社畜摄影师王钰卓收到明星老同学宋宇新的借钱短信，不假思索转走全部积蓄，才得知是反诈综艺的测试。七年前他曾倾尽 520 元资助她追梦，当年一句还 520 万的承诺，宋宇新如约兑现。 久别重逢，两人揭开埋藏多年的双向暗恋，迅速确定恋爱关系。悬殊身份带来诸多误会与家人反对，宋宇新始终坚定偏爱他。最终她在万人演唱会唱响专属情歌，于事业巅峰宣布退圈，重回青春校园，接受王钰卓的求婚，让年少的暗恋终有回响。

王钰卓倾尽心力凑15万救患癌女友洛仟雪，却收到她病逝噩耗，打工五年还清欠款返乡，意外重逢尚在人世的洛仟雪，对方误以为他当年弃自己逃走，救命钱是洛平川所出。 王钰卓拿出转账证据，反遭洛平川设计陷害，昔日对头宋宇新出手相助，完整证据揭穿洛家贪图钱财制造假死、拐卖女童的阴谋。洛家全员获罚，洛仟雪愧疚离开。 宋宇新暗藏多年心意，一路扶持王钰卓重拾专业、逆袭翻身，走出过往伤痛的王钰卓，终与默默守护他的宋宇新开启新生活。

在我国南方某少年犯管教所女队，有一群刚踏上人生道路就犯罪的女孩子。部分女孩经管教后，决心改过自新、重新书写人生；但也有像脱缰野马般浑身带刺、满不在乎的，邵小妹就是这类人的典型。她诬陷丁秀红偷袜子，动手打人，还逼丁秀红对着墙壁唱一百遍《到处流浪》；给新来的学生立规矩，要求早上打洗脸水、晚上打洗脚水，还得帮她洗衣服；她无视所规，偷偷带一盒香烟到地里，背着人尽情抽烟，还强迫新学生一起抽。丁秀红不堪其欺侮，委屈至极，吞针自杀，差点丢了性命。在少管所女队，邵小妹成了没人敢惹的“小霸王”。一些管教干部对这个自幼失去父母、缺乏家教的孤儿失去信心，觉得她不懂人情，主张严厉制裁。然而，许兵队长却以父母对孩子、医生对病人、老师对学生的情感，对待邵小妹这些误入歧途的“羔羊”，她满怀深情地...

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

在剧集项目《回响 Echo》中，由 JJ Bailey 编剧。故事里，一组罪案调查人员会被送回过去，附身到尚未去世的受害人身上。此后，他们必须与时间赛跑，阻止罪案的发生。

通过伽罗诗人兰彻，电影试图探寻一个诗人没有可用于书写的语言时会有怎样的感受。

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

标题已说明一切。这部黑白动画中的动作由回声所支配。画面的流动引发了一系列联想。一个有着小脸蛋的大肚生物在世界中漫步。此外，还有其他同样大肚、长着高跷般手臂的生物。这赋予了它们移动能力，让它们能有新的视角。沼泽为……提供了荫蔽。

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.