小燕（左诗蓓 饰）从小就失去了父母，和祖母汤秀凉（黄淑仪 饰）相依为命。一场意外让小燕不幸和祖母失散了，从此，小燕过上了居无定所的飘零生活。尽管生命中充满了艰辛，但小燕从来都没有放弃过寻找祖母的踪迹，从香港到澳门，一路上小燕吃了无数的苦，遭了无尽的罪，也遇见了许多或是善良或是邪恶的过客们，得到了他们的帮助，亦品尝到了人生的世态炎凉。 就在小燕苦苦追寻祖母踪迹的日子里，一个女孩（戴梦梦 饰）假扮小燕，出现在了汤秀凉的身边，她的出现给汤秀凉的生命带来了新的希望。这位假小燕究竟是何方神圣？她真正的企图又是什么呢？

《樹大招風》歐文傑以《飄零犬》關照離散港人

小燕（左诗蓓 饰）自幼父母双亡，与祖母汤秀凉（黄淑仪 饰）相依为命。一场意外致使小燕和祖母失散，从此开启了居无定所的漂泊生活。即便生活充满艰难，小燕始终未放弃寻找祖母。她从香港到澳门，一路历经无数苦难，遭遇了许多善良或邪恶的人，既得到过他们的帮助，也体会到了世态炎凉。 在小燕苦苦寻觅祖母的过程中，一个女孩（戴梦梦 饰）假扮成小燕出现在汤秀凉身边，给汤秀凉的生活带来了新希望。那么，这位假小燕究竟是什么人？她的真实目的又是什么呢？

世家子方华沦为酒店侍役，结识酒店住客玛利。玛利为舞场歌女，颇厌倦卖唱生涯，与方华情愫渐生。一夕，玛利为舞客所辱，心情苦闷，约方华进房促膝夜谈。事为酒店部长所悉，以方华触犯店规而将之开除。玛利知事情由己而起，对方华极表关切，于是决定放弃舞场生活，与方华共赋同居。不久，玛利怀孕，但方华全无收入，生活日趋困难。此时，洋行黄经理次女露露欲觅家庭教师，方华幸获聘任。黄经理长女露丝与有妇之夫陈秘书相好，且珠胎暗结，试图利用与方华成婚作掩饰。适值玛利产下一儿后身患重病，急需医药费，陈秘书遂乘机威迫，方华无奈答应婚事，玛利获知，扶病而往黄家，将儿子留下，含泪离去。露丝婚后仍与陈秘书往来，方华与陈秘书起争执，陈秘书混乱中失足堕楼而死。方华下狱，玛利至露丝处取回儿子，并往探望方华。二人经解释后，和好如初，玛利愿守候方华出狱团聚。

Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

中日混血棄子Tsubame，飄洋過海來到這個母親說很美的地方，尋回自我認同的起點，體悟到失去的反而是收穫。Tsubame 五歲起和母親分隔兩地，直到成年後仍無…

今天的阿尔及利亚：三个故事，三代人。穆拉德，一位离过婚的房地产开发商，觉得身边所有人都在逃避他。艾莎，一个年轻的女孩，在情人和未婚夫之间两难挣扎。达曼，一位神经学家，在婚礼前的一天突然被他的过去所困扰。

周珍多年错信假千金，冷落、伤害了亲生女儿，致使女儿在外受尽委屈。顾言作为助力，协助周珍寻找真相、辨认亲女。当真相揭开，周珍痛彻心扉，满心愧疚全力弥补。她手撕假千金与幕后恶人，放下身段卑微求和，用行动温暖女儿冰封的心。女儿从抗拒、疏离到慢慢释怀，最终选择原谅。两人在泪水与救赎中重建亲情，顾言也一路守护，见证这段迟来的母女情深。

杨帆和她的丈夫袁泳，还有饭馆服务员小方，从夜晚到白天，又从日光之下延续至一个个诡谲的深夜，他们彼此间发生的的故事，荒诞离奇，却又令人无比唏嘘，三人如共生关系般存在，如同齿轮间的相互羁绊却又无法离开对方，就像最简单的游戏：石头，剪刀，布无间轮回下去。