4.3 사건으로 상처 입은 제주도와 제주사람들... 그리고 지금 아프게 부서져 가는 강정마을의 이야기 제주시 애월읍 납읍에 살고 계신 강상희 할머니, 할머니의 남편 김봉수는 4.3으로 희생되었다. 해군기지 문제로 떠들썩한 서귀포시 강정마을. ‘4.3의 원혼이 통곡한다’ 와 같은 수많은 현수막이 제주 4.3과 해군기지 문제가 다르지 않음을 말한다. 카메라는 유령처럼 제주도 납읍리, 가시리, 강정마을, 일본 오사카 등을 돌며 그 흔적과 균열들을 드러내기 시작하고 다시 강상희 할머니가 혼자 살고 있는 집 앞마당으로 돌아온다. 언제부터인지 알 수 없지만 잠자리 밑에 녹슨 톱을 두고 살아온 할머니의 삶... 가늠할 수 없는 깊은 슬픔을 짊어진 제주도와 제주사람들의 삶에서 녹슨 톱은 언제쯤 치워질 수 있을까. Focusing on Mrs. Kang sang-hee's life, she lost her husband in Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Is land, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

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Elliot is staying with her ex’s new girlfriend while attending a medical trial for her recent, unexplained loss of hearing. As she reconfigures her relationship with her (sonic) environment and herself, an intimate connection sparks between the two women. With captivating performances by Victoria Pedretti and Maya Hawke, this loose adaptation of director Eliza Barry Callahan’s semi-autobiographical novel The Hearing Test captures the uneasy process of letting go and embracing change with sensitive warmth.

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

江梨因三年未孕被丈夫抛弃，后嫁给了被诊断无法生育的厂长之子陆知行。两个人搭伙过日子，却意外收获真心与温情。三个月后江梨怀孕，陆知行虽痛苦，却选择相信妻子，在流言蜚语中坚定护她周全。两人携手冲破世俗偏见，用爱与信任证明，真正的家人，从来不靠血脉维系。

从中国大陆远嫁香港的美芳，在生下儿子天佑后不久就和丈夫离婚了。成长于单亲家庭的天佑，内心一直期盼着爸爸妈妈能够破镜重圆。美芳结识了新的伴侣，又忙于工作，根本无暇照顾天佑。无奈之下，她请了菲佣丽莎到家里帮忙。起初，天佑和丽莎关系十分紧张，不过随着相处中彼此逐渐理解，两人的关系慢慢缓和、变好。

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself. NOTFILM is a feature-length experimental essay on FILM’s production and its philosophical implications, utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A man, Vince, wakes up in the middle of a film shoot. He doesn't know what's going on or why he's there, but crew members tell him he's one of the actors in the film so he decides to just play along. During the shooting of one scene, one of the other actors, 122, accidentally kills most of the crew. Vince, 122 and the remaining crew decide to finish the film by themselves, even though there's no script, no sound equipment (they decide to make it a silent film) and no camera (they then decide to also make it a "blind" film). Like his music, this first feature film of Quentin Dupieux (aka Mr. Oizo) is at the same time totally retarded and utterly brilliant. A calm yet demented piece of metafiction, examining the boundaries between film and reality in a dry, absurdly humorous way.