In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

一个陷阱，女主角的兽医身份，男主角的广告-巴哈巧克力「球」上。编导随性游走，以一个社会真实事件的惊爆陷阱戏为中心，阐述清楚但不浅薄的关注。 　　导演及剧作家VeraChytilova于1929年在捷克出生，被称为捷克电影的第一夫人，也是60年代捷克电影新浪潮的重要先驱。她善长以非传统的方式及令人意想不到的角度去观察每天生活中最普通的事物。

A film set in a small Polish village in the '60s that deals with a young girl's awakening sexuality. Mala, about 13, lives with her unmarried mother and has a boyfriend of her own age. The village is sent into a turmoil by the arrival of the clan of Gypsies, who set up camp in the field. Gypsies are ostracized and damned as 'devils' by the conservative villagers. Mala is attracted to the Gypsies. But the locals attack their camp with fire hoses and Gypsies move on

女主秦颜是秦氏总裁，上辈子儿子被渣男和小三调包，她替仇人养了二十年的儿子，后来被渣男、小三和养子联手害死。 重生回到孩子被换当天，这辈子她护儿子，打脸渣男贱女，最终渣男自作自受自己害死自己，女主带着儿子嫁给了霸总弟弟，一生幸福。

柳榆在事业有成后，偶然发现柳母所戴玉佩与自己幼时的信物相同。为确认关系，她借家访名义接触柳母，察觉异常后暗中展开调查。通过亲子鉴定与多方查证，她不仅确认了母女关系，更逐步揭穿了柳父、柳德顺等人对母亲的长期苛待及其试图侵害自己的阴谋。在掌握充分证据后，柳榆当众揭露真相并报警，使作恶者依法受到制裁。她最终救出母亲，二人相互陪伴，在修复亲情的过程中开启了温暖的新生活。

老板迈着沉稳的步伐走到桌前，先是礼貌地向客人致歉，然后平静地看着那个无理的男子，声音不高却充满力量地说道：“先生，我们一直在努力为每一位客人提供最好的服务和美食。如果您对这道菜不满意，我们可以重新为您准备，但请您尊重我们的服务员。” 男子被老板的气势镇住，一时语塞。老板接着说：“她用心为大家服务，不应该承受这样的指责。” 餐厅里瞬间安静下来，其他客人的目光都聚焦在这一幕上。老板的话语仿佛有一种魔力，让整个空间都充满了正义的力量。 那刁难的男子终于低下了头，不再吭声。美女服务员感激地看着老板，眼中闪烁着泪花。

姜家大小姐姜瑶在和自己丈夫的结婚纪念日这天惨遭背叛，自己最好的朋友林梦琪骗自己喝下滑胎药，其丈夫秦子墨冷眼旁观，并表明要杀了她夺取她的家产，就在危难之时，姜瑶被江城的许家掌门人许淮安救下，经此磨难，姜瑶的脸严重毁容，孩子也胎死腹中，不久后，姜瑶在许淮安的帮助下整容成功，以许若离这个新身份潜入原来的家，目的就是为了找到秦子墨手里秦氏的阴阳账本，将秦子墨和林梦琪他们送进大牢，经过一系列事件后，姜瑶成功找出账本，秦子墨被关进监狱，林梦琪因为秦子墨的误伤而丧命，姜瑶还发现许淮安竟是曾经被自己伤害过的秦潇，二人在故事结尾重修于好。

20年間尽くしてきた国会議員に裏切られた議員秘書・鷲津亨が、権力を振りかざす政治家たちに復讐していくさまが描かれる。

专门制作猎奇节目的女主持人名美（小野みゆき 饰），某天收到一本神秘的录像带。录像中展示一名女子被残害的过程，而片中的女子的脸竟和名美长得十分相像。 为探究竟，名美和制作组一行四人驱车前往录像的拍摄地——某个废弃的工厂。5人分头行动，但很快发现他们成了某个人的猎物。他们被逐一猎杀，死状恐怖。名美被一个叫大辅的男子救下，从他口中了解到事实真相，两人千方百计逃亡，大辅更被离奇杀死，名美经历了一辈子不曾见过的恐怖景象。 这起事件之后名美的节目停办，但梦魇并未就此结束…… 本片剧本由石井隆撰写，因此女主角的名字又叫“名美”。

阳光明媚的一天，一个男人疲惫地回到家中。他有气无力地推开门，女朋友则欢呼雀跃地迎了上来。她将男友拉到客厅，那里摆放着一件礼物。男朋友只看了一眼便双眼放光，原来那是一台最新款的游戏机，这可真是了解男友喜好的模范女孩啊！男友顿时来了精神，一屁股坐在电视机前玩起来。正当女友心满意足转身准备关上房门的时候，背后突然闪现了强烈的光芒。她的心头顿时有了不好的预感，回过身时发现男友早已不见了踪影。女孩冲了过去，登时被电视的强光吸了进去。 她一头跌落在奇异的游戏星球，手中只有一本稀里糊涂的游戏指南。为了营救男友，模范女孩只能上天入地，跨过刀山火海……