本来是一名模范生的铉洙（权相佑 饰）来到一所出了名黑暗的学校，对校内的情况十分不满，校内的教师对学生十分不尊重，出口辱骂之余还对学生拳打脚踢。铉洙是校内唯一一名读书的学生，也没有其他朋友。但他不久后却跟一名不良学生金佑植（李正振 饰）成为了好朋友，两个男生更同时喜欢上一 名叫江恩珠的女孩（韩佳人 饰）。 铉洙性格内敛，总是羞涩与向恩珠表达爱意，在恋爱方面输给了佑植。随后打击铉洙的事再次发生了，佑植与恩珠都消失在铉洙的生活中，因为一向好胜的佑植与他人决斗的时候败给对方了。这些事情让铉洙性情大变，他变得好斗了，并努力练习双节棍，希望帮好友打败当年的敌人。

第一话： 从监狱出来的朴民为了找到过去的明洞，来到黄斗植控制下的酒馆，为了维护昔日恋人友熙的性命，他自己则踏上了亡命之路。在复仇过程中，黄斗植、友熙纷纷死去，朴民也死在了曾经搭救过的“小鬼”手下。 第二话： 贤和淑结婚后接到“老板”指令务必将某人致死。贤完成任务后，却因背叛“老板”被投入监狱。出狱后，贤找到淑现在的丈夫，得知其生活美满，最后一个人孤身离开。 第三话： 相找到抛弃母亲的父亲英彪，却受到袭击受伤。在英彪女儿熙的照料下恢复，再次寻找英彪，并和其发生争斗。最后，在英彪弥留之际，父子间相互达成谅解。

如果你想欺骗自己的爱人，那你最好别被抓包！你最好祈祷你的爱人不要在不经意间已经疯狂。凯文在这件事上学到了深刻的教训。他背着自己的女朋友和自己女友的好友发生奸情，而且不幸被女友发现。生气的女友打算自己度过浪漫的周末，从而忘记三人的狗血之事，越想越气愤的女友打算玩一次虐待的游戏，陷阱已经设好，就等猎物来袭。

暂无剧情简介

조선 시대, 사회적 악습 때문에 희생되어야 했던 여인의 삶이 네 개의 에피소드로 이어진다. 부모의 탐욕으로 대감댁에 시집갔다가 어린 신랑이 병으로 죽자 친정에 다니러 온 여인을 아버지가 살해해 열녀로 위장하는 女必從夫, 외아들과 결혼한 며느리를 시기해 누명을 씌워 며느리를 죽이는 出家外人, 아이를 낳지 못한 여자가 다른 남자에게 아들을 얻고는 자살하는 七去之惡, 상궁이 임금의 아이가 아닌 아기를 낳고 궁중에서 탈출한다는 禁中秘色의 에피소드로 이루어진다.

六本木「野獣会」にも属していたという一星ケミは、激しい存在感で60年代後期独立プロ屈指のスターだった。プロデューサーと恋人との狭間で揺れ動いて生きる姿は、肉体を武器に芸能界を生きたケミ自身であり、多くの「ピンク女優」の姿でもあろうか。向井寛はスキャンダラスでスタイリッシュなアングルの中に、女の身も心も描写しようとする

拉丽莎（阿丽萨·弗雷因德利赫 Alisa Frejndlikh 饰）拥有非常美丽的外表，她本是衔着金汤匙出生的千金小姐，无奈家道中落，如今的一家人过着捉襟见肘的生活。拉丽莎有两个姐姐，她们都已经嫁为人妇，拉丽莎是母亲最后的希望，母亲想要她嫁给一个有钱人，如此她才能够再度过上富裕的日子。 拉丽莎爱上了名叫巴拉托夫（尼基塔·米哈尔科夫 Nikita Mikhalkov 饰），与此同时，一个邮政部门的小职员卡朗迪耶谢夫（安德烈·米亚赫科夫 Andrey Myagkov 饰）也在热烈的追求着拉丽莎。本来，拉丽莎和巴拉托夫之间感情发展的很顺利，哪知道天有不测风云，巴拉托夫破产了，之后，他选择了离开。痛苦之中，拉丽莎被卡朗迪耶谢夫趁虚而入，两人订了婚。

一个独立导演与一位自称是其影迷的女人相爱，一段残酷的罗曼史就此展开。

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

A team of spelunkers, when investigating a system of caves beneath a small town, come across a hideous creature that can move through walls.