“如果可以创造天堂，为什么要建造普通人？” 屡获殊荣的纪录片电影制片人Virpi Suutari的纪录片，讲述了现代主义的大师，建筑师Alvar和Aino Aalto及其在世界各地的作品。这部电影的特色是大量前所未有的档案材料，例如阿尔托的情书和Göran Schildt为阿尔托的传记所录制的背景访谈。这部电影以广泛的背景工作为基础，并采访了来自阿尔托的全球顶尖和国际顶尖研究人员。

“如果可以创造天堂，为什么要建造普通人？”　　屡获殊荣的纪录片电影制片人Virpi Suutari的纪录片，讲述了现代主义的大师，建筑师Alvar和Aino Aalto及其在世界各地的作品。这部电影的特色是大量前所未有的档案材料，例如阿尔托的情书和Göran Schildt为阿尔托的传记所录制的背景访谈。这部电影以广泛的背景工作为基础，并采访了来自阿尔托的全球顶尖和国际顶尖研究人员。

暂无剧情简介

《拯救德尔托拉》主要讲述了在德尔托拉王国，王家代代相传的7颗宝石守护着国家，但是宝石被阴谋侵占德尔托拉的影子王抢走，德尔托拉陷落了。为了拯救德尔托拉，少年利夫与乞丐贝尔达在一幅手绘的地图的指引下踏上了冒险的旅途。7颗宝石据说被分别藏在了谁也不敢接近的魔境深处。然而当他们来到了第一个魔境“沉默之森”的时候，却遇到了住在森林里的少女杰斯敏，于是一行3人一起开始了寻找7颗宝石的旅程的丛林历险故事。

阿尔芭，一个11岁的女孩，由于母亲的病，不得不搬到她父亲的家里。她几乎不认识他，在家和他共度时光感觉很奇怪，两人都很害羞，都感到孤独，但却找不到接近对方的方法。

卡朋来到芝加哥投效童年时的朋友多利欧。多利欧是当地最有势力的帮派头目。卡朋成为他的贴身保镖，并且帮助他铲除原来帮中的老大。从此卡朋和多利欧成为帮派的头目。之后多利欧因在暗杀行动中受伤而引退，卡朋成为芝加哥最有权势的黑道老大。虽然他被多次起诉，但皆未定罪，最后以逃税为由入狱，多年后病逝。 这部以二十年代著名的黑帮老大艾尔卡朋为主角的传记电影作品，相当真实地呈现出其人其事。灰暗的摄影与模糊的声音虽是低成本制作下的结果，但也赋予本片某种时代氛围。主角罗德 斯泰格尔(Rod Steiger)不仅在外貌上与卡朋相象，也成功地表现出卡朋的气质与神韵。1967年另有一部较为血腥但品质较差的同名版本，其他描绘卡朋犯罪事迹的电影还包括《情人节大屠杀》和《铁面无私》等。

邪恶教授Jacob ten Brinken（埃里克·冯·施特罗海姆 饰）通过结合妓女与杀人犯的基因创造出了没有道德观、天性放荡的人造人美女Alraune（海蒂嘉德·纳福 饰），某天夜晚，教授的侄子Frank Braun（卡尔海因茨·伯姆 饰）偶然遇到了Alraune，两人对彼此一见钟情并准备私奔，为阻止二人，ten Brinken教授将人造人实验的事情告诉了Frank，被吓到的Frank独自一人前往巴黎。失去Frank后，Alraune的性情变得越来越轻佻邪恶，她一方面设计陷害自己的情敌和家庭教师，另一方面在四个男人之间周旋：Frank的两个朋友Wolfie和Gerold、她的仆人Mathieu以及教授的雇员Mohn医生，就在她将一个又一个人送向死亡与毁灭的深渊时，Frank突然回来了。

A scientist, Professor Jakob ten Brinken, interested in the laws of heredity, impregnates a prostitute in a laboratory with the semen of a hanged murderer. The prostitute conceives a female child who has no concept of love, whom the professor adopts. The girl, Alraune, suffers from obsessive sexuality and perverse relationships throughout her life. She learns of her unnatural origins and she avenges herself against the professor.

ALRAUNE is another spectacular piece of early German cinema, surprisingly overlooked by film buffs and historians alike. The film is not "expressionist" in the way of CALIGARI or METROPOLIS, but fans of those films will enjoy it regardless. The plot (without spoilers) is creepy to begin with: a scientist (Paul Wegener) decides to experiment with humanity by creating a woman from the seed of a hanged man impregnated into a prostitute. Using two reprehensible creatures as parents, as well as artificial insemination (which is implied in the film, not stated as some articles on the film have indicated), the doctor aims to see if an individual's humanity is the product of nature or nurture. The woman he creates, called Alraune (although called "Mandrake" in the english title cards, a name ill-fitting the overtly feminine character) is played by Brigitte Helm. No better casting for this part could have been made at the time: Helm's performance here far surpasses that of her most famous film role (the robotrix from Fritz Lang's METROPOLIS) and (I feel) solidifies her position as top femme fatale of that era. Her sensuous, provocative movements, gestures, stares and sneers even outshine those of Marlene Deitrich in years to come. There are moments where Helm slips into the silliness that harms her role as Maria in METROPOLIS (flailing about wantonly), but these are kept to a minimum by the director. Paul Wegener, as the doctor, also proves to be an actor out of time. His performance would stand up to modern criticism, as it lacks the usual melodramatic facial manipulations or exaggerated movements of many silent film male stars. Rather, Wegener tells us his characters thoughts and feeling swith subtle glances, almost imperceptible lip movements, and ingenius body posture. Wegener, you may recall, played the great clay giant Der Golem in his film of the same name; to see Wegener play this role, sans makeup and gravitas, is to understand the strength of his abilities. Overall the film is very good, although suffers from an ending not in keeping with all that builds up to it. A seduction scene between father and "daughter" is outrageous even by today's standards. But Alraune/Mandrake is presented as almost soulless, and this is much diluted by the end, although not truly explained. Was it nurture after all? Possibly, but the doctor's role in Alraune's maturation is almost nonexistent (she is raised in a girl's school, and spends the rest of the time running away from "father.") The film fails to answer the questions is presents. However, this may be one of the few negative symptoms of German silent films, which seem to universally fall apart at the resolution, backing away from the horrors they presented throughout. I am not sure if the version currently available on video is complete, but seems to soft-pedal the insemination issue (some viewers will think mandrake root was used as opposed to the hanged man's seed.) The title cards are few and far between, allowing the visuals to tell the story, not the dialog. For fans of the Frankenstein myth, Alraune presents another take on the tale of scientific hubris gone awry. An excellent film, it should be sought out in favor of the later (weaker) "Unholy Love" remakes.

来自智利国宝级大师的超现实主义杰作 Maybe the best Chilean movie, El Chacal de Nahueltoro lets me thinking about it many years since I saw at first time. This raw picture about Chile shows us a lot of topics: poverty that leds to violence, the system that improve a human being and finally kills him, the death penalty, etc. The images of this movie are impossible to forget. The work of Héctor Ríos (cinematography) and Pedro Chaskel (editing) is superb. The performing of Nelson Villagra is one of the best I've never seen in all movies (chileans and foreigns). Miguel Littin was unable to repeat such a success in his other movies.