曾经热闹一时的红包场如今已走向没落，场老板突然离世，黑道债主找上门来，向老板的儿子阿德追讨债务。阿德满心无奈，却根本无力偿还，只能试图逃避。就在这时，一位神秘女子前来寻找阿德的父亲。几位老歌手一眼便认出，她竟是当年的红牌歌星。众人纷纷怂恿阿德为歌星策划一场复出秀，以此赚钱还债。在操办演出的过程中，阿德逐渐理解了父亲多年来一直坚守歌厅、始终不曾放弃的内心想法。

《娱乐大歌厅》是湖南广播电视台娱乐频道2015年第四季度全新推出的一档周末棚内大型综艺娱乐节目，节目口号是“轻怀旧、新经典”。通过选取特色歌厅节目、邀请一些知名艺人以及与电视观众的互动，把快乐传递给大家，同时也发扬了老长沙的歌厅文化特色。节目氛围幽默轻松，娱乐却不“愚”乐。

20世纪30年代的德国柏林，纳粹势力正在兴起。美国女艺人Sally（丽莎·明奈利 Liza Minnelli 饰）是一家俱乐部的舞女，非常受欢迎。刚刚来到柏林的英国男…

In 1993, Sam Mendes directed a new production of the show for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Frau Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes' conception was a very different show from either the original production or the rather conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey, in both prior incarnations, was an asexual, malevolent character in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, wearing suspenders (i.e. braces) around his crotch and red paint on his nipples.[4] The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions.[5] The score was entirely re-orchestrated, utilizing synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and replaced with "Money". "I Don't Care Much", which was cut from the original production, was reinstated, and "Mein Herr" and "Maybe This Time", from the film adaptation, were added to the score.[5] Staging details differed as well; instead of "Tomorrow Belongs To Me" being performed by a male choir, the Emcee plays a recording of a boy soprano singing it. Most dramatic of all was in the final scene in which the Emcee removes his outer clothes to reveal a striped suit of the type worn by the internees in concentration camps on which were pinned a yellow badge (identifying a Jewish prisoner) and a pink triangle (denoting a homosexual prisoner). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys.

In 1993, Sam Mendes directed a new production of the show for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Frau Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes' conception was a very different show from either the original production or the rather conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey, in both prior incarnations, was an asexual, malevolent character in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, wearing suspenders (i.e. braces) around his crotch and red paint on his nipples.The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions.The score was entirely re-orchestrated, utilizing synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and replaced with "Money". "I Don't Care Much", which was cut from the original production, was reinstated, and "Mein Herr" and "Maybe This Time", from the film adaptation, were added to the score.Staging details differed as well; instead of "Tomorrow Belongs To Me" being performed by a male choir, the Emcee plays a recording of a boy soprano singing it. Most dramatic of all was in the final scene in which the Emcee removes his outer clothes to reveal a striped suit of the type worn by the internees in concentration camps on which were pinned a yellow badge (identifying a Jewish prisoner) and a pink triangle (denoting a homosexual prisoner). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys.

Filmed live from the 1993 revival, Sam Mendes' directorial debut takes place at the Donmar Warehouse in London's West End. Jane Horrocks stars as cabaret girl Sally Bowles, Adam Godley as the bicurious Cliff, and Alan Cumming as the eccentric Emcee. Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally and the impish Emcee sound the clarion call to decadent fun, while outside, a notorious political party grows into a brutal force.

2015年，萬那杜長老一句“我的祖先來自台灣！”，促使台灣製作人BaoBao陳玟臻和澳洲影像導演兼音樂製作人Tim Cole發起了小島大歌計畫。他們實地走訪南島國家，進行錄音和拍攝工作，多年間與來自16個島國的超過百位音樂家展開合作。2018年，小島大歌專輯發行，該專輯獲得了英國、德國及美國的音樂獎項。2018至2019年，專輯的現場演出在世界四大洲的14個國家進行巡迴，吸引了超過17萬現場觀眾。2019年，小島大歌電影在世界影展巡迴展出，目前正在日本院線上映。小島大歌猶如一条被音樂串連起來的海洋航道，又似一座虛擬的南島村莊，其歌曲帶領我們遊歷各地，讓我們學會與自己的土地和諧共存。

《今晚有歌廳》是一個經典金曲聯乘故事互動的音樂節目，讓主持人、歌手於輕鬆自然的氛圍作出交流，不僅分享音樂背後的故事，同時重新演譯劃時代的作品，引領觀眾回味經典音樂。節目由周國豐坐鎮領軍，攜手三位「中年」唱將黃劍文、支嚳儀、顏米羔擔任主持，結合清談節目的互動元素之餘，也兼顧高品質音樂，為歌手們打造一個適合分享的音樂平台。在節目中，嘉賓獨唱以外，眾唱將亦會與嘉賓合作，共同譜寫出動聽的音樂故事。

《谁是大歌神》是浙江卫视推出的一档大型悬疑推理音乐综艺节目，是一档以歌手和模仿者展开对决这一新形式开创的节目。《谁是大歌神》在原版基础上进行了多重升级，致力于打造成全球范围内最强版本。

台视音乐娱乐节目， 主持人庾澄庆。该节目与其他歌唱比赛的目的不同，不比音色，不比技巧，也不比音准，更不比外型、外貌、气质、长相等，而是考验参赛者对歌词的记忆。只要参赛者对记忆歌词有信心，均可透过网络报名，或者是电话报名。节目开始时，主持人庾澄庆会演唱一首歌曲的一部分，途中不时会让当集参赛者从右至左接唱一句歌词。演唱完毕后，由庾澄庆带动观众呼口号：“我是哈林庾澄庆，你是──”观众齐喊：“百万大歌星！”2012年8月11日为最后一集。