This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.

hong kong film

1000 years ago at Wiang Chai Chet Buri Prince Rangsiman Organized a weaving competition to choose one of the brides to be the queen of the throne, but Hom Nuan from Nakhon Pha Ngam was strangled to death during weaving. Leaving only silk marks on the neck and unable to know who did it.

Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner

九十年代，天才裁缝沈明珠重生，摆脱虚伪未婚夫宋明轩与心机表妹白楚楚的算计，撕毁婚约，辞别国营厂，南下鹏城。她凭精湛技艺挽救云锦国际，创立国风品牌“明珠云裳”，攻克防皱天蚕丝技术。白楚楚、宋明轩屡施诡计，盗稿、使用毒布料，在礼宾服竞标时罪行败露，受到法律严惩。沈明珠斩获国家礼宾服装大单，将中国时装推向国际，与顾青云相知相守，实现从落魄女工到实业翘楚的华丽逆袭。

昔日暗羽掌令，携遗诏入京，血债血偿

人人都说权贵府里的宅斗，总该有个挑事的。所谓正妻基础，外室就不基础。作为曾经名动扬州的花魁，我就是那个不基础的外室。我不藏着，也不掖着，甚至敲锣打鼓宣扬小侯爷豪掷十万两黄金为我赎身。夫人劝我低调，我反手就把侯爷送的东珠镶在了鞋面上。嬷嬷要教我规矩，我当着她的面把《女诫》一页页撕了煮茶。满京城都说我是个疯女人。

美國亞利桑那沙漠在數據中心與半導體產業進駐下轉變。影片沿著被改道的水系前行，呈現高科技發展如何加劇乾旱地景中的資源張力。透過畫外音與多侯挪歐罕族印地安詩人歐菲莉亞‧澤佩達的雲歌，召喚族人對雨雲的感知，回應工業「雲端」基礎設施對土地的再編。

當你總是透過網路看爸爸，媽媽也躲在攝影機後面看你，這會是什麼狀況？當科技帶我們跨過一重重地理的、文化的隔閡，來到一個無國界的年代，雲的那端，為何還是無盡遙遠？影痴媽媽的後現代生活，女兒的生命實驗室。 一系列導演寫給已故的導師－著名的美籍旅法紀錄片導演 Robert Kramer 的電子信，貫穿整個故事情節。藉由女兒Elodie的視野重新審視生命、空間、語言、身份、國度的界線………。Elodie 是個台、法混血兒。出生時，她的法國爸爸為她來台一年，爸爸回法國之後，網路世界的 webcam 成為她們父女彼此認識的橋樑，真實的父親藏身於虛擬的小螢幕中。拜網路科技之賜，Elodie 得以恣意遊走於真實和虛擬之間。「爸爸」的意涵也隨著年齡的成長不斷在轉變，從「爸爸」是「電腦」，到「爸爸」是泰迪熊的代言者……，乃至爸爸是分享母親的入侵者……。

とある地方の片田舎。そのまた小さな、「集落」という呼び名が未だ通用しそうなその土地に、錆の浮いた赤い屋根の寺があった。この集落を檀家とする寺「紅雲院」の跡取りである主人公が自ら犯してしまった傷害事件の刑期を終え、出所する所から物語りは始まる。数年の時を経て目にする、住み続けていた者には気付けない小さな変化は、主人公にとって、もはや取り返しのつかない程大きなものに思えた。それを象徴するかの様に、紅雲院の赤い屋根の改修工事が進んでゆく……。そもそもの発端は何だ？自らが犯した事件に纏わる、小さな湿った土地の呪縛、情。主人公はそれに抗おうとし、しかし、魅入られてもゆく。