为拍摄一部关于哥伦布美洲探险寻宝的电影，导演塞巴斯蒂安和他的制片人科斯塔来到了玻利维亚，然而他们的剧组却被搅入了当地民众抗议水系统私有化的政治危机当中。 入围2010年多伦多电影节当代世界电影单元，2010年西班牙巴利亚多利德电影节开幕片。

塞巴斯蒂安（盖尔·加西亚·贝纳尔 饰演）是一个富有理想主义情怀的年轻导演，他与摄制组来到玻利维亚的科恰班巴，拍摄一部有关哥伦布第一次航海发现新大…

连续57天干旱后，渝州市终于迎来甘霖，全城陷入狂欢。然而，广告设计师周免却因五年前雨夜车祸的阴影，对这场暴雨心生不安。很快，雨势升级，达到橙色预警，以能“砸疼人”的猛烈程度持续倾泻。当楼下居民仍在雨中嬉闹时，周免隐隐觉得事态不寻常。她与远在农村的母亲通电话，母亲家院子已开始积水，更让她担忧。这场看似缓解旱情的雨，实则预示着一场长达300天的、足以吞噬城市的浩劫正悄然降临，周免的个人恐惧与迫在眉睫的城市危机交织在一起。

从循环利用到能源生产，这部纪录片探讨了五大洲为营造一个水资源永续利用的未来而提出的创新方案。

While preparing to shut down the photo studio business that he has been running, a man (Yoon Jemoon) hears that someone named Chulsu has died. The man contacts several friends in the hope of finding to attend the funeral with him. Usu is a film in which an image of a man, sunk in depression, is printed on a screen. It is not important who Chulsu is. It looks as if the man traces back his past, but the film refuses to give any concrete explanation. Instead, it carves abstract emotions onto a refined screen. Characters are placed in the multi-layered frames and are as quiet as paintings. Leisurely paced, the film captures them as they are buried in darkness while conversations, that look absent-minded yet incisive, add vitality to the slow and contemplative rhythm. The half serious and half playful lines sound like an extended joke about loneliness. Usu is a drama that resembles a carefully staged photograph. It casts its shadow of sorrow and loneliness upon those who watch it. (SONG Kyung-won)

靈感源自葉青新詩〈蝸牛〉。高中少女宇軒對摯友佳琪的情感深厚而難以明言。面對大考在即，課後總在夜市協助哥哥擺攤的宇軒，最大的恐懼便是無法考上理想的大學，與佳琪一道前往台北，延續她們的情誼。然而，現實的殘酷卻超越她所能想像，令人心碎的考驗突如其來地降臨在她們兩人之間……。

Rivers, with their varied names and paths, flow through different lands, carrying people and memories, always leading back to a sense of home. No matter how much we try to control them, rivers find their own way, symbolizing the unstoppable flow of time and the journey to seek where we truly belong. This film explores rivers' timeless, flowing nature and their ties to memory, identity, and cultural change. Through a folktale of a princess guided back to her ancestral home by a river and floating dreams in floodwaters, through visuals of the Oder River’s history, flood archives, and everyday life, the film examines how rivers, by uniting and dividing, symbolize the uncontrollable passage of time and the blending of diverse aspirations.

1963年2月21日和22日，该节目以前后篇的形式在NHK《黑色组曲》（周四、周五22：15 - 22：45）时段播出。

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

In the high Himalayas, the village of Lohari is submerged below the waters of a hydroelectric dam. The last member of the Jaunsari tribe, living in the remnants of his flooded village, recalls a time when the land was pulsating with magic. Through letters to a girl long since gone, the boy’s tale unfolds, blurring the lines between reality and myth.