special was his first starring role on television. It was directed and co-produced by Bud Yorkin and introduced Astaire's new partner Barrie Chase, whom he would later describe in Interview magazine in 1973 as perhaps his favorite dance partner.[1] The Jonah Jones Quartet and David Rose and his Orchestra provided the music, and the Hermes Pan Dancers appeared in the ensemble dance numbers. The announcer was Art Gilmore, who at the time was the voice of the Chrysler Corporation, the show's sponsor. Typical for advertising of the era, Chrysler's 1959 model year Forward Look cars featured prominently in the show; Astaire's final words were "I only hope the show is as good as the cars."