Found footage film following an investigation into the mysterious disappearance of a young man in the Matusite house. The search will reveal the secrets of the most popular haunted house in the city of Lima.

A sexually charged story about a young woman who secretly sleeps with her husband's son. The two form an alliance to kill her husband but fate has other plans for Cita.

盖斯（Gayce）是一位不容小觑的年轻女子，她贩卖一种名为“θ”（Theta）的致幻药物，为她朋友的全女子摇滚乐队吸引观众。然而，当她的朋友们惨遭杀害时，盖斯不得不揭开谋杀案背后的谜团，并保护自己免受凶手的威胁。在调查过程中，她逐渐发现“θ”与这些谋杀案之间的联系，并得知一个可怕的真相——这个世界，乃至她的整个现实，都并非表面所见那般真实。

美国无声短片《卡门西塔》（英语：Carmencita），由威廉·迪克森（William K.L. Dickson）于1894年拍摄，由爱迪生制造公司（Edison Manufacturing Company）出品。卡门西塔是片中舞者的名字，舞蹈中一直面带微笑。她可能是爱迪生的机器拍下的第一位女演员，也是美国第一位女电影演员。

身为孤儿地士兵Ram中尉因为战功接受采访后收到了许多人的来信，包括一个在信中自称是ram妻子的名叫sita的女孩，他的生活自此发生了变化。 Ram想办法找到了Sita，爱情在他们之间绽放。 当他回到他在克什米尔的营地时，他给 Sita 寄了一封信，但她没有收到

Johannes lives together with his father, the middle-aged widower Ulrik in a small fishing town in the northern part of Denmark. They live a quiet routine life, each minding their separate jobs in the fishing industry. Ulrik misses the love and tenderness of a woman and arranges for the young, beautiful, Filipino Rosita to come to Denmark - just as many other men in the town have done before him. Johannes is reluctantly drawn into this as Ulrik's translator. However, over the following weeks Johannes and Rosita are getting more and more attracted to each other which forces Johannes to take responsibility for his dreams and his future.

專題另一部默片來自德國的喜劇之王劉別謙，是他應美國傳奇女星瑪麗碧克馥之邀到荷里活執導的首部作品《風流歌女》（1923）。同是曲折的愛情故事，大師靈巧優雅的電影語言及自成一家的「劉別謙筆觸」，令美國觀眾為之傾倒。

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. And it is of love that this film speaks above all, a total and solar love in which family and friends are seized in the same poetic field. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema". For Clémenti, the main purpose of creation was to shake up the usual order of things by rubbing against the unknown. The act of creating would be "to be a virgin before the new, to do everything that one does as for the first time". If Pierre Clémenti has never sounded his films-notebook life, it is because he has often preferred to confront the reality of live sound during his projections. Pierre Clémenti liked to share his works with his musical friends, to make projections of his films moments of life: they were often accompanied by sound performances.