Shipwrecked on a tropical island, a young boy befriends an abandoned native youth, forcing him to reevaluate societal prejudice about race, religion and nudity.

暂无剧情简介

Comedy fuses with science fiction in this quirky film about the chaos that ensues when an “elk” (in fact, a tall individual who wears a coat, does not speak, and has an elk’s head and antlers) emerges from the forest near a small town. Accepted by a family who interacts with him as if nothing is unusual, they initially shelter their guest from their neighbors. But not for long!

该剧改编自爱丁堡艺穗节备受赞誉的单人剧，讲述事业不顺的喜剧演员唐尼·邓恩（理查德·加德 Richard Gadd 饰）与女跟踪者玛莎（杰西卡·古宁 Jessica Gunning 饰）之间扭曲的关系，二人的生活因此面临分崩离析的危险。

The Finnish film 'White Reindeer' is marketed in the USA and Britain as a horror movie, but that's not precisely accurate. This is a stark, moody film but not a scary one. It purports to be an authentic Lapp folktale about a woman named Pirita who turns into a white reindeer in order to feed upon men. This story has elements of both the vampire and the werewolf legend, as well as the succubus. Apart from reindeer being native to Lapland, I can't imagine why the reindeer was chosen as the species for this folktale's version of the shape-changer legend. Bats and wolves are predators, and therefore scary. The reindeer is a domesticated herbivore that serves humans ... not very spooky, is it? In one sequence, the were-reindeer woman sprouts fangs. Actual reindeer don't have fangs, so why should these be part of her transformation? Female reindeer have antlers, so why doesn't Pirita sprout antlers? Speaking of superstitions and myths: early in this film, a black cat scurries across the path of an approaching sledge, but the director gives this so little emphasis that it appears to have no significance. In Cornwall, it's considered *good* luck to have a black cat cross one's path, and this same thing is considered *bad* luck in America. Do Lapps have any superstitions concerning black cats? Mirjami Kuosmanen, the actress who plays the central role in this film, is quite pretty ... but her performance as a native of northern Lapland is weakened by the fact that she is clearly wearing makeup. Due to the low production budget, we never actually see Pirita changing into the reindeer ... but the director cleverly gets round this by having his leading lady lunge towards the camera, then cutting to a shot of a reindeer in the same position. Still, I was hoping we would see a shot of a woman's shadow changing shape ... or a series of human footprints in the snow abruptly becoming hoof-marks. The Lapp landscape in this movie is starkly beautiful and awesome but never frightening. The photography is excellent. There are two impressive dissolve shots involving flames, and a splendid montage sequence. I was extremely impressed by a night sequence over a bonfire. During the Midnight Sun sequences, there are two shots featuring a weird colonnade of white pillars: these appear to be artefacts of the Lapp culture, but we never learn what they are. A sequence in which a carved vertrebra dances magically across a shaman's drum has an eerie pagan power that made me think of Nijinsky's staging of 'The Rites of Spring'. My one complaint about this film -- a minor grievance -- is that we never learn the time period in which the main action occurs. These Laplanders possess milled coins, a rifle, and loomed curtains. One sequence takes place at a prayer service that is clearly Christian, featuring a minister in geneva bands. Are we watching scenes in the twentieth century, or some earlier time? I'll rate this moody, compelling (but not frightening) film 8 out of 10. Oh, my deer!

After an unexpected tragedy, Suzanne struggles to put her life back together during a sad, strange Christmastime in suburban Virginia.

驯鹿是冰河时期出现的物种，它们生活在挪威极地的冰天雪地中。每年它们都会同萨米人牧民一起进行大规模的迁徙。萨米人是这片土地仅存的游牧民族之一。即便在21世纪的今天，他们仍然保持着古老和艰苦卓绝的生活方式，以驯鹿作为自己生活的中心。一对年轻的表姐妹艾丽和因佳即将踏上一段旅程，她们将跟随自己的家人将驯鹿从寒冷的家乡护送到温暖的阿诺亚小岛牧场上去，并在母鹿产崽、小鹿长大后的来年秋天将驯鹿带回家乡。在这场艰难的旅途中，她们将作出决定，是否成为下一代的驯鹿牧民。这次迁徙活动对她们而言将是最特殊的一次，也注定