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    麦田自卫记 - 短剧

    2026短剧
    大婚当天,新郎为了抄近路,竟指挥近20辆婚车碾压老李守护的10亩“科学试验田”。这片麦田承载着“一亩加倍创收”的新型转基因品种希望。面对新郎的傲慢与无视,老李好言相劝无效后,毅然倒在婚车前,以身躯阻止车辆通过,并怒吼“要碾就碾过我的身体!” 他誓死捍卫这片关乎未来农业发展的科研麦田,一场关于责任、尊严与科学的激烈冲突就此爆发。

    自卫 - 电影

    1983加拿大剧情·惊悚·犯罪
    During a police strike in Nova Scotia's capital city, a gang of hoodlums end up unintentionally causing the owner of a gay bar to be killed. This escalates into a string of murders with a lone survivor trying to not be next.
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    自卫 - 电影

    2009法国短片
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    自卫 - 电视剧

    2010美国惊悚·动作·犯罪
    Kirstie Alley's Big Life is an American reality television series on A&E that debuted March 21, 2010. The series chronicles the life of Kirstie Alley as she works to lose weight, launch a weight loss program and being a single mother.The series was distributed and aired on A&E prior to the series being shifted to Lifetime.
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    麦田 - 电影

    2009中国内地动作·剧情·历史
    知名导演何平六年磨一剑的电影作品《麦田》将于2009年暑期上映。影片以历史上的长平之战为背景,讲述了一个乱世传奇故事。
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    麦田 - 纪录片

    2011中国大陆纪录片
    1000年前,北宋灭亡,皇帝陵墓遭受彻底破坏,只余下数堆荒冢和矗立于麦田之中的近千座石刻。立于石人之下仰望,四目交汇,恍然时空原点隐约可见,历史的烟云经千年隧道滚滚而来,瞬间凝结成现时的生动,守墓老人满脸皱纹的笑容顿时让人无限感伤。 《麦田》没有解说词,没有对白,也没有层层递进的故事,只有在石人的俯瞰之下,时空从现时出发一往无前的流变。
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    自卫艺术 - 电影

    2019美国喜剧
    生活中一向谨小慎微的凯西(杰西·艾森伯格饰)终于耐不住常常被人欺凌的限制,恰好街区里一家空手道馆正招收学员,于是抱着增强自卫本领保护自己的初衷…
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    自卫的艺术 - 电影

    2019美国喜剧·犯罪·剧情
    Bleecker Street购得莱利·斯特恩斯执导的黑色喜剧新片《自卫艺术》 的全球发行权,杰西·艾森伯格、伊莫珍·波茨、亚历桑德罗·尼沃拉主演,艾森伯格饰演一个在街上莫名遭遇攻击的倒霉孩子,后加入柔道训练学校跟着极有魅力又充满神秘的师傅(尼沃拉饰)学习自卫防御术,揭开了充满兄弟会情谊、暴力、超男子主义的邪恶世界的面纱,波茨扮演的女主角正努力奋斗想取得一席地位。该片已于周一在肯塔基开拍。
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    自卫术 - 电影

    1941美国动画·短片·喜剧
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    自卫市街 - 电影

    1951意大利剧情·犯罪
    LA CITTÀ SI DIFENDE (Italy 1951) Poverty and hunger lead four men to rob the stadium cash register during a football match on the outskirts of Rome. The four of them scatter while fleeing from the police. One of them, a former successful football player called Paolo (Renato Baldini) who has never really got back on his feet after breaking his leg, is spurred on by an additional motivation: he hopes to win back his former lover Daniela (Gina Lollobrigida), who left him after he was no longer able to offer her the living standards she desired. As already in GIOVENTÙ PERDUTA, Pietro Germi connects elements of Neo-realism with film noir tropes.
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