Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.

Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.

Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger. 　　Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing. 　　The film introduces Berger's art of looking with theatre wizard Simon McBurney, film-director Michael Dibb, visual artist John Christie, cartoonist Selçuk Demiral, photographer Jean Mohr as well as two of his children, film-critic Katya Berger and the painter Yves Berger. 　　The prelude and starting point is Berger's mind-boggling experience of restored vision following a successful cataract removal surgery. There, in the cusp of his clouding eyesight, Berger re-discovers the irredeemable wonder of seeing. 　　Realised as a portrait in works and collaborations, this creative documentary takes a different approach to biography, with John Berger leading in his favourite role of the storyteller.

Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger. 　　Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing. 　　The film introduces Berger's art of looking with theatre wizard Simon McBurney, film-director Michael Dibb, visual artist John Christie, cartoonist Selçuk Demiral, photographer Jean Mohr as well as two of his children, film-critic Katya Berger and the painter Yves Berger. 　　The prelude and starting point is Berger's mind-boggling experience of restored vision following a successful cataract removal surgery. There, in the cusp of his clouding eyesight, Berger re-discovers the irredeemable wonder of seeing. 　　Realised as a portrait in works and collaborations, this creative documentary takes a different approach to biography, with John Berger leading in his favourite role of the storyteller.

青年作家室内装饰家冯凯正在海滨设计装修一间豪华别墅的工程，少女为了偷窥姑妈的催眠医术，悄悄爬了进来。冯凯听说，为了好奇，竟和少女玉芳携手合作，进一步并做了玉芳试验的对象。 　　在朝夕相处下冯凯深为玉芳的天真淘气作风倾心，同时由玉芳口中获悉她们三代以来都是以巫术为生。在科家昌明的今天，本不可能尚有女巫的事，但冯凯却亲眼看见玉芳的大姑妈竟能以催眠术使一个瘫痪的老病人逐步逐步的走路。 　　冯凯又从玉芳口中得悉，巫术的祖师爷陈凡本是个捏面人的小贩，因沉迷法术会在山中潜修三年。可惜道心未坚，不能看破红尘，虽学得了隐身术，竟因运用不当，以至失传。 　　玉芳失踪了！冯凯为之失魂落魄地寻找。一天，冯凯却在青山酒店，踏破铁鞋无觅处，得来全不费工夫，遇见了久别重逢的玉芳正在和三姑妈张美姗在饮茶，经玉芳之介绍而认识并得知她一共有三姐妹，美宝、美珍，过的都是以四海为家，烂漫风流的女巫生活。 　　张玉芳想一心一意想学做女巫，瞒了大姑妈约了冯凯在密室中试验巫术，但念错了咒语，几乎置冯凯于死地，幸大姑妈及时回家，发现了玉芳不求上进甘心学做女巫的事，使美宝非常伤心，在她的设想希望玉芳不再踏上一代的覆辙，好好地过幸福的家庭生活。 　　盛怒之下，大姑妈竟使玉芳受催眠去跳楼，但三姑妈张美姗违背了神的主意，救回了玉芳性命，玉芳愿意神前立誓做了女巫，美姗也被大姐逐出了家门，并且许下毒愿，当神的牙齿变红的时候，就是她生命终结的讯号。 　　果然，冯凯的装饰生意一落千丈，两人从大酒店搬到小旅馆，幸美姗处之泰然，不以为苦，一日隔邻寻芳客消魂晕厥，美姗竟好奇地问三道四，心情大坏的冯凯借题发挥而致两人起争执，争执下一瓶红颜料竟掷中美姗牙齿，当日的谶语不幸言中：神的牙齿变红时就是美姗生命终结的信号。 　　翌日，冯凯醒来不见美姗的人影，从此芳踪已杳，茫茫人海中只留下一片空白美丽而似梦幻的回忆。

青年作家室内装饰家冯凯正在海滨设计装修一间豪华别墅的工程，少女为了偷窥姑妈的催眠医术，悄悄爬了进来。冯凯听说，为了好奇，竟和少女玉芳携手合作，进一步并做了玉芳试验的对象。 　　在朝夕相处下冯凯深为玉芳的天真淘气作风倾心，同时由玉芳口中获悉她们三代以来都是以巫术为生。在科家昌明的今天，本不可能尚有女巫的事，但冯凯却亲眼看见玉芳的大姑妈竟能以催眠术使一个瘫痪的老病人逐步逐步的走路。 　　冯凯又从玉芳口中得悉，巫术的祖师爷陈凡本是个捏面人的小贩，因沉迷法术会在山中潜修三年。可惜道心未坚，不能看破红尘，虽学得了隐身术，竟因运用不当，以至失传。 　　玉芳失踪了！冯凯为之失魂落魄地寻找。一天，冯凯却在青山酒店，踏破铁鞋无觅处，得来全不费工夫，遇见了久别重逢的玉芳正在和三姑妈张美姗在饮茶，经玉芳之介绍而认识并得知她一共有三姐妹，美宝、美珍，过的都是以四海为家，烂漫风流的女巫生活。 　　张玉芳想一心一意想学做女巫，瞒了大姑妈约了冯凯在密室中试验巫术，但念错了咒语，几乎置冯凯于死地，幸大姑妈及时回家，发现了玉芳不求上进甘心学做女巫的事，使美宝非常伤心，在她的设想希望玉芳不再踏上一代的覆辙，好好地过幸福的家庭生活。 　　盛怒之下，大姑妈竟使玉芳受催眠去跳楼，但三姑妈张美姗违背了神的主意，救回了玉芳性命，玉芳愿意神前立誓做了女巫，美姗也被大姐逐出了家门，并且许下毒愿，当神的牙齿变红的时候，就是她生命终结的讯号。 　　果然，冯凯的装饰生意一落千丈，两人从大酒店搬到小旅馆，幸美姗处之泰然，不以为苦，一日隔邻寻芳客消魂晕厥，美姗竟好奇地问三道四，心情大坏的冯凯借题发挥而致两人起争执，争执下一瓶红颜料竟掷中美姗牙齿，当日的谶语不幸言中：神的牙齿变红时就是美姗生命终结的信号。 　　翌日，冯凯醒来不见美姗的人影，从此芳踪已杳，茫茫人海中只留下一片空白美丽而似梦幻的回忆。

This film is in the form of a personal diary. Using the everyday images captured on film, new images are created through various surface treatments and combinations. This is part of the act of the maker to converse with his memories and to restructure them. This work is the result of conversation between author (various surface treatments and combinations) and fixed images on film as the memories.

This film is in the form of a personal diary. Using the everyday images captured on film, new images are created through various surface treatments and combinations. This is part of the act of the maker to converse with his memories and to restructure them. This work is the result of conversation between author (various surface treatments and combinations) and fixed images on film as the memories.

三浦因为接受不了生意失败的打击远走他乡，多年以后，他重新回到了阔别已久的家，却发现早已物是人非。大女儿津岛夏波是一个十分强势的人。二女儿津岛冬花是个没主见的人，至于三浦的前妻津岛纯子，遇到了她生命里的另一个男人——绪方，夏波对母亲的感情生活很是担忧，她生怕母亲像当年一样被骗。而三浦恰巧出现，二人联手开始对绪方展开调查。在调查的讨程中，三浦发现绪方是个非常信得过的男人，他决定主动摄合他俩的感情，与此同时，在三浦的鼓励下，夏波开始考虑男同事对自己的感情，而小女儿多花也找到了自信，去乡下做自己真正想做的事情。 当他身边最亲近之人的生活都得到圆满的时候，三浦独自一人回忆着往日与家人相处的点点滴滴。

三浦因为接受不了生意失败的打击远走他乡，多年以后，他重新回到了阔别已久的家，却发现早已物是人非。大女儿津岛夏波是一个十分强势的人。二女儿津岛冬花是个没主见的人，至于三浦的前妻津岛纯子，遇到了她生命里的另一个男人——绪方，夏波对母亲的感情生活很是担忧，她生怕母亲像当年一样被骗。而三浦恰巧出现，二人联手开始对绪方展开调查。在调查的讨程中，三浦发现绪方是个非常信得过的男人，他决定主动摄合他俩的感情，与此同时，在三浦的鼓励下，夏波开始考虑男同事对自己的感情，而小女儿多花也找到了自信，去乡下做自己真正想做的事情。 当他身边最亲近之人的生活都得到圆满的时候，三浦独自一人回忆着往日与家人相处的点点滴滴。