Alberto Nardi (Alberto Sordi) is a Roman businessman who fancies himself a man of great capabilities, but whose factory (producing lifts and elevators) tethers perennially on the brink of catastrophe. Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi (Franca Valeri) who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money. Alberto tries to "keep up" with his wife and her rich and successful friends but he only manages to ridicule himself. Amused by his antics Elvira publicly treats her husband as a silly clown, confident that he'll never leave her in the hope of profiting from her fortune. One day a train where Elvira was supposed to be traveling (to pay visit to her old mother) suffers a horrible accident falling off a bridge and no survivors are reported. Alberto is overjoyed and in a veritable ecstatic rush plans to liquidate most of Elvira's assets, brings his mistress in her country villa and starts dreaming of a bright future only to be frustrated when Elvira appears alive and well: a last-minute phone call from his own accountant and handyman (Marquis Stucchi) prevented her from boarding the doomed train. Frustration and anger throw Alberto in a nervous breakdown from which he emerges with a diabolic plan: sabotage the elevator in the attic where he lives with Elvira to have her killed and inherit her fortune for good. The German engineer working in his factory agrees with Nardi's plan and with the help of unlikely accomplices like Marquis Stucchi and his own uncle (who acts as Alberto's chauffer) the murderous project is set in motion, with an unintended and tragicomical result. The movie is a splendid example of the commedia all'italiana which Risi directs on an unusually black register where Sordi depicts an outrageously sleazy character (arrogant to his subjects, megalomaniac, a bigoted unrepentant fascist who yet longs for recognition from the businessmen who envies). It is also interesting as a period piece, showing the contradictions and miseries lying behind Italy's postwar economic miracle.

Lorsqu’on est veuf depuis peu, il est difficile de s'habituer à sa nouvelle vie... C’est le cas d’Hubert Jacquin, qui passe le plus clair de son temps dans son immense appartement à déprimer devant sa télé. Un beau jour, suite à un quiproquo, sa vie va être bouleversée. Manuela, une jeune et pétillante baroudeuse à la recherche d’un logement s’invite chez lui ! D’abord réticent, Hubert va vite s’habituer à la présence de cette tempête d’énergie, qui parvient même à le convaincre de loger deux autres personnes. Entre les errements de Paul-Gérard que sa femme a quitté et les gardes à l'hôpital de Marion la jeune infirmière un peu coincée, la vie en colocation va réserver à Hubert de nombreuses surprises…

自从妻子死后，弗雷德（东尼·卡斯 Ton Kas 饰）一直过着独居的寂寞生活，每天的作息时间几乎分秒不差，他本人则像被上了发条的机器人那样，对生活燃不起丝毫的热情与兴趣。就是这样一个人，在某一天，他与名叫席欧（雷内·凡特·霍夫 René van 't Hof 饰）的流浪汉相遇了，在阴差阳错之中，这个满脑子奇思妙想总是不按常理出牌的席欧住进了弗雷德的屋子，开始了和弗雷德的共同生活。 一次偶然中，弗雷德发现他和席欧共同表演的“动物模仿秀”竟然在儿童之间大受欢迎，新世界的大门就此打开，弗雷德和席欧之间逐渐产生了犹如家人一般的亲情。然而，随着时间的推移，街坊邻里之间关于席欧的议论愈演愈烈，这个神秘男人背后的秘密也逐渐揭开。

An elegant dandy - he of suit, vest, tie, and top hat - ignores his wife at dinner in favor of his newspaper, so she tearfully leaves him and returns home to mother. He is ecstatic, dancing a jig at the prospect of new-found freedom, but after a series of disasters as he washes up the dishes, shops and cooks, makes his bed and tries to get a night's sleep, then looks unsuccessfully for his tie in the morning, he's at his wit's end and the place is in shambles. Will his better half return?

1815年8月，在北卡罗莱纳州，一个农民鳏夫在回家的路上，他每年销售他的产品，购买股票和商品后，他将需要过冬。在他的旅程中，他遇到一个离家出走的奴隶——一名年轻女子，她正在被追杀。他决定违反法律，帮助这个奴隶获得自由……

John, a widower still trying to cope with the death of his wife and the fractured relationship with his family, and his best friend Charlie, who has been battling his own demons, embark on a cross-country trek on vintage motorcycles to meet John's newly-discovered adult son. They both discover more about themselves in the process.

帕尤布是一位带着两个儿子的单身父亲，他是一名电视名人。塔西娜刚从国外回来，打算帮母亲打理生意。帕尤布对她产生了兴趣，并试图接近她。他凭借自己的外表和魅力，还向她母亲谎称自己拥有一颗大红宝石。于是，她母亲便允许他追求自己的女儿。

妻子過世後，文學教授因悲傷而鬱鬱寡歡。他試圖維持日常生活，卻徒勞地困在死亡的陰影裡。不論晝夜，妻子的形影始終縈繞不去；破碎難分的意識，如同夢遊者或鬼魂般，穿梭於拼貼跳躍的敘事中，在理智邊緣徘徊。眼前看似穩固的事物逐漸淡去，記憶與現實之間的界線越來越模糊……。

当帕努（Panu）的双胞胎孩子奥利（Oley）和妮妮（Nene）希望老师卡拉凯德（Karaked）成为他们的继母时，这两个孩子开始充当丘比特牵线搭桥。但他们面临着重重阻碍，卡拉凯德的父亲萨穆尔贾伊（Samurjai）将军想尽办法干涉帕努和卡拉凯德之间的关系，而双胞胎的外祖母坤·暖凯（Khun Nuankae）则想获得这两个孩子的监护权。因此，帕努必须用他的爱和真诚来向……证明。