考公学税法猝死后，普通女孩卫鸢重生为京圈豪门真千金，发现鸠占鹊巢的假千金卫若雪竟是偷税漏税的当红女星。凭借专业税法知识，她无视家人偏心与卫若雪的挑衅，暗中调查其涉税证据，在对方影后颁奖礼上曝光实锤。后续更牵出卫家集团骗税、洗钱的惊天黑幕，将涉案家人送进法网。最终卫鸢因关键贡献被税务局破格录用，以专业能力捍卫税法公正，活成了自己前世渴望的模样。

医师李玄穿越修仙界，成为天渊宗太上长老。看着满门“断情绝爱”的修士，他直呼：这全是内分泌失衡！一场硬核整顿就此展开：用核磁设备查体，以现代化工颠覆传统炼丹，更以电磁轨道硬刚上界考验！看重工狂人如何用物理定律改写修仙法则，将古典仙界爆改成硬核赛博宇宙！

The series follows an outspoken woman, Chelsea Newman (a character based on the real Chelsea Handler and the show's main protagonist) and her circle of working-class twenty-something friends in New Jersey. Through the narration and observations of the fictional Chelsea, most of the situations were inspirations from Handler's book, which is based on her early career in her twenties.

王磊，柳河村最窝囊的男人。双腿被打断在村口示众，父母被活活气死无人收尸。濒死之际，王磊绑定“怨气斩神系统”，世间一切不甘、愤怒、冤屈的怨气，皆可兑换斩神战力。王磊踏上斩神之路，一路杀入天庭。他发现天帝本身就是最大的怨气制造者，故意让神魔欺压人间，收割绝望与信仰来维持天道运转。最终王磊集齐万界亿万怨气，一剑劈开天极门，斩天帝、碎天道，重立万界秩序，成为受万族敬仰的万界主宰，怨神。

作为一名资深“软饭男”，好吃懒做的李勇长期寄生在妻子青青的生活里——不仅心安理得花着对方的工资，还出轨假白富美，落入对方精心设计的杀猪盘。假白富美百合盯上吴天，不仅频繁送他‘奢侈品’，更主动提出资助他“创业”。李勇白日做梦以为自己遇到真千金，殊不知百合正是跨境杀猪盘团伙的核心成员，她精心设计的“富婆人设”背后，是一整套通过情感操控实施诈骗的成熟套路。待李勇发现真相后已落得妻离子散的境地，他为了追回被骗的钱款假意加大投资引百合和天哥上钩，吴天将2人绑架准备鱼死网破，好在前妻青青带警察前来阻止，才避免软饭男李勇铸成大祸。

暂无剧情简介

核物理工程师丹紫苑，另辟蹊径，以核物理知识开创独树一帜的 “科学休闲” 修行一脉，却不幸遭受辐射侵蚀，身染顽疾。她收下天赋卓绝的弟子林玄，师徒二人依靠科学衍生的功法，斩除妖魔、肃清奸邪，一举覆灭作恶的天魔宗。 林玄为化解危机以身承受剧毒，命在旦夕。为救下爱徒，丹紫苑奋力冲破渡劫境界，劈开仙界天门前去求取灵药，途中不幸遭人暗算，坠落深渊失去记忆。 眼见师父下落不明，林玄一夜白头，潜心苦修三载，终于得以飞升仙界，开启一场跨越仙凡的漫漫寻师之旅。

修仙天才陆凡以铁锅炼成金丹，却被师父逐下山。入世后他救下老人，得知对方是失散多年的生父。仙门盛会神珠碎裂，两份婚约找上门。仙界老祖身中奇咒，唯有特殊方式可炼制解药，而师父那句“你不行”的背后，似乎藏着更大的秘密……

苏明禾被丈夫谢云舟骗至无人区，为护小三将其哮喘喷雾换成辣椒水，并亲手喂下致命过敏糖，致其流产。濒死之际她被青梅竹马叶司淮救下。死里逃生的她认祖归宗成为豪门千金，联手叶司淮展开复仇，让渣男破产疯癫、小三锒铛入狱，最终收获真正属于自己的幸福。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”