既然人物確有其人，徐立功在改編潘壘的小說時就格外地戒慎戒懼，希望做到筆下的事件都合乎邏輯，劇中的人物關係都不失常軌；儘管「戲劇性」還是必要的。 在這樣的原則之下，「魔鬼樹」一劇所呈現給觀眾看的，無論是親情、愛情或友情〈這檔戲主要還是在談『情』〉，不但是寫實的，還對事實的本身作了註解，所以觀眾看來或多或少都會得到某些啟示。

On Christmas Eve, a scorn widow casts an ancient spell to resurrect her executed husband. However, when the spell goes wrong, the husband is brought back as an evil Christmas tree. Hell-bent on getting revenge on the one who caused his execution, the body count keeps rising as the tree hunts her down. Can anyone stop this killer Christmas tree before he gets to his target?

A film set in a small Polish village in the '60s that deals with a young girl's awakening sexuality. Mala, about 13, lives with her unmarried mother and has a boyfriend of her own age. The village is sent into a turmoil by the arrival of the clan of Gypsies, who set up camp in the field. Gypsies are ostracized and damned as 'devils' by the conservative villagers. Mala is attracted to the Gypsies. But the locals attack their camp with fire hoses and Gypsies move on

A veteran returns home for his father's funeral, only to find himself waging a new war when horrifying secrets come to light.

本片是由新疆维吾尔自治区禁毒委员会办公室出品，新疆本土石榴熟了剧组创作的一部禁毒公益微电影。本片讲述了主角阿里木（叨叨饰）的父亲曾经是个“魔鬼”，从小被父亲家暴，看着妈妈被打却无能为力。直到父亲已经威胁了阿里木未来的时候，妈妈选择了报警。父亲在被抓捕的过程中身亡，成为家中唯一男人的阿里木想要给母亲和妹妹幸福生活，于是放弃学业扛起了家里的担子，直到一次无意间发现了曾经父亲赚快钱的方法，魔鬼的诱惑他是否能抵挡住.....本片是继《多米诺效应》后的第二部禁毒公益微电影，石榴团队用优秀的拍摄技巧，使用另一种风格、另一种拍摄方式将毒品的危害真实的展现在观众眼前，是一部含有深刻含义的禁毒题材微电影。

丈夫彼得的死让道恩伤心欲绝，就在此时，道恩的小女儿西蒙娜却告诉她，彼得的灵魂栖息在院子里的一颗巨大的榕树之上，正默默地守护着整个家庭。靠着榕树的支撑，道恩渐渐从永失所爱的痛苦和悲伤中走了出来，优秀青年乔治的出现更是让道恩重新感受到了被爱和被关怀的快乐。 没想到，道恩和乔治之间的感情遭到了女儿的强烈反对，西蒙娜无法相信除了父亲外，母亲竟然还能爱上别的男人。同时，院子里的榕树似乎对道恩身上所发生的事情了如指掌，它竟然也开始用它自己的方法干预起了道恩的生活。

一位老人在沙漠中终其一生用珍贵的水源灌溉一颗枯死的树，这与他曾有过一个天真可爱的女儿有关。

Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization--men baring axes and the natural clatter of daily life--before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature

Bianca is 23 years old, and it already feels like too much. She has left her parents' home and is supposed to be attending university, but she never goes. She has a few specific obsessions: the passing of time, cocaine, and Angelica. Ever since they started living together, everything seems to move faster, spiraling downwards. Even their friendship stumbles into addiction and becomes confused with love. Bianca keeps a notebook, jotting down notes for her books, but she wishes she could write everything in it: that youth is painful and already slipping away, that friendship breaks your heart, and that we constantly lose everything — and yet, maybe, in the end — between the night streets of Rome, the boys of Naples, and the tree that stands silently, visible through the window — nothing will be truly lost.