Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

在德裔苏联大钢琴家里赫特去世前一年，纪录片导演、小提琴家布鲁诺·蒙桑容（他因拍摄古尔德、梅纽因而成为音乐家纪录片领域内的大师）带着摄制组和传主同起居近一年，其成果是这部纪录片以及一本谈话录《里赫特：笔记与对话》见www.douban.com/subject/1432875/。 　　纪录片拍摄得非常朴实，传主本人对着镜头，用俄语讲述他的一生事件和艺术观念。态度和用语相当直率，据说在书中，保留了更多他的“粗话”。

大约七十年前，数千人在此失去性命。如今，如同其他的许多参观景点一样，身着短衣短裤的男女来到这里，带着墨镜，扛着摄像机或拎着自拍杆，以便留下几幅纪念照。与此同时，操着不同语言的导游向他们重述这里的历史——影片《奥斯特里茨》以对比强烈的黑白影像和固定长镜拍摄达豪和萨克森豪森集中营的游客，然而，人们应该如何面对承载着这般往事的遗址？集中营能成为大众旅游的对象吗？

1805年在创建法兰西第一帝国后，为粉碎反法联盟的进攻，拿破仑率不足八万军与近二十万俄、奥联军英勇决战于奥地利的奥斯特里茨地区，他以坚毅、果敢的指挥艺术只用了不到四小时的时间就给敌人以毁灭性的打击，树立了闻名于世的以少胜多的辉煌战绩。

For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

For Maryam Tafakory, a film can have many lives and doesn’t need to be bound to a single medium or one mode of projection. A film can be fluid and take up many forms, based on its time and place of presentation. For Kassel Dokfest and the BALi Kino, Maryam Tafakory develops another iterating of her film MAST-DEL (17 Min., 2023), in which, in a performative reading, she tells us a story about forbidden bodies and desires inside and outside post-revolution Iranian cinema: 　　Two women lie together in bed. As the wind bashes against the window, one recalls a past date to the movie theatre. The narrated scene cannot be conveyed through images. Layers of found and original footage are superimposed to fill in some of the cracks, the deletions, the limits of representation – a love song that would never pass through the censors. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-eb97712f-e126-3548-8b58-966d2c34f5b3

Sherlock Holmes is approached by Mr. Scott-Eccles who recounts strange events. He recently dined with an acquaintance, a Spanish gentleman named Diaz with whom he shared an interest in map making. He spent the night at Mr. Diaz' rented home, Wisteria Lodge, but awoke the next morning to find the house abandoned. Thinking that Diaz might be doing a runner, he contacted the landlord but was told that the man's rent had been paid in full. A somewhat bored Holmes agrees to look into these mysterious circumstances surrounding the case but the local constabulary, in the form of Inspector Baynes, make it very clear that he is out to make a reputation for himself by solving this case without the Great Detective's help. Written by garykmcd

1805年在创建法兰西第一帝国后，为粉碎反法联盟的进攻，拿破仑率不足八万军与近二十万俄、奥联军英勇决战于奥地利的奥斯特里茨地区，他以坚毅、果敢的指挥艺术只用了不到四小时的时间就给敌人以毁灭性的打击，树立了闻名于世的以少胜多的辉煌战绩。

1850年在创建法兰西第一帝国后，为粉碎反法联盟的进攻，拿破仑率不足八万军与近二十万俄、奥联军英勇决战于奥地利的奥斯特里茨地区，他以坚毅、果敢的指挥艺术只用了不到四小时的时间就给敌人以毁灭性的打击，树立了闻名于世的以少胜多的辉煌战绩。