There’s only one person who so accurately personifies movie magic in the history of film, and that man is special effects maestro Ray Harryhausen. Focusing on the man behind the landmark effects on films like Clash Of The Titans, One Million Years B.C., Jason And The Argonauts and many more, this in-depth film features interviews with the great man himself, and with an array of animators and directors influenced by his work including Guillermo del Toro, Peter Jackson, Nick Park, Terry Gilliam, James Cameron and Steven Spielberg. The film also features unseen footage of tests and experiments recently uncovered.

An East German waitress with a broken heart and an Iranian YouTuber with a broken arm seek solace from loneliness on a ghost hunt in the mountains. A romantic adventure about unlikely friendship and longing for another life.

An East German waitress with a broken heart and an Iranian YouTuber with a broken arm seek solace from loneliness on a ghost hunt in the mountains. A romantic adventure about unlikely friendship and longing for another life.

请跟随迈克尔·凯恩的新片一起探究英国社会的现状，为那些受害者寻求公正。电影开始于一起发生在光天化日下的暴力枪击事件。几个年轻人因为吸食了毒品，…

In the 1980s, with Germany divided between East and West, Alfred Herrhausen, a visionary banker on the board of directions at Deutsche Bank, calls for the cancelation of developing countries’ debts and sends a shockwave through the Western world. Brilliantly portrayed by Olivier Masucci (DARK), Herrhausen: the Banker and the Bomb is a gripping, fast-paced thriller.

再次穿越修真世界的少年，意外绑定特效系统，开启两大特效。面对三途山被围剿的危局，他以假乱真的神通特效震慑全场，金丹气息弥漫，令敌对宗门罗明山众人误以为有大能降临。这场看似毁天灭地的神通，实则毫无杀伤力，却成功唬退强敌，救下山门于水火。

再次穿越修真世界的少年，意外绑定特效系统，开启两大特效。面对三途山被围剿的危局，他以假乱真的神通特效震慑全场，金丹气息弥漫，令敌对宗门罗明山众人误以为有大能降临。这场看似毁天灭地的神通，实则毫无杀伤力，却成功唬退强敌，救下山门于水火。

再次穿越修真世界的少年，意外绑定特效系统，开启两大特效。面对三途山被围剿的危局，他以假乱真的神通特效震慑全场，金丹气息弥漫，令敌对宗门罗明山众人误以为有大能降临。这场看似毁天灭地的神通，实则毫无杀伤力，却成功唬退强敌，救下山门于水火。

Amongst the desperation and fear growing in a crime ridden estate in northern England, one man becomes embroiled into saving what community life exists.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.