威斯特法伦南看台是多特蒙德的心脏，那里有最激情的呐喊，导演马滕斯(Klaus Martens)拍摄纪录片，通过16架摄像机记录了南看台球迷们的比赛日画面。90分钟的影片带你见证威斯特法伦南看台最震撼人心的场景

高中毕业典礼晚上，三个好友群聚，酒酣耳热之际，有人提议分享一个不为人知的秘密，而没有秘密的人，这个晚上就要想办法创造一个⋯⋯

女人每天下班，都是先坐地铁，在地铁里玩着无聊的游戏，然后再坐老公的车回家。这天，她和往常一样，但是出了地铁，老公竟然还没到，她给老公打电话，但总是无法接通。月黑风高，寒风刺骨，她感觉到在哪个阴暗的角落，有个人影一直在盯着她。她害怕不已，走向不远处的公交车站。这时，突然角落里的人影冲向她，竟像她老公一样质问她，跟她拉扯，还把她的电话打掉在地上。她求助，但是路人都不相信她。她最终被拉进一个车里，消失在茫茫黑夜中。

利用很浅的景深以及局部特写把大型涂鸦、壁画和现实街景实现融合,或者壁画模特走到前景与背景的人物轮廓重合,这种有趣的视觉游戏与Varda出身摄影有关,或应和了内容:八十年代LA的涂鸦艺术成为不同族群表达和重塑身份的方法-亦是视觉的假象?画外音中的絮语与影片内容组成了标题Mural Mur的双关.

The movie tells the story of two brothers, Vijay and Ravi Verma, who follow different career paths: Vijay is a smuggler and Ravi the policeman who is asked to hunt Vijay down. Vijay Verma (Amitabh Bachchan) and Ravi Verma (Shashi Kapoor) are the sons of a trade unionist, Anand Verma(Satyen Kappu), who was defeated and disgraced by the management of his firm using his family as bait. Unable to bear the public disgrace father deserts the family, and the sons are raised by their mother(Nirupa Roy)who brings them to Bombay City, who suffers the trials and tribulations of a poor single mother. Vijay Verma, the elder brother, grows up with an acute awareness of his father's humiliation and is victimized for his father's supposed misdeeds. In the process of fighting for his rights Vijay, who starts out as a boot polisher and becomes a dockyard worker in his youth, becomes a smuggler and a leading figure of the underworld.

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. His path is open - at least as far as the next wall... A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 1966 Special Prize, London 1966 First Prize, San Francisco 1966 First Prize, Belgrade 1966 Honorary Diploma, Locarno 1966 City of Zagreb Award 1966 Special Diploma, Bergamo 1966 First Prize, Mamaia

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。

一段人类历史上最黑暗的过去，陷入法西斯狂热的哥哥，因法西斯失去年轻生命的弟弟，总有很多人为少数人伪装过的私欲所操纵，并终将被自己建起的围墙所囚禁。

这是一个发生在普通街道上的革命故事。表面上看，阶层间的差距好像不算大，但实际上有着天壤之别。上层人士高高在上，他们衣着光鲜，只看得见自己巨大的脚步，以欺负弱者为乐，偶尔会施舍一些食物。下层民众如同老鼠，挨饿受穷，整日躲躲藏藏，不见天日。而故事的主角是一只拥有人类行为和智慧的老鼠，面对如此艰难的环境，它决心做出改变。