原本只是單純的警方驅離法拍屋，卻因屋主兒子受託藏毒害怕警方入屋，變成始料未及的人質綁架案，越鬧越大，最後甚至升級為紅色警戒大事件。屋內父親、兒子、人質的三角關係開始微妙拉鋸；屋外談判專家、特種部隊與媒體亂象則掀起軒然大波。導演展現犀利的敘事與精彩的場面調度，透過崩裂的父子關係與僵化扭曲的資本社會觀察，逆向思考究竟何謂犯罪與公義。 François, a forty-something bailiff, is about to execute his daily eviction. But fate takes an unexpected turn: as he enters the apartment, he is mistakenly taken hostage by an amateur drug dealer and his father. Keen to resolve this situation quickly and quietly, the local deputy calls in the Special Police Force…

一位天生手臂瘫痪的女大学生渴望成为钢琴家。为了发掘自己的音乐天赋、找到内心的力量，她需要一位落魄音乐教授的帮助。

80年代单位分房，许静放弃黄金楼层选破旧顶楼，遭全厂非议。厂花携巨款求租、副厂长深夜窥探，顶楼频现诡异声响。她意外卷入阴谋，联合老电工揭开厂长等人私开黑厂、残害老会计的罪恶，找到铁证后联手警方打掉王振海黑恶集团。小人物坚守正义戳穿黑幕，守护真相终迎光明。

任何人类的欲望都得不到满足，人类为了拥有更多的东西，会不停地往上爬。因能眺望到最高的风景和拥有出色的隐私保护而备受资本家喜爱的顶层公寓里到底住着谁呢，他们靠什么攒钱，他们欲望的尽头在哪里。想要往上的理由是什么， 梦寐以求的最顶层会有什么，爬到顶层的他们真的幸福吗，是不是隐藏着各自隐秘的秘密。这里有为了这儿的孩子不惜一切辛劳，向顶峰奔跑的三个女人：向凄惨地践踏孩子生活的坏人们彻底报仇，流着血泪的双胞胎的妈妈沈秀莲；对于比自己在各方面实力都不足的女儿来说，努力将自己的名誉和聚光灯的闪耀传下去的千瑞珍；不把贫穷留给女儿；赌上人生一路疾驰，最后变成“怪物”的母亲吴允熙。这三个女人的生活里，责任和正义，良心被放在一边，只望着上层努力往上爬，这就是人类无尽的欲望 。

《顶楼》聚焦一个对冲基金的经理，由于最大投资人撤资，导致他的世界崩塌，陷入人生低谷的故事。 本片在美国德克萨斯州奥斯丁举办的西南偏南电影节首映，并获得Gen艺术电影节的最佳摄影奖。由哥伦比亚大学MFA（艺术硕士生） Aaron David DeFazio拍摄，Daniella Kahane编剧并担任制片人。音乐由 David Abravanel制作完成。 片中主人公为了基金压上了自己的全部财产，而不得已只能在大厦的顶楼居住。与儿子的相处时光在此时成为了他唯一的慰藉，但这一切却因前妻的到来而狼狈至极…… When Ron, a high powered hedge fund manager, finds out that his biggest investor may be pulling out of the fund, his world begins to collapse on him, as he juggles fatherhood, his ex-wife, and one very big secret.

只有赢得任务第一的那个人会成为顶楼的主人，顶楼第一个任务--销售权战争，即将开始！

一年前，夏禾的好友林蔷在S酒店308房间离奇死亡，警方判定为“自杀”，但夏禾坚信是他杀。酒店重新开业后，她以试睡师身份潜入调查，却接连遭遇诡异事件，午夜敲门声、被禁止进入的三楼、修理工的带血工具，以及经理周某的威胁。其他住客也卷入其中——多疑的健美选手成宏宇、神秘的IT男张磊，以及前台服务员徐媛的异常举止。夏禾发现，酒店暗藏血腥秘密，客人被下药囚禁，而林蔷的死与一场残忍的放血仪式有关。

一年前，夏禾的好友林蔷在S酒店308房间离奇死亡，警方判定为“自杀”，但夏禾坚信是他杀。酒店重新开业后，她以试睡师身份潜入调查，却接连遭遇诡异事件……

Early Tati Feature With Some Good Moments, 21 July 2005 Author: Snow Leopard from Ohio A very young-looking Jacques Tati provides some good moments in this generally amusing early feature. The overall style of the comedy (which was directed by René Clément) is somewhat different from Tati's own, but with some hints in his character of things to come. The simple story has Tati's character working on a farm when he meets a boxer who is in training nearby. The early parts are pleasant, if a little slow, but when Tati gets in the ring with the boxer, the pace starts to build up quickly, leading to a madcap climax. It makes fairly good use of the opportunities, and it is particularly funny to see Tati's character keep trying to refer to the boxing manual. It's a good gag, and not an easy one to pull off that smoothly. No one would compare this with Tati's best features, but it is a solid comedy with some good laughs. If it had been a Hollywood short comedy of the mid- to late-1930s, it would probably have been a little above average.