頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？

Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times. 頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動人一幕：學生問 DV 可否打救電影？高達哀哀面向鏡頭，良久不語...... （http://www.hkiff.org.hk/hkiff29/chi/prog/show_detail.php?fi_code=053）

In this symbolic and philosophically weighty film, all of the inhabitants of a Portuguese mental asylum suffer from religious delusions of one kind or another -- even the cynic who denies the value of any religions at all. One couple re-enacts the story of Adam and Eve in the Garden, and then the woman who played at being Eve plays at being St. Teresa de Avila. Another man thinks he's a character from a Dostoyevsky novel, and yet another claims to have in his possession a fifth gospel from the Bible. Everyone has a point of view and is not shy about stating it, defending it in debate with the others with great sincerity, though (the reviewers claimed) with very little elegance or wit. (Clarke Fountain) What would've happened if Lazarus met Nietzsche? The man who raised from the deads and the man who killed God are but two faces of the same soul. Oliveira let the books talk about human greatness and misery. If you are not interested in the theological debate, don't waste your time here. But if you're not interested, you're already wasting your time. (Dionysis)

改编自乔家小桥在晋江连载的小说《神曲》。

中学生スズカ（美山加恋）连巫女之舞“お神楽”都学不会，甚至对自己“神谷之血的宿命”毫无察觉。某一天，她原本平淡的日常被彻底改变。500年前被封印的妖怪マギラオ在现代苏醒，袭击了“神谷家”，世界再度陷入恐怖的漩涡。スズカ的班主任大伴告诉她：“你们是与マギラオ战斗过的勇者的后裔。”于是，手持勾玉碎片的4名少年，以及他们的伙伴“あやかし”一同出现，为了守护这个国家，スズカ毅然挺身而出！