Aby Warburg, (1866-1929), an art historian of startling originality, came from the renowned Warburg banking family of Hamburg, Germany. Already in his teens, the first of seven children, he made a deal with his next oldest brother, to forfeit his birth right to take over the family bank in exchange for full financial support in buying all the books that he would ever want. The library he assembled would become a refuge of scholarship. In 1933, with the Nazi takeover and the deprivation of Jewish rights, 60,000 books, photographs, and papers were shipped to London to become the Warburg Library and Institute eventually housed at the University of London. 　　This documentary on the life and work of Aby Warburg, traces the development of his ideas in their historical context. From his early studies on the early Italian Renaissance to his ventures in the American Southwest observing Hopi and Zuni ritual dances in 1895, Warburg sought the legacy of ancient Greece in the images and symbols of cultures, which he followed through iconographic studies that he pioneered. He sought connections between gesture and art in antiquity, the Renaissance and modern times. Underneath the seeming rationality of antiquity and the Renaissance, he sensed conflict and irrationality. 　　Aby Warburg never took an academic position but pursued his interests and collection of books with passion. Recurrent depressions lead to hospitalization in a psychiatric clinic in Switzerland 1921-1924. For the last five years of his life, he gave occasional lectures and seminars, but publishing almost nothing. Most notably, he developed a picture atlas, Mnemosyne, (the personification of Memory in Greek mythology,) consisting of 60 wooden panels with some 1000 images arranged according to themes and juxtapositions, concerning memory, astrology and mythology, archeology, migration of the ancient gods, vehicles of tradition, irruption of antiquity, Dionysiac formulae of emotions, Nike and Fortuna, Durer, the baroque, the reemergence of antiquity, Manet, the classical tradition today. 　　The principal motifs of Warburg’s scholarship are discussed by leading art historians in England, US and Germany, including Professors Michael Diers, Uwe Fleckner, David Freedberg, and Joseph Koerner. Filming took place in London and Hamburg. 　　This film should be of interest to anyone interested in the history of ideas, art history, social and cultural history.

魔法世界再临，迎接大规模魔法战斗场面！艾碧嘉居住的城市，曾经充斥着不可思议的黑魔法，却被政府秘密封锁，艾碧嘉的父亲也因此消失无踪。长大的艾碧嘉…

本片内容与《危险关系》讲述的是同样的故事，只因推出公映较晚，风头都被《危》片抢去。其实本片导演米洛斯．福曼功力不俗，科林．弗思、安妮特．本宁和梅格．蒂莉的三角情欲关系也演出称职，加上实景拍摄的宏伟宫殿气派，使这部英、法合作拍摄的古装宫廷片仍具相当高的观赏价值。剧情背景是十八世纪的法国贵族阶层，蒙图夫人因妒忌自己的情人葛寇即将与表亲西莉亚结婚，乃千方百计设法让花名在外的伟康夺去西莉亚的童贞。其后，伟康在决斗中被杀，而西莉亚则证实已怀了他的孩子。

基于Howard Gould所著小说《Last Looks》，讲述前洛杉矶警探查理·瓦尔多名誉扫地，目前作为一个极简主义者生活在树林里。当他重新回到私人侦探的工作岗位上，去调查一位古怪电视明星的妻子被谋杀一案时，他平静的生活戛然而止。

故事发生在英国一座位于海边的小镇中，利兹（乔迪·梅 Jodhi May 饰）是一个性格有些内向的害羞女子，带着年仅16岁的男友戴茨（乔丹·博尔格 Jordan Bolger 饰），两人来到小镇上度假。同样来到了小镇的，还有一位内心世界十分丰富的艺术家艾登（爱德华·霍格 Edward Hogg 饰），跟他一起的，是脾气十分暴躁，性格反复无常的16岁情人贝斯（杰西卡·巴登 Jessica Barden 饰）。 　　就是这样两对仿佛错了位的情侣，他们在小镇上肆意的挥洒着他们的欢笑和激情，也只有在这里，这两段饱受世俗偏见困扰的感情能够毫无遮掩的流露出来。但岛上的生活毕竟是虚幻的，逃得再远，四人也终究要面对他们内心里的黑洞。

两个在丹麦穷途末路的小偷古飞宇和贝永新，为了还清黑帮老大李的赌债，本想盗走最后一票却卷入了一场古堡遗产争夺战中，遇到了本以为是古堡合法继承人的…

After the bizarre death of her brother, Johana Burwood must return home after four years, to face her strange siblings, her out of touch father and her very touchy past.

自从我开始拍电影，就会时不时地拍摄我的母亲。 　　她是我的 “母亲”，是我最亲近的人。 但当我将镜头对准她时，我看到了母亲陌生的一面。 母亲在身为母亲的同时，也学会了一个未知的人。 　　母亲在卡拉OK咖啡厅当了几年妈妈桑。受新冠疫情的影响，原本高龄的熟客不再光顾，在今年春天来临之前关闭了店铺。在因新冠疫情而勉强营业的时候，我在母亲和熟客们的帮助下制作了短篇电影《Karaoke Cafe Bosa》。在纪念东京歌德学院60周年的委托下，我就“60年后想留下什么”这个话题，对母亲和常客们进行了简单的采访，大家的回答真诚而恳切，希望能够珍惜日常生活和和平。 　　但在开始拍摄短片不久，战争开始了。

自从某日拂晓被一声“巨响”惊醒后，杰西卡(蒂尔达·斯文顿饰)就患上了失眠症。去波哥大探望姐姐期间，她结识了艾格尼丝(让娜·巴利巴尔饰)她是一名考古学家，正在研究“在建隧道”中所发现的人类遗骸。去发掘现场探班的杰西卡，在附近的小镇上，偶遇一位刮鱼鳞的先生埃尔南(埃尔金·迪亚兹饰)。他们坐在河边，分享各自的记忆。随着时间的推移除了黄昏，迎接杰西卡的还有认知的明晰和随之而来的觉醒。